Geostorm and all the images you see in this review are owned by Warner Bros Pictures
Directed by Dean Devlin
We’ve been getting a LOT of delayed films this year, haven’t we? Tulip Fever took a while to come out, Rings took even longer, and that Amityville Horror sequel or reboot or whatever ended up failing so hard that it was released FOR FREE on Google Play. Not in theaters; on the same storefront where you download crappy Tetris knockoffs and flashlight apps. Now we’ve got this movie which may be the most interesting of the bunch simply because of how much money Warner Bros inevitably sunk into the damn thing to try and recoup its losses. Not quite as much as Monster Trucks, but certainly enough that you’d question if anyone behind this damn thing had heard of the Sunk Cost fallacy. Well it’s finally out now at probably the worst time imaginable (this story keeps getting better and better!) and with very little fan far from Warner Bros who may have finally realized it’s time to cut their losses. Does this movie manage to rise above its troubled production to deliver something at least somewhat enjoyable, or is this possibly an even bigger mess than The Snowman was? Okay, NOTHING is quite as shoddily put together as that film, but will this still be an absolute disaster and not in the way they were hoping for? Let’s find out!!
The movie takes place in the very near future where humanity finally came up with an idea on how to combat Global Warming. Not by recycling or embracing renewable imagery of course, but by putting a giant freaking net of satellites around the globe that can somehow shoot science beams at the earth whenever a tornado, hurricane, or anything else is about to threaten human lives. Jake Lawson (Gerard Butler), who I’m assuming got this brilliant idea from Highlander 2: The Quickening, is the one dude bad enough to put this whole project together which is nicknamed Dutch Boy but is kicked off the project for infuriatingly political reasons. Okay, he punched an inspector in the face, but what ELSE was he supposed to do!? Listen to what he had to say!? Anyway, his brother Max (Jim Sturgess) is the new head honcho of the project but the system starts to malfunction a few years down the road which leads to some isolated but very deadly weather events and no one knows what’s causing them. I guess it’s time for good ol’ Jake to reclaim his throne and go up to the satellite to see what the heck is causing these problems and hopefully stop it before it threatens all life on Earth. Will Jake solve the mystery before it’s too late and find out if its simple malfunctions or sabotage? What will Max find out back on Earth with the help of one of Dutch Boy’s programmers (Daniel Wu) and a hacker that he apparently knows in the State Department (Zazie Beetz)? Just how many things can they manage to blow up with a weather machine!?
Passengers and all the images you see in this review are owned by Columbia Pictures
Directed by Morten Tyldum
I’ve started watching Parks and Recreations recently and seeing Chris Pratt in that film has started to color my perceptions of him as a leading man. Sure, Guardians of the Galaxy still holds up as he’s still playing up to his comedic strengths, but every time I see the poster for this movie with him and Jennifer Lawrence blandly starring back with their chiseled Hollywood looks, it’s just gotten harder to take that seriously when all I can think of Burt Macklin: The best FBI agent ever! Still, the guy does have a HUGE amount of talent and more than enough charisma to carry a movie, so maybe he’s the right fit to bring some humanity to this kind of science fiction story and can hold his own against an actress of Jennifer Lawrence’s caliber. Does Passengers manage to give us a compelling story anchored by two great performances from some of the most bankable names in the business right now, or is this a giant misstep that will be stain on their relatively strong careers up to this point? Let’s find out!!
The movie begins with everyone’s favorite member of Mouse Rat in a giant space mall that’s hurtling through the galaxy at a preposterous rate but still too slow for anyone to if they had to manually control the damn thing. That’s why the ship is on autopilot and presumptive hero Jim Preston (Chris Pratt) along with the other five thousand people on this ship are in hibernation pods and riding out this long journey to the new space colony on Homestead II. Unfortunately for Starlord, there’s some malfunction that wakes his ass, and ONLY his ass, before everyone else with no way to go back to sleep and is trapped alone on this space ship for the next ninety years. At first it’s not all bad considering he sort of has the run of the place which is full of video games, movies, and sushi, and he even has a friendly robotic bartender (Michael Sheen) to air his grievances at. Eventually though, he manages to taste every variation on the tuna roll, got the high score in the latest instalment of Just Dance, and manages to drink half the ship’s wine cellar within about a year, so doing this for another 89 of them isn’t all that appealing. He basically has two options at this point; kill himself or wake someone else up to keep him company. Well we wouldn’t really have a movie if they went with the former (that actually would be a pretty awesome short film) so he JUST SO HAPPENS to fixate on a writer named Aurora (Jennifer Lawrence) and eventually cracks open her hibernation pod and pretends it was an accident just like his was. Will she be able to fill the silence that has driven him to the brink of madness and give a reason to live once again? What could he possibly do to make up for essentially kidnapping her and ruining her life as she’s doomed to suffer the same fate as him, and what will happen when she finds out the truth? Well there IS an airlock. I’m pretty sure she could have some fun with that.
Ghostbusters (2016) and Ghostbusters (1984) are both owned by Columbia Pictures
The new movie has finally come out we can all confirm that the world has not plunged into forty years of darkness, but while there have yet to be any reports of rivers and seas boiling or dogs and cats living together, there’s denying that we indeed saw some mass hysteria . Hopefully all that will subside soon enough, but those people have already gotten more attention than they deserve and it’s been difficult to keep everything in perspective as some people decided that the success or failure of this movie was going to be the crescendo in some childhood ruining man hating agenda, so trying to have a measured conversation about the strengths of both this new film and the original it’s based off of has not been an easy task. Thankfully we can hopefully start taking a measured look at both films’ individual merits and how one movie might have done somethings better than the other without having the more obnoxious among us either use it as proof that we are biased or evidence that the new movie is horrible. To kick that discussion off, here’s my own examination of both films and how one stacks up to the other based on important aspects that are in both films!
Who Ya Gonna Call? (The Crew)
This new movie made two fantastic decisions right off the bat. It was a reboot instead of a sequel, and they didn’t try to make these new characters analogues for the original crew. No one in this movie is a recreation of someone from the last film which means that we don’t have to play the WHO DID IT BETTER game on individual actors (a decision also wisely made by the Evil Dead reboot), and similarly I’m so glad that this new Ghostbusters team is not the trainees, or even worse THE DAUGHTERS, of the original crew which would have completely ruined what makes these new characters so interesting. Look, I’m well aware that this is a movie starring women that FIRST had to be done by men, but the fact that it’s not the case in the movie itself is an inspiring message to young girls to be proactive and forge their own paths. A lot of people who are upset about this movie seem to think it would have been better if this was a passing of the torch story which is a concept that worked pretty well for Star Wars, but there’s no way it would have worked here. At least in that movie there’s a whole universe to explore and the new people wouldn’t necessarily be in the shadows of the original cast allows them to do their own thing; something that would be infinitely harder here if the new Ghostbusters were still using the same logos, firehouse, equipment, jumpsuits, what have you that the original cast were wearing twenty years ago and everyone in the movie knew that. It wouldn’t be able to be its own thing as it would constantly be in the shadows of the original members who are still hanging around the background and would take attention away from the brilliant actors that are the real stars here.
Ghostbusters and all the images you see in this review are owned by Columbia Pictures
Directed by Paul Feig
No other movie this year, save MAYBE Batman v Superman, had as much drama and passion as this reboot of a classic eighties comedy. A very vocal minority of people were deadest on hating this from the word go with nothing more to go on than the idea that it would star women instead of men, and they haven’t shut the hell up about it since then; effectively drowning out any legitimate criticism that was levied against the movie. It’s true that this is a reboot and that Ghostbusters was a very much a movie of its time (not only in concept but also the fact that comedies just don’t have the same clout and reverence they did back in the eighties), but I was still genuinely interested in seeing this based on who they ended up casting and some of the better moments in the trailer. Does this manage to live up to the hype as a patriarch smashing masterpiece, or will it live up to the OTHER hype of being the worst possible thing to ever happen to anyone at any time in history? Probably neither, but is it at least good? Let’s find out!!
The movie begins with Columbia Physics professor Dr Erin Gilbert (Kristen Wiig) being forced to confront an old colleague of hers, namely Dr Abby Yates (Melissa McCarthy) over a book they wrote years ago on the paranormal which she has since disowned but has recently resurfaced and may pose a threat to her bid for tenure at the university. Abbey never stopped her research and is angry at Erin for abandoning her those many years ago so she’s not too keen to help her out and has even gotten a new partner in crime in the form of super engineer Jillian Holtzmann (Kate McKinnon) and they’re both trying to get evidence that ghosts really do exist. Opportunity comes a-knocking for all three of them however as Abby and Holtzmann (with Erin along for the ride trying to get Abby to take her name off the book) actually do run into a ghost and get footage of it on camera. Unfortunately, the video goes viral, Erin gets fired from the University, and all three of them can’t get anyone to believe the story. Still, this is some groundbreaking stuff they’ve uncovered, so they pool all their money together to begin a start-up company and relocate to the attic of a Chinese restaurant (a firehouse looked promising, but was WAY too expensive). As they perfect their craft and Holtzmann works on the weapons, they eventually meet Patty Tolan (Leslie Jones) who saw a ghost at the subway station she works at and enlists the Ghostbusters to bust it before eventually joining the team, as does Kevin Beckman (chris Hemsworth) who becomes their secretary because no one else bothered to apply for the job. While all this is going on by the way, there’s some creepy dude named Rowan (Neil Casey) who seems to be setting up devices that amply the strength of ghosts that are already haunting various places in NYC and is clearly planning something much bigger. Can the Ghostbusters find out Rowan’s evil plan before it’s too late? Will the world even accept them as anything more than frauds and Ghost Hunter knock offs? Is there ANY chance that those determined to hate this movie will feel any different by actually watching it? I’m gonna guess no on that last one.