Bill & Ted Face the Music and all the images you see in this review are owned by United Artists Releasing
Directed by Dean Parisot
There haven’t been many rays of sunshine during the last few months of lock-down, but one of them was the first trailer for Bill & Ted Face the Music. I remember hearing that Reeves and Winter were trying to make this movie back when I was in COLLEGE which at this point that was a depressingly long time ago, but after years of starts and stops, hype and silence, and Keanu Reeves regaining his A-List star clout (as well as becoming everyone’s Favorite Person Ever), the duo have finally returned to give us one more adventure with the Wyld Stallyns. Is it a beautiful trip down memory lane for all the fans that loved this franchise, or is it too little too late for all the years of anticipation? Let’s find out!!
Bill S Preston Esq and Ted Theodore Logan (Alex Winter and Keanu Reeves) have spent their entire lives trying to write the song that unites the world which apparently was NOT God Gave Rock And Roll To You. Apparently someone else wrote that song and the Wyld Stallyns haven’t come up with a better one since then despite releasing several albums over the years; some of which were decent but they fell off the charts pretty quickly and have been scraping by for some time now. At least they have loving families that support them as Bill is still married to Princess Joanna (Jayma Mays) and they have a daughter Thea (Samara Weaving) while Ted is still married to Princess Elizabeth (Erinn Hayes) and they have a daughter Billie (Brigette Lundy-Paine), but the strain is starting to get to them and they might just give up music altogether. Right as they’re discussing the end of their career, a time machine shows up in the driveway and out steps Kelly (Kristen Schaal) who is the daughter of Rufus from the previous films, and she takes them to the future where they high council of… I guess the ENTIRE EARTH informs them that their song to save the world is not only to usher in an enlightened age but to fix some horrific distortion in space and time that if they DON’T fix will end all of reality as they know it. Oh, and they have less than two hours to do it, starting… now! Without much time left to get their act together, Bill & Ted figure the best way to get the song that saves the future is to go INTO the future and the song after it’s already written by their future selves, and while that’s going on Billie & Thea are given a time machine from Kelly to try and muster up a band who will be talented enough to play the song once Bill & Ted get it. Will these two loveable has-beens find a way to save the future before time and reality folds in on itself? Will Billie & Thea turn out to be as good at traveling through space and time as their fathers were, and discover what destiny has in store for them as well? You know, we could really use a Bill & Ted miracle right now, so what are the chances that this is the MOVIE that will unite the world and save reality as we know it?
Geostorm and all the images you see in this review are owned by Warner Bros Pictures
Directed by Dean Devlin
We’ve been getting a LOT of delayed films this year, haven’t we? Tulip Fever took a while to come out, Rings took even longer, and that Amityville Horror sequel or reboot or whatever ended up failing so hard that it was released FOR FREE on Google Play. Not in theaters; on the same storefront where you download crappy Tetris knockoffs and flashlight apps. Now we’ve got this movie which may be the most interesting of the bunch simply because of how much money Warner Bros inevitably sunk into the damn thing to try and recoup its losses. Not quite as much as Monster Trucks, but certainly enough that you’d question if anyone behind this damn thing had heard of the Sunk Cost fallacy. Well it’s finally out now at probably the worst time imaginable (this story keeps getting better and better!) and with very little fan far from Warner Bros who may have finally realized it’s time to cut their losses. Does this movie manage to rise above its troubled production to deliver something at least somewhat enjoyable, or is this possibly an even bigger mess than The Snowman was? Okay, NOTHING is quite as shoddily put together as that film, but will this still be an absolute disaster and not in the way they were hoping for? Let’s find out!!
The movie takes place in the very near future where humanity finally came up with an idea on how to combat Global Warming. Not by recycling or embracing renewable imagery of course, but by putting a giant freaking net of satellites around the globe that can somehow shoot science beams at the earth whenever a tornado, hurricane, or anything else is about to threaten human lives. Jake Lawson (Gerard Butler), who I’m assuming got this brilliant idea from Highlander 2: The Quickening, is the one dude bad enough to put this whole project together which is nicknamed Dutch Boy but is kicked off the project for infuriatingly political reasons. Okay, he punched an inspector in the face, but what ELSE was he supposed to do!? Listen to what he had to say!? Anyway, his brother Max (Jim Sturgess) is the new head honcho of the project but the system starts to malfunction a few years down the road which leads to some isolated but very deadly weather events and no one knows what’s causing them. I guess it’s time for good ol’ Jake to reclaim his throne and go up to the satellite to see what the heck is causing these problems and hopefully stop it before it threatens all life on Earth. Will Jake solve the mystery before it’s too late and find out if its simple malfunctions or sabotage? What will Max find out back on Earth with the help of one of Dutch Boy’s programmers (Daniel Wu) and a hacker that he apparently knows in the State Department (Zazie Beetz)? Just how many things can they manage to blow up with a weather machine!?