Booksmart and all the images you see in this review are owned by United Artists Releasing and Annapurna Pictures
Directed by Olivia Wilde
I probably should keep tabs on some of the more interesting films being made, particularly those by studios other than Disney, because this one flew COMPLETELY under my radar and I’ve only just now started hearing about it despite getting rave reviews and being directed by an actor I actually like! I watched every season of house, yet I didn’t know that Thirteen had directed a movie!? I mean at least it means that I can go into a movie with few preconceptions on what it will be, but it also means that unless it comes to the big local theater I’m likely to miss it; particularly this year where I can barely keep up with the big releases, let alone the smaller stuff. Thankfully this one is getting enough buzz that even my regular theater has screenings of it, but will it manage to live up to the hype or will I once again have to be rather nonplussed about a critical darling? Let’s find out!!
Molly and Amy (Beanie Feldstein and Kaitlyn Dever) are the best of friends who are about to graduate from high school as the Valedictorian and Salutatorian and have big plans for the future which include both of them going to Standford, graduating first in their classes, and probably being President and Vice President one day. Who knows!? THE SKY’S THE LIMIT! Sure, being such bookworms and ONLY focusing on getting good grades and doing activities that will look good on a college resume has left them as something of outsiders (which I found a bit odd considering the top kids in MY class at least were the popular ones as well, but whatever), and as their last day of high school approaches, they come to realize that MAYBE all that studying left them with no real life experience to carry with them to college and that they should break loose on the night before graduation by going to Nick’s party (Mason Gooding) where all the popular kids are having fun! Well okay, it’s MOSTLY Molly saying this, but Amy wants to be supportive and hesitantly agrees to go along with this and might even talk to the cute girl she’s had a crush on for some time (Victoria Ruesga). Sadly, no one bothered to give them the address before this huge revelation since… well they’ve never gone to one of their parties before so why would they now, and this means that they have to find someone who knows where it is and get the information out of them by whatever means necessary! Can Molly and Amy find the party of their dreams and survive whatever wacky hijinks are waiting for them out in the real world? Will this experience challenge their friendship like never before; possibly revealing longstanding issues that they’ve never allowed to bubble to the surface? Is it just me, or do movies like this make you realize how much you wasted your own high school years? And college years?
And most of your twenties? Okay, maybe it’s just me.
Professor Marston and the Wonder Women and all the images you see in this review are owned by Annapurna Pictures
Directed by Angela Robinson
You know, if we’re gonna get biopics like that upcoming one about Charles Dickens that looks like a Monty Python sketch, we might as well start doing them about comic book creators too! The early years of Marvel with Stan Lee and Jack Kirby, watching Batman evolve from comic book hero to Hollywood star through the eyes of Bob Kane, heck The Alan Moore story could be a freaking twelve hour Netflix series considering how much comic book controversy he’s managed to find himself in over his career! What we’ve got NOW though is probably the most interesting story of them all which is about Wonder Woman creator Professor William Marston and his unorthodox relationship with his wife Elizabeth Holloway and a former student of his Olive Byrne. Heck, it’s not only a great story to tell about queer women (though there is some contention of that) in a time where that wasn’t even legal, it also has incorporates radical feminism, BDSM, and comic book scare mongering that eventually led to the Comics Code Authority in the 1950s. With such fascinating material to work with, can it be turned into an engaging and interesting biopic, or is this a whole lot of scintillating window dressing for yet another rote history lesson? Let’s find out!!
Our story begins in Radcliffe University (a women’s only branch of Harvard) where the brilliant psychology professor William Marston (Luke Evans) and his much more brilliant wife Elizabeth (Rebecca Hall) are teaching psychology while working together on some other projects such as a lie detecting machine which is actually true. They did invent the polygraph which is a significant event in this film. Anyway, William is teaching a course on DISC theory (Dominance, Inducement, Submission, and Compliance) when one of the students catches his eye. Her name is Olive Byrne and soon becomes a TA for the Marstons; helping them with their legitimate experiments and some that may just be for fun. Eventually, this precarious situation between the three of them has to come to a head at some point and… well that’s where things get kind of awesome but also REALLY stressful. Oh, and at some point the dude creates Wonder Woman off based on the experiences and he has with the two women in his life as well as his own theories on feminism and even some of his sexual hang-ups which are REALLY noticeable if you read the earliest issues of the book. Will this trio of likeminded misfits find a place in the world that is openly hostile to them and their way of life? What will happen when puritanical busy bodies get start to understand the radical subtext within the pages of the comic book that are becoming more and more popular with children across the country? Wait, is THAT why Wonder Woman has a lasso!?