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Cinema Dispatch: Queen & Slim

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Queen & Slim and all the images you see in this review are owned by

Directed by Melina Matsoukas

Seriously, how weird is it going to be when Daniel Kalula finally sells out?  True he was in that Johnny English sequel that I haven’t actually seen, but his career since 2015 has been an absolutely sterling one with great performances in Sicario, Get Out, Black Panther, and Widows.  Now he’s back with this film which looks to be one of the standout films of awards season, so we can only hope that his star continues to rise or that his inevitable cash in project is one that is utterly hilarious; like when Laura Linney showed up in that Teenage Mutant Ninja Turtles sequel or how Nic Cage’s first film after Leaving Las Vegas was one-two-three punch of awesome nonsense called The Rock, Con Air, and Face/Off.  ANYWAY!  With this movie taking on such a hot button subject matter with a great cast and a stylish looking presentation, does it manage to be one of the best films of the year or were we all fooled into seeing an utter train wreck?  Let’s find out!!

Ernest Hines and Angela Johnson (Daniel Kaluuya and Jodie Turner-Smith) who I don’t recall ACTUALLY being called Slim or Queen in the movie, are out on a rather mediocre first date when the Sword of Damocles that hangs over all people of color in this country comes crashing down on their heads in the form of a traffic stop.  Within minutes of doing absolutely nothing, Ernest has a gun pointed at him and Angela is reaching for her cell phone to get this on film for both their sakes.  The racists cop (Sturgill Simpson) doesn’t take long to shoot the unarmed woman in the leg and Ernest has no choice but to tackle the cop, wrest the gun away, and in the ensuing conflict he shoots the cop dead; leaving the both of them in a dire predicament.  Know what is waiting for them if they get taken alive (which in and of itself seems like a slim possibility) Ernest and Angela get in the car and start driving as fast as they can to Angela’s uncle’s place a few hours away for shelter where they can regroup and come up with a plan.  If they can somehow get to Florida and find a plane to take them to Cuba they should be safe at least for the time being, and so Uncle Earl (Bokeem Woodbine) gives them a bit of cash, a decent car, and the address of an old army buddy (Flea) who may just be able to get them that plane.  Along the way however, they must contend with the closing in manhunt, staying under the radar, and making snap decisions on who they can trust, where they can hide, and just how much they can trust those they meet along the way.  Can Queen & Slim manage to survive this journey and avoid the corrupt system that condemned them before they did anything wrong?  What impact will their story have on the country and on those they meet along the way?  Did any of those rich old jerks from Get Out think about these realities of being black in America when they were switching brains?  I DIDN’T THINK SO!!

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“I had to kill four white people for my freedom already, and now I have to deal with THIS!?”

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Cinema Dispatch: Overlord

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Overlord and all the images you see in this review are owned by Paramount Pictures

Directed by Julius Avery

I know World War II movies are pretty common during Oscar Season, but I still don’t think the Academy is gonna be looking towards this movie once voting begins.  One of these days there’ll be a zombie movie that takes home the gold, but until then we’ll just have to make do with what we’ve got which in this case actually looks pretty darn good!  I mean sure I’m not the BIGGEST JJ Abrams fan, even when it comes to stuff that he’s only producing and not directing, but he managed to turn Star Wars and Star Trek into sold movies for contemporary audiences, so maybe his outfit can do the same for World War II occult movies of which there’s actually a lot more than you’d think!  Will this be the movie exceed everyone’s expectations despite its seemingly low brow premise, or is this another example of a great idea failing to live up to its absurd potential?  Let’s find out!!

Private Ed Boyce (Jovan Adepo) is not what you’d call a happy camper.  He was just some guy living his life in peace, presumably doing his part for the war effort, and then one day Uncle Sam tells him to stop buying War Bonds because he’s going to stab some Nazi bastards himself!  At least he MIGHT get to do that if the plane he’s on doesn’t get shot down before they even get to where they’re going, but what are the chances of THAT happening?  Actually a lot higher than you think which leads to him and a few other stragglers including Ford, Tibbet, and Chase (Wyatt Russell, John Magaro, and Iain De Caestecker) to complete their mission all on their own.  Said mission is to get to a French church that’s been overtaken by Nazis and destroy the radio tower that’s been constructed there which is causing problems for the Allies, and they need to do it on the double!  Along the way they meet a civilian named Chloe (Mathilde Ollivier) who lives in the occupied village next to the church wants to scalp Nazis as much as most of them do, and so they must work together if they are to not only shut down that tower but free her village from the bastards who just love to kidnap the villagers when they aren’t outright shooting them dead in the streets.  If that wasn’t bad enough however, rumors have been flying about what else the Nazis might be up to in that Church and it’s surely something these soldiers are not the least bit prepared to deal with on top of the neigh impossible mission they’ve been saddled with.  Can our heroes take down that tower and stop whatever is going on in that Church (*cough* zombies *cough*) before it’s too late?  Is Private Boyce prepared to do what’s necessary to complete the mission, or will he buckle under the pressure of what he’s being asked to do for his country?  Is JJ Abrams STILL trying to pull that whole “mystery box” shtick even when the premise is THIS obvious and telegraphed!?

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“Those aren’t zombies!  Those are Killer Klowns from outer space!  Welcome to the Killer Klown Extended Universe!”

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Cinema Dispatch: Spider-Man: Homecoming

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Spider-Man: Homecoming and all the images you see in this review are owned by Sony Pictures

Directed by Jon Watts

So after a decade of crappy reboots and custody battles, Spider-Man is finally gonna start living with BOTH his parents; sticking with Sony but being able to visit Disney on the weekends.  To celebrate these two studios begrudgingly working together to make a lot of money, we have the third reboot of the Spider-Man franchise getting a whole move all its own with a little from column Sony and a little from column MCU.  Considering how bad things had gotten for the character with the two Amazing Spider-Man movies and how reliable the MCU is when it comes to making above average blockbusters, it’s unlikely that this will end up a disappointment for anyone who’s been hoping to see a Spider-Man movie with the official Marvel stamp of approval, but if it can ONLY manage to be better than the previous iteration… well I can hardly think of a more textbook definition of Damning with Faint Praise.  Does this manage to stand on its own as a great film, or has Marvel finally met its match by having to work with another studio for once!?  Let’s find out!!

The movie picks up right after Civil War where Peter Parker (Tom Holland) is spending his day doing his Friendly Neighborhood Spider-Man thing, but is getting antsy over the fact that Tony Stark (Robert Downey Jr) won’t return his calls.  Neither will Happy (Jon Favreau) who’s supposed to be keeping an eye on him and is clearly doing a poor job of it since even a LITTLE bit of attention might have kept him from doing something stupid!  Said stupid thing is when he starts tracking down a group of alien gun smuggles head up by Adrian Toomes who played by Michael Keaton (Oh hey!  I guess he DID live long enough to become the villain!) and soon finds himself in over his head.  Not only does he have to deal with REAL tough guys instead of street thugs, he also has to deal with the problems of being a teenager such as having a crush on a senior named Liz (Laura Harrier) trying to sneak around Aunt May (Marisa Tomei) and having to deal with his friend Ned (Jacob Batalon) who accidently found out his secret identity.  Can Spider-Man stop the bad guys AND get his math homework done?  Will Tony Stark eventually notice him once he takes down such a dangerous criminal, or will that only make things worse between them?  Oh I’m sure he can handle all this!  He’s a super hero, right!?

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SYMBOLISM!!

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