The LEGO Movie 2: The Second Part and all the images you see in this review are owned by Warner Bros. Pictures
Directed by Mike Mitchell
Everyone loved The LEGO movie, right!? And then most people loved LEGO Batman, right!? And then LEGO Ninjago was… okay, right? Well now it’s time for the return of the one that started it all and it’ll be JUST as good as the original… right? Sigh… okay, so the trailers for this film haven’t filled me with a whole lot of confidence that it’ll be on the same level as the original film. It looks FINE if nothing else, but this is THE LEGO MOVIE! We don’t just want fine, we want PHENOMENAL! Then again, maybe that’s putting too much pressure on this film which doesn’t have the benefit of being such an out of the blue surprise, and while the trailers aren’t inspiring me with a lot of hope, maybe they’ll find a new angle to take it in that’ll make up for not being able to put the genie back in the bottle! Can this sequel be Justas good if not better than the first film, or has the LEGO phenomenon finally run its course? Let’s find out!!
Immediately following the events of the first movie, the Duplo aliens of the Systar System have waged an all-out war with the people of LEGO city for five whole years and have left it a Mad Max style barren wasteland with no more bright and shiny blocks. ONLY DARKNESS AND NO PARENTS!! Well except for Emmet (Chris Pratt) whose upbeat attitude cannot be damped even in the face of utter annihilation! That turns out to be a problem though as the nice house he built has attracted the Duplos once again and now they’ve taken all his friends from the first movie which includes Lucy AKA Wyldstyle, Batman, Benny, Princess Unikitty, and MetalBeard (Elizabeth Banks, Will Arnett, Charlie Day, Alison Brie, and Nick Offerman) back to their home planet for their own nefarious purposes that we soon learn to be a shotgun wedding between Queen Watevra Wa-Nabi of the Systar System (Tiffany Haddish) and a very reluctant Batman. Clearly something has to be done to save them, but the only one of the LEGO people willing to take the chance is Emmet who haphazardly travels through… space I guess, to find them. Along the way he is saved from an asteroid field by the dashing rouge Rex Dangervest (also Chris Pratt) and his army of super smart velociraptors who agree to help Emmet on his journey to defeat the girly Systar invaders because being a TOUGH GUY means punching things that are pink and frilly! Can Emmet save his friends from Systar invaders who want to brainwash all of his friends and put Batman through a forced marriage!? Can Lucy escape from the Queen Watevra’s cunning grasp, and does she know something about this place that she isn’t telling the others? Is it just me, or did things get REALLY complicated for a movie about plastic toys?
The Post and all the images you see in this review are owned by 20th Century Fox
Directed by Steven Spielberg
Oh good! Now that it’s officially 2018, the rest of us can FINALLY see the best movies of 2017! Because THAT doesn’t seem like a backwards approach to releasing critically acclaimed films; ESPECIALLY ONES BY THE MOST FAMOUS DIRECTOR OF ALL TIME! Sigh… whatever. My feelings about theatrical release schedules aside, there’s been a lot of buzz about this movie being yet another Awards Darling what with the big name cast, the legendary director, and the timely subject matter given the political climate we are currently and TORTUROUSLY living under. That said, I’m not always the biggest fan of movies that seem so perfectly designed to soak up Oscars (*cough* The King’s Speech *cough*) and while I didn’t give it the most GLOWING review at the time, I do think that Spotlight is an unreasonably high bar for any film to try and reach which certainly seems to be the goal here given the topic at hand at hand the pedigree behind it. Then again, how can you go wrong with Spielberg? If your answer to that question is Hook by the way, you’re just flat out wrong. HOOK IS AWESOME!! Anyway, does Spielberg manage to eke out yet and another cinematic masterpiece to add to his collection, or is this simply relying on his name to sell it both at the box office and with critics? Let’s find out!!
The movie follows The Washing Post during the time The Pentagon Papers (a study of the likelihood of victory in Vietnam that indicated that the government knew there was no chance of winning yet still committed forces there anyway) were being released by The New York Times and Nixon’s Justice Department was doing what they could to stop it. Now The Washington Post wasn’t doing so well as its owner Kay Graham (Meryl Streep) is seen as an ineffective leader for reasons that CLEARLY have very little to do with her actual abilities (I WONDER WHAT ELSE IT COULD BE!?) and was in the middle of trying to find outside investment when this all started to unfold. The editor in chief Ben Bradlee (Tom Hanks) is itching to get his hands on some of the papers that The Times had gotten and were forced to stop publishing due to a federal court injunction (COMPLETELY unprecedented in American history), but even if he WERE to find the it’d be a huge risk for everyone involved; especially Miss Graham who has the most invested in the company. Eventually though, one of the assistant editors Ben Bagdikian (Bob Odenkirk) manages to get his hands on not just the parts The Times obtained, but more or less the WHOLE damn report straight from the source itself Daniel Ellsberg (Matthew Rhys). With Ben having EXACTLY what he wants and a staff of likeminded reporters to back him up, it all comes down to Miss Graham to decide whether or not the risk of publishing these documents in her paper outweigh the potential good that having such documents out there will do for journalism and first amendment rights. Even then though, if they jump the gun and the Nixon Administration wins whatever court battle would certainly lie ahead, that could lead to an even WORSE seizure of unchecked executive power. Will Kay find a way to get the truth out there without losing everything else in the process? What can The Justice Department and Nixon do to this newspaper and its staff if these documents are released in spite of the injunction placed on The Times? The REAL question is, will this movie win MOST of the awards or ALL of the awards?
The Disaster Artist and all the images you see in this review are owned by A24
Directed by James Franco
I may not be as over the moon in love with The Room as plenty of other people are, and it has admittedly lost a bit of its charm once you realize just how misogynistic the whole thing is, but it certainly has my respect as being one of the more unique examples of a GOOD BAD MOVIE due in no small part to the auteur himself, Tommy Wiseau. Now he’s far from the only ridiculously cocky creatives out there who write, direct, and star in what they perceive to be their one true masterpiece (*cough* Old Fashioned *cough*), but with Mr Wiseau there’s a genuine sense of mystery about the guy as many details of his origin are STILL unknown to this day (HOW IS THAT EVEN POSSIBLE IN THE INTERNET AGE!?) and his… shall we say UNIQUE brand of acting certainly sets him apart from many of the other low rent struggling artists out there. No doubt there is a VERY interesting story to tell about this one guy, his one movie, and his friendship with co-star Greg Sestero, which the wannabe auteur himself James Franco has opted to do by adapting Greg’s book The Disaster Artist into a motion picture; one that he directs, produces, and stars in of course. Will this examination of one of Hollywood’s biggest oddities be a worthwhile exploration of the creative process and what it truly means to be an artist, or are we just desperately trying to milk a novelty that had lost its luster many years ago? Let’s find out!!
The movie follows the journey of two men; aspiring actor Greg Sestero (Dave Franco) and… I guess aspiring actor as well Tommy Wiseau (James Franco). The two meet in an acting class where Greg finds the eccentric weirdo with bad hair and a worse accent rather endearing for his utter fearlessness and ability to throw himself out there in ways that Greg is still struggling to do despite his hopes of becoming an actor. Because of Greg’s admiration for Tommy and Tommy’s love of being admired, the two move in together and work their way through Hollywood; getting small gigs here and there but nothing that will truly set them apart from the thousands of other working actors cluttering the streets of LA. After a particularly rough string of bad luck, Tommy eventually starts writing his own movie and wants none other than Greg himself to be the co-star. The Room is what he titles his masterpiece and he funds it himself with his seemingly unlimited supply of money but things go from awkward to unsustainable as Tommy’s ego and complete inexperience with the process starts escalating tensions with the cast and crew and even with his best friend Greg who’s trying to stick by him but is finding it hard and harder to deal with Tommy’s unpredictable behavior. Can Tommy find it within himself to get past his issues and foster a good working environment for the only people in the world who are helping him achieve his dreams? Will Greg stand by his best friend, or will he realize just how much Tommy is holding him back? WILL THE WORLD EVER UNDERSTAND THE BRILLIANCE OF THIS ONE MAN’S VISION!?
How to Be Single and all the images you see in this review are owned by Warner Bros Pictures
Directed by Christian Ditter
Oddly enough, the really terrible Valentine’s Day film already came out with The Choice a week ago and this movie seems less interested in that market than it is in going after the Pitch Perfect or Sisters audience (hence the reason why Rebel Wilson is so prominent in the advertisements). While I’m glad that this movie was not selling itself as an overly sentimental low budget Chick FlickTM, what it WAS promising didn’t look all that… well promising. Still, trailers can be misleading and it does have Leslie Mann who’s always fun to watch on screen. Does this turn out to better than expected, or is this just a low brow cash grab trying to ride a trend that’s already been defined by much better movies? Let’s find out!!
The movie is about four women for the most part. We’ve got Alice (Dakota Johnson) who’s just moved to the big city and has taken a job at a law firm where Robin (Rebel Wilson) works and the two of them become fast friends as the latter teaches the former how to loosen up a bit and learn how to be a single lady. We’ve also got Meg (Leslie Mann) who is Alice’s sister and she has decided that she wants to have a kid and find a way to make it work as a single parent with a demanding job as a doctor, while also making sure her younger sister doesn’t get into too much trouble. Off to the side (definitely the least important part here) is Lucy (Alison Brie) who… I guess just wants to meet a guy? I don’t know, there’s this thing about her finding an algorithm to find the perfect man, but that kind of drops off. Her character basically gets subsumed by the local bartender anyway (Anders Holm) and, despite the poster, she has zero interacts with our three other leads. Anyway, Alice’s big crisis is that she decided to put her current relationship with Josh (Nicholas Braun) on hold as she wants to experience single life before deciding whether or not she’s ready to settle down with him yet, but you can probably guess that those plans go pear shaped rather quickly and so she has to adapt to being single as a way of life rather than as an experiment. Will Alice eventually find out how to live her life for her and not define it by the relationships she has with other men? Will Meg be able to handle all the responsibilities of being a single mother? Does Deadpool end up being the better romantic comedy!?
A brand new series from Netflix about a horse man who used to be a star? Not only that, but the horse man in question is voiced by Will Arnett? How can you NOT watch something like that? After all, Netflix has a damn good track record when it comes to original programming with shows such as House of Cards and Orange is the New Black. Will this stab at adult animation be something special, or will it be Netflix’s first major stumble as show creators? There’s only one way to find out, and that’s to keep on reading!