Tag Archives: Brad Pitt

Cinema Dispatch: Once Upon a Time in Hollywood

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Once Upon a Time in Hollywood and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Quentin Tarantino

I really didn’t want to see this movie.  In fact, if ANYTHING else had bothered to come out this weekend I would have seen that instead, but nope!  Everyone had to make way for this film so I guess I have to try and be professional!  I don’t know, with everything we’ve heard about Tarantino recently it’s just hard for me to get excited to see his movie’s again; let alone support a new one.  Cancelled or not, I just personally feel very much deflated thinking about him and going to see his latest movie just felt like even more of a somber experience.  Still, while acknowledging the very real and very important context of the artist behind the art, is there a good movie to be found here?  I guess we might as well find out…

Rick Dalton (Leonardo DiCaprio) is an actor struggling to find steady work in the hectic world of late sixties Hollywood after a rather unsuccessful string of movies following a decent television career playing the lead role on a western.  His stunt double Cliff Booth (Brad Pitt) has stuck with Rick all this time since he’s had trouble finding work elsewhere and seems to have accepted his lot in life even if he’s basically Rick’s assistant at this point.  Fortunately for Rick, he’s got a decent gig lined up playing the bad guy in some TV pilot which will hopefully get him some attention (otherwise he’ll end up doing Spaghetti Westerns which I guess weren’t good things to be in at the time) and this also means that Cliff has the day to himself which he uses to pick up a hitchhiker (Margaret Qualley) who wants to introduce him to her buddy Charlie who’s got a bunch of followers out in the desert.  Oh, and on top of that Sharon Tate (Margot Robbie) is Rick’s next door neighbor, and she’s doing stuff as well like… seeing movies and dancing around the house.  Can Rick nail this latest role that may be his last chance to stay relevant?  What will Cliff find at the compound the hitchhiker is taking him too, and will he be able to leave if things get out of hand?  Is it just me, or is Tarantino trying a bit too hard here?  Or perhaps not hard enough?

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“Do you want me to say ‘Nazi scalps’ yet?”     “No, we’re not doing that again.”     “Really?”     “…Okay, let’s not rule it out completely.”

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Cinema Dispatch: Deadpool 2

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Deadpool 2 and all the images you see in this review are owned by 20th Century Fox

Directed by David Leitch

The first Deadpool was really solid for what it was, and I know that sounds like a backhanded compliment, but it only SORT of is!  It was not so much a movie in its own right as it was a proof of concept for a character to show how something this dark, comedic, and off the wall can be done in the super hero genre.  It makes sense considering this character had pretty much been struggling to prove itself for years as a cinematically viable presence what with the awfulness that was Origins Wolverine (there was an even a stinger for him to return in later X-Men films) or even that CG rendered test footage that became the big car action scene in the real film.  I wasn’t THE MOST thrilled with the end result as a movie, but I was glad that Ryan Reynolds found a character perfectly suited for his capabilities as an actor and that a studio was finally ready to back him up on that.  Now that EVERYONE knows who Deadpool is and are ready to see him in action outside of an origin story, is there enough left to work with to make the amazing film he truly deserves, or was he just a gimmick the whole time and lightening won’t be striking twice for this one?  Let’s find out!!

After getting his revenge, resolving his character arc, and making a boat load at the box office, Deadpool AKA Wade Wilson (Ryan Reynolds) is living his Merc with a Mouth life full of blood, snappy quips, and awesome days with his lady love Vanessa (Morena Baccarin).  Sadly the good times won’t last forever and Wade is basically left to his own devices which can only spell doom and gloom for those foolish enough to get in his way… unless of course you’re made entirely out of metal.  Oh hey!  His best buddy Colossus (Stefan Kapičić) is made of metal!  Maybe he can get Wade out of his funk and FINALLY get him to join the X-Men!  Thing is, that’s KIND of a monkey’s paw wish as he DOES indeed join the team (as a trainee) but right away screws things up when a young mutant named Russell (Julian Dennsion) gets himself into trouble and Deadpool comes to his aid in a manner that doesn’t QUITE meet the X-Men code… or the law, and winds up going to Mutant Jail which is apparently a thing.  If that wasn’t bad enough, there’s ALSO a half cyborg dude named Cable (Josh Brolin) pulling a Terminator by coming back to the past to save the future and it SEEMS to involve both Wade AND death, so Deadpool certainly has his work cut out for him in order to escape prison, keep the kid from ending up a reprobate like himself, and stopping the Future Cop from whatever the hell it is he plans on doing.  Will Wade learn how to not just be an irreverent jackass, but an irreverent jackass with a HEART?  Just how far will Cable go to complete his mission, and how much collateral damage will Wade have to suffer because of it?  He may not be the best man for the job, but is he at least the FUNNIEST one!?

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“This isn’t really going as I planned.”     “Do you want to take a break?”     “No no no!  I’m good!”

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Cinema Dispatch: Allied

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Allied and all the images you see in this review are owned by Paramount Pictures

Directed by Robert Zemeckis

Oh hey!  I remember that guy!  Didn’t he do that one movie no one saw last year?  Sure, Zemeckis hasn’t had the best track record since Cast Away (mostly due to his obsession with CG animated films for a while there), but The Walk was a pretty solid film that just didn’t get much attention for some reason.  Sure, it wasn’t full of explosions or even A list actors (Joseph Gordon Levitt still has a ways to go), but it still a really well made little caper that kept things light and fun.  Now it seems that Zemeckis is going in the opposite direction with this sizably budgeted war thriller with two super stars in the cast and a much more intense feel to it.  Not to say that any of that is a BAD thing; it’s just interesting that his new film seems to be so diametrically opposed to what he did just last year.  Is this movie not only another stellar outing for Zemeckis but the big hit that The Walk just couldn’t manage to be, or will we be wishing to see Philippe Petit walk across another tightrope before this film is over?  Let’s find out!!

The movie begins with Canadian Super Spy Max Vatan (Brad Pitt) arriving in Casablanca Morocco to meet up with French Resistance Fighter Marianne Beausejour (Marion Cotillard) to do the one thing you’re supposed to do Casablanca during World War 2; kill some damn Nazis!  Say what you will about the greatest generation; at least they knew not to VOTE for them!  Of course, during the course of this mission they end up falling in love and Max manages to get Marianne passage to England so that they can get married and he can take a desk job in British Intelligence.  Things seem to be going well for some time (they even have a kid together), but then one day some dude who’s like fifty pay grades above Max that they suspect Marianne to be a German Spy.  Not only that, but if they find OUT she’s a spy then he’ll have to kill her with his own hands; lest he get charged with treason hang from a noose.  Okay… I’m pretty sure that’s still murder even if some dude in the government tells you to do it, but whatever.  Needless to say that Max doesn’t buy this for a second and then proceeds to break every rule in the book to try and prove his wife’s innocence despite the evidence this government dude is laying out for him.  Will Max find the truth and is it the truth he’s hoping for?  Where exactly did the higher ups get all this evidence, and why are they coming to Max like this while they’re still investigating?  If she’s REALLY a Nazi what the hell could she POSSIBLY hope to get by going THIS deep under cover for THIS long when she’s hooking up with THIS pencil pusher!?

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“Did you get that promotion yet?”     “No, I’m still in Human Resources.”     “Oh well.  Let’s play Show Me What’s In Your Briefcase!”     “Again!?”

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Cinema Dispatch: The Big Short

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The Big Short and all the images you see in this review are owned by Paramount Pictures

Directed by Adam McKay

So the guy who directed both Anchorman Movies, Step Brothers, and The Other Guys is gonna sit here and try to tell us about the housing crisis?  Yeah right!  Who’s gonna take THAT seriously!?  Wait, they’ve got Christian Bale, Brad Pitt, AND Ryan Gosling?  It’s also written by the writer of Moneyball?  Well I certainly didn’t see THAT coming. Then again, it’s not like he hasn’t taken on relevant targets in the past.  Just look at Anchorman 2!  That took a lot of pot shots at Fox News and the media in general, even if it was surrounded by a lot of stupid.  So can the guy who brought us four Will Farrell man-child movies manage to make something a bit more mature while still giving it a proper sense of humor, or will this be just another painful example of someone who is WAY out of his depth and has no idea what the hell their doing and go back to his old shtick to give us Step Brothers 2: Now There’s Three of Them or Something?  Let’s find out!!

The movie follows several people in the years leading up to the big financial crisis of 2008 brought about by the crash of the housing market.  As we interweave between these stories of people who saw it coming, it’s slowly dawns on them (and the audience) just how absolutely unattainable the market was at the time and just how corrupt the system got which is what led to everything going to hell.  That’s really about it as most of the characters serve as either audience avatars or exposition machines to keep the audience in the loop as to what’s going on.  It’s definitely more about giving the us an idea of the scope of the problem rather than telling personal stories within them, but a couple of the character eek out an arc here and there like the young investors Charlie Geller and Jamie Shipley (John Magaro and Finn Wittrock) who are new to all this and get caught right in the god damn middle or even Mark Baum (Steve Carell) who’s already got it out for the big banks and at first sees this as just another thing to call them out on until he realizes how dep the rabbit hole goes in all of this.

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“You ever see that movie Basket Case?  Imagine that America is Duane Bradley and everyone in this room is fucking Belial.”

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