Tag: Arthur Conti

Cinema Dispatch: Teenage Sex and Death at Camp Miasma

~ Matt Vetrano ~ Leave a comment

Teenage Sex and Death at Camp Miasma and all the images you see in this review are owned by Mubi

Directed by Jane Schoenbrun

I can’t say I was the biggest fan of I Saw the TV Glow, but it definitely left me with the impression that Jane Schoenbrun was a talented filmmaker to keep an eye on. Perhaps it was an issue of subject matter as I’ve never been much of a fan of Buffy which their previous film took a lot of inspiration from, and am much more of a slasher geek which is what their newest feature is mostly about. Well, that and a bunch of other ideas about identity, sexuality, and the terrifying reality of being yourself, but I think the slasher stuff is what’s gonna clinch it for me. Is this another masterpiece from an up and coming star director, or will this struggle to capture the same lightning in a bottle success of their last feature? Let’s find out!!

Kris Williams (Hannah Einbinder) is an up and coming indie filmmaker who has been tapped by a bunch of studio suits to modernize the long running Camp Miasma franchise; a series of slasher films with a problematic past that could use one of those woke adaptations that the kids are all talking about these days. In the hopes of making a truly authentic reboot, Kris goes to see the reclusive star of the original film, Billy Presley (Gillian Anderson) who just so happens to live on the campgrounds that the film was shot on long ago. With the hopes of a young artist and the cynicism of a young adult, Kris tries to sell Billy on her new ideas for the franchise, but she’s gonna need to impress her with more than just meta-commentary and a more diverse cast if she hopes to get her endorsement. Kris is gonna have to delve not just into the nitty gritty of the venerable franchise, but into the depths of her own soul if she’s going to find any way to connect with Billy and get this project off the ground. Will Kris open herself up to the Billy’s eccentric world view and the mysterious nature of this camp? Why does she chose to live here, and is there more to this old set than memories and gaffers tape? I mean, if I was gonna be toyed by a potentially malevolent diva who may or may not be planning a ritualistic murder… yeah, I’d go with Agent Scully too.

“I can tell that this is gonna be good.”     “What, the chicken?”     “No. I mean… it’s KFC. It’s fine, but no.”
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Cinema Dispatch: Beetlejuice Beetlejuice

~ Matt Vetrano ~ Leave a comment

Beetlejuice Beetlejuice and all the images you see in this review are owned by Warner Bros Pictures

Directed by Tim Burton

The thing about the current wave of nostalgia-bait movies is that it’s not a new problem for Hollywood. The early 2000s were stuffed to the brim with old TV shows being turned into lousy movies, and even before that were several movies trying to cash in on the Boomers’ wistful memories of their childhood. The main difference today is that the Internet has made the conversation about it inescapable, as we all have an opinion on the relative quality of the latest return of a beloved character. Making a sequel to Beetlejuice feels like a lightning rod for this kind of discourse, and yet I think everyone went into this with a lot more optimism than expected. Perhaps we all have such great memories of the original that we’d like to see the premise given it another go, or maybe we all just want Tim Burton to make a good movie again, and we’re all hoping that giving him some sizable training wheels is what will do the trick. Is this a genuinely fresh take on the material that is comparable to the beloved original, or are we in for a mediocre retread from a director well past his prime? Let’s find out!!

It’s been over thirty years since Lydia Deetz (Winona Ryder) moved into that house on the hill where she met the Maitlands and had that terrifying run in with the bio-exorcist Beetlejuice/Betelgeuse (Michael Keaton) who nearly took her as his bride when she was just a teenager. Things have certainly been up and down for her since then, as you’d expect from seeing someone again after so long, and she’s landed a decent gig as an infinitely more charismatic Zak Bagans; hosting a goofy little supernatural TV series for stay at home parents and Boomers who could afford to retire. Her producer Rory (Justin Theroux) has big plans for her career, but fate throws a wrench in all of that when her father dies in a most deliciously ghastly manner; leaving her stepmother Delia (Catherine O’Hara) a widow and her estranged daughter Astrid (Jenna Ortega) without a grandfather on top of losing her father in a bizarre piranha accident. Everyone is brought back to the old Maitland house for the funeral, but being back here isn’t sitting well with Lydia, as she’s been having visions of Beetlejuice/Betelgeuse that seem to only grow stronger the more distressed she becomes. Is the maniacal ghoul up to his old tricks now that Lydia is back in the house and overwhelmed by the grim realities of life? Why did Astrid and Lydia grow so far apart, and can a wacky adventure through the Afterlife them mend the divide? Seriously, can we get a straight answer on how we’re supposed to spell this guy’s name? The guy’s trying to run a business, and you need to have consistency when designing the business cards!

“It’s very simple. Clients call me Betelgeuse, friends call me Beetlejuice, and REALLY good friends call me daddy.”
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