The Grudge and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Nicolas Pesce
In the great debate that I ASSUME exists, I was always more of a The Ring guy than a Grudge fellow; mostly because I’ve actually SEEN the Ring movies (at least the Western ones) and haven’t seen any of the Grudge movies (not even the Western ones). Things might change however as The Ring had its chance to reassert its relevance, but instead completely missed the mark with the awful Rings, and if nothing else this one looks to be trying to build a stronger and more intense atmosphere than the cheap cash in nature of Sadako’s most recent Western adventure. Is this the movie that will finally get those of us to jump on the Grudge train, or is this the perfect illustration of why we never bothered with it in the first place? Let’s find out!!
Detective Muldoon (Andrea Riseborough) has just arrived in town and is still reeling from the death of her husband, but is managing to eek out a somewhat stable life with her son Burk (John J Hansen) with her new job at the local police station. Her partner Detective Goodman (Demián Bichir) has some clear baggage from something that Muldoon hasn’t sussed out yet, but when a body shows up with an address to the nearby spooky house, it’s time for her to uncover whatever secrets are being hidden from her. It turns out that the first owners of the House, The Landers (Tara Westwood, David Lawrence, and Zoe Fish), were all murdered by the wife. The realtors who were trying to sell the house for them (John Cho and Betty Gilpin) ALSO wound up dead under similarly grim circumstances. There were other occupants who arrived after them, you can probably guess how they ended up, and now Muldoon is sniffing around the place which will no doubt attract the attention of whatever ghost, curse, or GRUDGE as it were, that is affecting the people who get near this place. Will Muldoon not only uncover the secret of all these mysterious deaths but also stop the bloodshed once and for all? What is the entity that is behind all of this, and what is after aside from endless slaughter and mayhem? Is it just me or did they seriously oversell John Cho’s presence in the trailers? I’m getting flashbacks to that Godzilla movie that had Bryan Cranston in it for like twenty minutes!
Mandy and all the images you see in this review are owned by RLJE Films
Directed by Panos Cosmatos
I had no idea this movie existed until about four days ago and I knew precisely two things about it; Nic Cage and chainsaws. I don’t know about you, but you can usually get me to see a movie if you have one of those things, let alone both! Nicolas Cage has had a REALLY rough go of it lately with mostly direct to video fare that even die-hard fans like myself find tedious, and while this isn’t really a BLOCKBUSTER or even a STUDIO film, the fact that he’s in theaters again and is in a movie that’s getting a lot of positive buzz makes more oh so very happy even if he’s STILL probably not gonna get that Superman role now that () is most likely stepping down. The movie itself though, well I still have to SEE it before I can proclaim it to be as good as everyone says it is even if I want it to be the first step to the greatest coming story in Hollywood history! Or at the very least the first step towards getting a Face/Off 2.
Back in the early eighties, a guy named Red (Nicolas Cage and a lady named Mandy (Andrea Riseborough) are living in a pretty nice house out in the woods, surviving off of odd jobs as a lumberjack for him and as a convenience store cashier for her, and generally enjoying the isolation from the rest of the world. Both are into old school rock and roll (though I guess back then it wouldn’t have been THAT old) and so are the filmmakers because everything in the film’s aesthetic is pumped all the way up to eleven; form the color pallets to the visual tableaus, to that thing where we focus in really close on something while intense music plays. Anyway, the two of them are just minding their own business when Mandy is spotted by a passing van full of drugged up killer hippies led by the “charismatic” leader Jeremiah Sand (Linus Roach) who makes it their mission to recruit her for their cause. Things spiral out of control from there which leads to Mandy being captured, OTHER stuff happening, and Red having more than enough reason to find these bastards and met out some woodland vengeance on them for what they’ve done. Along the way he’ll meet old friends who help him on his journey, he’ll create the perfect weapon to exact his unholy and metal as heck revenge, and even fight some… interesting fellows who I’m not sure are supposed to be REAL or not, but in a movie like this that hardly matters. Will Red find this roving gang of murders before they leave the forest for good and move on to their next victims? Just how far will Red go to get what he’s after, and what will he give up along the way? Is it just me, or is this a Ghost Rider movie that forgot to include Ghost Rider?
“You think the rider is so tough? THAT PUNK’S GOT NOTHING ON ME!!”
Battle of the Sexes and all the images you see in this review are owned by Fox Searchlight Pictures
Directed by Jonathan Dayton and Valerie Faris
Well THIS is certainly a pleasant surprise! I may not know all the details, but I’m certainly aware of the tennis match between Billie Jean King and Robbie Riggs which has always stuck with me despite only knowing about it by watching the back half of a TV documentary around fifteen years ago. I’ve always liked tennis as a sport and the build up to the phenomenal match was ridiculous and felt like a flash in the pan moment in history which did end up having a big impact on everything simply for how much confident men were that she was gonna lose and then had that whole perception shattered on live television around the world. Is there any way that a film can do justice to this once in a lifetime event and remind us all of how important this was in the first place? Let’s find out!!
The movie is about the infamous match between world renowned tennis player Billie Jean King (Emma Stone) and world renowned FORMER tennis player Bobby Riggs (Steve Carell) which was played up in the media as THE BATTLE OF THE SEXES and the match that would once and for all prove that women have no business competing in MAN PLACES like tennis; something that wasn’t helped by Riggs’s absurdly derogatory and over the top chauvinistic stunts. Of course, there was a lot more to the story than the over the top theatrics leading up to it which includes the establishment of the Women’s Tennis Association, Billie Jean’s romantic relationship with another woman Marilyn Barnett (Andrea Riseborough), and even Bobby Riggs’s financial woes that may have been the driving force for setting up this match in the first place. So much was on the line for Billie Jean to succeed, yet with so much working against her, it was quickly becoming a task that seemed impossible to overcome. Would she be able to find the strength to overcome the odds and prove herself once and for all? How will she be able to maintain a relationship with another woman in a time when that was much more frowned upon and life destroying than it is today? How can one person navigate all this nonsense being constantly thrown at them and STILL manage to keep from knocking all these jerkwads upside the head!?
“I must break you…” “Are you sure you won’t break a nail?” “… I’m gonna enjoy this.”