Tomb Raider and all the images you see in this review are owned by Warner Bros. Pictures
Directed by Roar Uthaug
ANOTHER video game movie!? Haven’t we tried that like forty times already!? Well that’s a bit unfair. I’ve always maintained that a good chunk of them are actually pretty good for their respective genres such as the first Mortal Kombat, and we’ve rebooted the video game franchise since the LAST time we were making films off of this series, so an updated interpretation with brand new Lara Croft could really be something if they get the right people behind it! Does this manage to be the first video game movie to be one that EVERYONE thinks is good instead of just me? Let’s find out!!
Lara Croft (Alicia Vikander) is the daughter of a world renowned… business man I guess (Dominic West) considering her family is renting that building from Iron Fist, but she doesn’t hang around much anymore since her father disappeared several years ago. Instead, she spends most of her time MMA training and working in the Gig Industry; riding her bike for fun AND profit! However, an associate of her father (Kristin Scott Thomas) has to bail her out of trouble due to a situation that REALLY wasn’t her fault (how do you get arrested for getting hit by a car!?) and she insists that Lara give up this lifestyle to finally claim her birthright and the millions of dollars that go with it. All she has to do is sign the documents confirming once and for all that her father is dead (is that a thing? Does a family member have to sign those in order for a missing person to be declared dead?) which she’s been reluctant to do as she still thinks he’s out there somewhere. She might just be right about that when she finds her father’s secret laboratory where he left a final message for Lara; telling her to burn all his research to the ground and to not look for him. Naturally she doesn’t do that because who WOULD just give up after getting some pretty solid evidence that could lead to where he is, and so she enlists the help of a fisherman (Daniel Wu) whose father was connected to Lara’s and the two set off to some MYSTERIOUS ISLAND! The good news is that it’s not Skull Island and teeming with giant monsters. The bad news? Well there are a bunch of dudes with guns looking for something on the island, and the head dude named Vogel (Walton Goggins) thinks that Lara might hold the key to finding it. Will Lara be able to find what these men are looking for as well as finding her father in the process? What are the sinister plans that Vogel has in store once he locates this mysterious artifact? You know, we keep going on about her dad, but are we SURE that her mother is dead too? All I’m saying is that if Angelina Jolie doesn’t show up in the sequel, I’m going to be VERY disappointed!
Tulip Fever and all the images you see in this review are owned by The Weinstein Company
Directed by Justin Chadwick
Now THESE are the movies I live for! What makes a good or bad movie even better is if there’s a good story behind it, and this looks like a disaster waiting to happen; what with its troubled production (it’s earliest incarnation was supposed to be filmed in 2004) and the fact that it’s been sitting on Harvey Weinstein’s shelf for almost three years now. Not only that, the premise itself sounds completely absurd (a steamy period romance AND ALSO the explosion of the Dutch tulip market) and the trailers made it look like a muddled mess; probably due to that whole “sitting around for three years” thing. Sometimes a film can rise above a nightmarish film shoot with films like Apocalypse now and even The Shining being great examples of that (even if Shelly Duvall’s treatment on set was pretty freaking grotesque), but other times we get stuff like Waterworld, The Super Mario Bros Movie, or even Food Fight. Does this film manage to come out of all this turmoil as an intact and extremely entertaining film, or should they have never bothered dusting this off in the first place? Let’s find out!!
The movie follows Sophia (Alicia Vikander) who’s agreed to marry Cornellis Sandvoort (Christoph Waltz) in exchange for her younger sister getting a free trip to American and her getting out of the orphanage. All she has to do is sire him an heir and live a happy domesticated life; provided the dude who more or less bought her doesn’t get bored and throw her out on the streets. Still, even if a baby would have kept him from doing such a thing (at least not right away) she seems completely unable to get pregnant which puts a strain on their “relationship” which I guess you can call it. In walks Jan van Loos (Dane DeHaan) who is painting a portrait for them but manages to fall madly in love with Sophia who eventually reciprocates his feelings. After more than a few bangings behind Sandvoort’s back, trouble starts to brew when Sophia’s maid Maria (Holiday Grainger) gets married and the father (Jack O’Connell) disappears due to some contrived misunderstanding. Now her being pregnant and unmarried is a problem while Sophia being NOT pregnant is a problem as well. I wonder if the two things could somehow come together to come up with a solution! Oh and there’s a Tulip Market bubble that’s going on in the background that I’m sure means something important. Will Sophia be able to give Sandvoort what he wants while also finding a way to escape his clutches? What will happen to their brilliant plan if the REAL father comes back at the WORST POSSIBLE TIME? Are we SURE that Dane Dehaan isn’t just playing Valerian again and this is one of his Time Travel stories?
The Man from U.N.C.L.E. and all the images you see in this review are owned by Warner Bros. Pictures
Directed by Guy Ritchie
We get a movie based on this show, and yet I STILL can’t get a Hogan’s Heroes reboot!? It looks the Hollywood remake machine is going all the way back to the Cold War with this re-imagining of a series that was made well before Rocky solved the Cold War by kicking Dolph Lundgren’s ass. I’ve never seen the show before, but a good old fashioned spy thriller in the vain of From Russia with Love would be a nice change of pace from the other stylish spy flicks we’ve been getting recently. Not only that, but having Guy Ritchie at the helm of something set in an era that’s known for its unique brand of style seems like a perfect pairing of director and film, so there’s plenty to look forward to here. Still, you can’t say that Guy Ritchie has been one to look at for great stories which is pretty evident by his PREVIOUS adaptations of a popular series that didn’t take long to go completely off the rails. Will this be a return to form for the venerable director, or is this just another weak outing from a guy who never learns from his mistakes? Let’s find out!!
The movie begins in early 1960’s Germany with American Super Spy Napoleon Solo (Henry Cavill) making his way to East Berlin. His mission is to get a local mechanic (Gaby Teller played by Alicia Vikander) to assist him in finding her father who was a former Nazi nuclear scientist and has recently gone missing. The mission is fairly simple. Convince Gaby to help the US and sneak her out of East Berlin. Things get complicated however when Soviet Super Spy Illya Kuryakin (Armie Hammer) is acutely aware of what’s going on and tries everything in his power to stop the duo from crossing the border into West Berlin. Fortunately for the good old Stars and Stripes, Solo succeeds in his mission leaving the not so good old Hammer and Sickle twisting in the wind. Except not really! For some reason, the Soviet government and the US government decide to work together to find Gaby’s father, so now Solo and Illya have to work together to stop whatever scheme he, or possibly his kidnappers, are planning. So wait, they couldn’t come to an agreement to work together until AFTER Solo and Illya tear their way through East Berlin? Wouldn’t that have complicated any ongoing negotiations? Oh well, at least we now have our premise. It’s a spy action-comedy with the tension between Solo and Illya working for opposing sides in the Cold War informing much of the comedic strife and genuine tension throughout the movie.