Sing 2 and all the images you see in this review are owned by Universal Pictures
Directed by Garth Jennings
Was anyone expecting the first Sing to be anything more than cloying and treacly? I mean it’s not like Illumination has a great track record for this kind of thing, especially with those toothless Seuss adaptations, but they somehow pulled it off with that movie which was sweet, sincere, and my favorite animated movie the year it came out! The moment that it was over though, I knew that a sequel was coming and that it was probably going to be a bad idea. The first one worked as its own story, so trying to fit another one on top of it seemed like typical sequel folly and an obvious attempt at a cash grab. Then again, it’s not like I was expecting anything out of the first one and it managed to surprise me, so why not the sequel as well? Can this movie capture the magic of the first film and give us the rare animated sequel that is just as satisfying as the first one, or should we just be glad that we got a good movie in the first place and write this one off as a mere victory lap from Illumination? Let’s find out!!
Following the events of the first film, the Moon Theater is back and better than ever! The all-star cast of Meena, Johnny, Rosita, and Gunter (Tori Kelly, Taron Egerton, Reese Witherspoon, and Nick Kroll) are living their dreams and selling out shows every night; all of which should make Buster (Matthew McConaughey) who owns the theater very happy, right? I mean that’s kind of the dream that they were all striving for in the first one! Well… no. Apparently, they all want to go to the Sing universe equivalent of Las Vegas and perform shows there; presumably next to furry versions of Blue Man Group and Carrot Top. After a talent scout (Chelsea Peretti) brushes them off, Buster drags his cast as well as Ash (Scarlett Johansson) to the big city to prove that scout wrong and appeal to the biggest producer in the city; Jimmy Crystal (Bobby Carnavale). Through some high-level schmoozing and a white lie here and there, he agrees to give them a shot; albeit it with quite a few strings attached. They have three weeks to throw together a lavish Broadway-style show from scratch, they have to include Crystal’s daughter Porsha (Halsey) in some way, and they need to find rock legend Clay Calloway (Bono) so he can be a part of the show. That last one, in particular, is going to be difficult as no one has seen or heard from him in fifteen years, but if Buster says he can get him, then by Jove, he’s gonna get him! Can the crew pull off yet another amazing show, even with the added pressures of a bigger production and an overbearing executive? What new challenges will our heroes face on their latest venture, and is this perhaps the end of the road for them? I mean it’s not like Buster has a habit of getting in over his head, right? Surely he knows what he’s doing!
Tom & Jerry and all the images you see in this review are owned by Warner Bros Pictures
Directed by Tim Story
The pandemic has been awful for everyone, but I have no doubt that a few movies were relieved to avoid having to release in theaters and have dismal box office returns; particularly the movies that were already being pushed further and further back looking for the least competitive window possible to MAYBE scrape by at number three on slow weekend. My Spy certainly springs to mind, as does this movie which didn’t exactly light the world on fire with its trailer and frankly I was not looking forward to sitting through it when Warner Bros put it on their HBO Max slate. Still, even if it looks a bit cheap and cheesy for the big screen, perhaps it plays a bit better on the smaller one and will find its niche in the streaming market. Is this a fun little romp for the kids that captures the spirit of these classic characters, or is it yet another lousy cash-in that’ll come and go faster than the LAST time they tried to bring these characters to the big screen all the way back in 1992? Let’s find out!!
Thomas D Cat and Jerome A Mouse are two critters roaming the streets of New York City; one looking for a place to stay that has lots of cheese and the other hoping to be the world’s most famous keyboard playing feline right after Keyboard Cat. Their paths cross when Jerry interrupts his concert in the park and after a series of convoluted antics; one ends up in a fancy hotel chomping holes into walls and stealing food while the other is left homeless and with a broken keyboard. Try to guess which one is which! Said hotel by the way has a new employee named Kayla (Chloë Grace Moretz) who faked her way into the position and is trying to prove herself by fixing the hotel’s mouse problem in preparation for an upcoming celebrity wedding that will take place in the hotel’s banquet hall. The current supervisor (Michael Peña) is skeptical of Kayla and is looking for any excuse to get rid of her, so she has to bring in a mouse catching ringer and decides to hire this cartoon cat that clearly has it out for the little mouse. Will Tom be able to stop Jerry’s antics and earn a decent salary to fund his hopes and dreams? Will the wedding go off without a hitch, or is there more going on with the celebrity couple that can only come to light via cartoon animal violence? I know the movie is out and I’ve sat through it already… but are we sure this is even a real movie?
Ant-Man and the Wasp and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Peyton Reed
The first Ant-Man is easily one of my favorite Marvel films and has always felt like an outlier in the MCU because (incoming pun VERY much intended) it knew the value of going small. The fate of the world wasn’t at stake, it didn’t involve Gods, Kings, or vast armies of convenient cannon fodder; rather it was a heist film about a guy who basically just needed a job and got wrapped up in a while bunch of sci-fi nonsense! It was fun, it was light, and it didn’t have the weight of a dozen other films dragging it down which, given my lukewarm reception to the more recent BIG TEAM UP MOVIES, is just the kind of Marvel film I could really use right about now. Seriously, I couldn’t IMAGINE a better time to make a goofy palate cleanser than in the wake of Infinity Bore which I’m STILL feeling rather grumpy about and could certainly use something like this to take my mind off of it. Does this manage to be the perfect antidote to the overly serious and bombastic Avengers film that preceded it, or does the specter of that film loom large enough over the MCU that even THIS series cannot escape from its massive shadow? Let’s find out!!
The movie begins in that period between Civil War and Infinity War where The Avengers are basically split up but no one is all that freaked out about it. Spider-Man is doing his thing on the East Coast, Black Panther is dealing with his kingly duties in Wakanda, and it turns out that Scott Lang (Paul Rudd) has been doing… nothing. Yeah, it turns out that after helping Captain America in Civil War and taking a plea deal with the US government, he’s under house arrest and hasn’t been doing his Ant-Man thing in a while; especially since the Sokovia Accords (ugh…) have an odd stipulation that the people who MADE the tech he used are JUST as responsible as he is and need to face similar punishments. Well jeez, I kinda wish we ACTUALLY had that with gun manufacturers, but what it means here is that Hank Pym and Hope van Dyne (Michael Douglas and Evangeline Lilly) are on the run and decidedly not talking to Scott for putting them in this situation in the first place… not that they could considering he’s under house arrest. Jeez, kind of a downer way to start the movie, BUT things get better once Scott starts having night terrors about the Quantum Realm and Janet van Dyne (Michelle Pfeiffer) who is the mother of Hope and the wife of Hank, and manages to get this message to those two who swiftly kidnap him MERE DAYS BEFORE HIS HOUSE ARREST IS UP! It turns out that the two of them have been continuing their research while running from the law (pretty easy to do when you have the ability to shrink) and they’re VERY close to making a tunnel to the Quantum Realm (that place you go to if you shrink TOO SMALL and where Janet ended up after doing so on a mission) but apparently Scott has some connection to it and potentially to Janet due to him somehow escaping it in the first film. Okay, so Scott helps them with the Tunnel and with any clues he may have about Janet from his dreams, and then they just drop him off at his house before the cops realize he’s gone! Easy enough, right!? Well… not exactly. Throw in some wannabe gangsters looking to snag their research for profit (led by professional scumbag Walton Goggins), a mysterious woman who has bad ass phasing powers (Hanna John-Kamen) trying to steal their research for reasons OTHER than profit, and all of a sudden it looks like Scott might end up going to jail for twenty years because he got caught up in some giant caper yet again and could get caught out of the house at any moment by FBI agent Jimmy Woo (Randall Park) who is just itching to put him away for good! Can Scott, Hope, and Hank find out what happened to Janet and maybe save her from the Quantum Realm? What exactly is the mystery phasing lady after, and just how far will she go to get her hands on their research? When they get that glove away from Thanos, can we use the Time Stone to go back and make EVERY Marvel movie about Ant-Man and The Wasp?
I, Tonya and all the images you see in this review are owned by Neon
Directed by Craig Gillespie
We can’t have an Oscar Season without at least ONE off the wall biopic, right!? Sure, you’ve got the more straightforward historical dramas like The Post and Darkest Hour, but despite Scorsese striking out with The Wolf of Wall Street at The Oscars, it still made a huge impact and many have tried to recreate its success since then. Not only that, but the fact we’re starting to look back at the nineties in a historical context with at least two recent OJ Simpson projects getting a huge amount of critical praise, it’s no wonder that right after him we get to the other big crime story of that decade; the assault on Nancy Kerrigan and Tonya Harding’s possible involvement with it. Does this reexamination of one of the biggest names in nineties pop culture end up being a phenomenal look at her life and the decade around it, or is this a cynical cash grab trying to get a jump start on Gen X and Millennial nostalgia? Let’s find out!!
Back in the early nineties, Tonya Harding (Margot Robbie) was one of the most prominent names in Women’s Figure Skating; having come from a very poor background and taking a lot of her social upbringing into her performances. Despite Figure Skating being a sport that prizes tradition and perfection in its (none of that uncouth “rock and roll” music!), they could not ignore Harding who was a natural on the ice and the first American female figure skater to land a triple axel (a feat accomplished by Midori Ito and Mao Asada from Japan a few years earlier). Still, it wasn’t an easy road as she had to deal with her abusive mother LaVona Fay Golden (Allison Janney) and her just as abusive husband Jeff Gillooly (Sebastian Stan); both of whom seemed hell bent on making her life miserable despite swearing they were only looking out for her best interests. Things get complicated though when Tonya’s anxiety and even paranoia start to get to her as the weight of her modest celebrity as well as the skills of other skaters made her quite distressed. From here, we start to get speculative about what happened, but the general idea is that one of Jeff’s friends Shawn Eckhardt (Paul Walter Hauser) has a friend of his attack one of Tonya’s rivals Nancy Kerrigan (Caitlin Carver) and the big mystery surrounding it is just how much did Tonya know about what was happening. Did she orchestrate the attack herself? Was she aware that it was going to happen but said nothing to stop it? The movie addresses these questions and more as this dramatized retelling of her story gives us not only a look at the facts as we know them of the case, but the media circus that built up around it and the… interesting characters that were involved. Oh, and there are a few skate numbers as well!
Jumanji: Welcome to the Jungle and all the images you see in this review are owned by Sony Pictures Entertainment
Directed by Jake Kasdan
So I guess the nineties nostalgia train is just gonna keep on rolling until it either runs out of steam or derails horribly (the latter probably if someone gets the idea to do a Cartoon Network Cinematic Universe), and this latest stop on that journey might be the most baffling yet. Sure the original film is a straight up classic (don’t yell at me! It is!), but did it really have the kind of cultural impact to make what I GUESS is supposed to be a sequel some twenty years later? Maybe that’s why they got one of the most reliably bankable stars right now to take the lead, which to be fair is EXACTLY what they did in the original. Either way, does this manage to live up to the fantastic film that preceded it, or is this yet another soulless cash grab desperately pandering to millennial nostalgia for a quick buck? Let’s find out!!
The movie follows the story of a group of kids stuck in detention for various reasons when they JUST SO HAPPEN upon a video game console that looks kind of like a TurboGrafx-16. Inside there is only a single cart called Jumanji which they decide to play because apparently detention in this school goes unsupervised; especially when its being served out in a storage room full of all sorts of precariously stacked sports equipment and I guess haunted video game consoles. The four kids, Spencer, Bethany, Fridge, and Martha (Alex Wolff, Madison Iseman, Ser’Darius Blain, and Morgan Turner) get sucked into the video game and turn into three character actors and a leading man in the process and now have to find a way to beat the game in order to get back to the real world. Dr. Smolder Bravestone is Spencer’s character (Dwayne Johnson) takes point due to his video game knowledge and brand new smoking bod, Franklin Finbar is Fridge’s character (Kevin Hart) is the animal expert with an infinitely deep backpack, Ruby Roundhouse is Martha’s character (Karen Gillan) as a Playstation 1 era female protagonist, and Professor Sheldon Oberon is Bethany’s character (Jack Black) who knows how to… read maps I guess? Anyway, the four of them have to work together in order to complete their mission of getting some sort of jewel back to its sacred resting place before the EVIL Van Pelt (Bobby Cannavale) shoots them all in the head and takes the jewel for himself. Will these four brave (or at least sort of brave) heroes manage to put aside their differences and work together to escape this CryEngine tech demo? What secrets are hiding in this jungle, and will those secrets contain references to the previous film?
Ant-Man and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Peyton Reed
Marvel films have gotten quite a bit of criticism recently which is to be expected with a studio that has become so omnipresent in popular culture. When something gets this big, it’s only natural that a lot more voices enter the conversation which means that the overall discussion turns into a diverse mix of varying opinions, and not all of them are going to be positive. Still, it seems that with Ant-Man, Marvel is trying to expand what these movies can be with this one primarily being a heist film rather than what we usually get from this studio, though it hasn’t been a smooth ride what with the original director (Edgar Wright) leaving production partway through. Does this movie succeed in tweaking the formula that made the other films a success, or has the shaky production surrounding this film led to a sub-par outing for a studio trying desperately to convince us that they’re totally going to keep up this track record of excellence for the next decade? Let’s find out!!
The movie begins with a flashback to that most infamous of decades, the eighties. Hank Pym (played by Michael Douglas) is at the height of his career and is respected by all his peers. Unfortunately, it turns out to be 1889 and just like Michael Douglas, Hank’s career is about to take a turn for the worse. He’s working for Shield (which is actually Hydra but whatever) and is the discoverer of what is known as the Pym Particle. Essentially, he made super science goo that makes things shrink which makes aid goo super valuable. Valuable enough that Shield is going behind his back and trying to recreate the formula which is enough for him to quit his job and he vows to let the secret formula die with him.