Tag Archives: Alan Ruck

Cinema Dispatch: Captive State

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Captive State and all the images you see in this review are owned by Focus Features

Directed by Rupert Wyatt

I still haven’t seen those Planet of the Apes movies, but I hear they’re pretty good; especially that first one which I recall being a rather big surprise for people.  The guy’s only done a few other things since then, none of which I’ve seen, but hey!  If you’re gonna go in without context, try to go all the way!  I mean seriously, I hadn’t seen a trailer or even heard about this movie until I was trying to figure out what I was going to see after Captain Marvel, so this is one big question mark for me which is USUALLY a good thing in trying to get the most out of that initial experience, but it also means that I can easily get smacked up the head by something bafflingly awful which is its own special kind of torment.  Will this movie I know nothing about live up to the expectations I don’t have for it, or will I be utterly disappointed by how bad this completely out of the blue failed to be as good as I envisioned it to be?  Let’s find out!!

The movie takes place after aliens have already come down, kicked our butts, and have taken over everything; not so much to destroy the planet, but more like colonization where they keep us in line and plunder our natural resources.  In Chicago, Gabriel (Ashton Sanders) is eking out an okay existence along with everyone else, but his late brother Rafe (Jonathan Majors) was part of a resistance movement that tried to attack the aliens and now he’s trying to do the same thing.  However, there are a few roadblocks that are in his way.  For one, there’s already a resistance movement making headway towards destroying the alien’s base in Chicago (some underground facility) which makes his paltry efforts seem inconsequential, and on top of that his late dad’s best friend William (John Goodman) is a cop that’s keeping an eye on him and also keeping an eye on anyone who maybe planning further terrorist attacks against their alien overlords.  This has been made somewhat easy because for some reason everyone now has a bug (it’s unclear if its literally or figuratively) implanted in their necks to keep track of their movements at all time, and of course the authorities have gone all police state to keep people in line.  Can this resistance group actually make a serious blow against their oppressors, and will Gabriel somehow be a key part to their plan without him even knowing it?  What will William do when push comes to shove and he has to take decisive action against those who he’s sworn to stop from inciting more violence and angering the aliens?  Is the twist gonna be that the aliens are actually Krypotnians, because this looks A LOT like Man of Steel.

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“That spaceship crashed SIX YEARS AGO, and Superman STILL hasn’t cleaned it up.”     “Dude just cares about Metropolis.  He’s got no time for the little guys out here.”

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Cinema Dispatch: Gringo

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Gringo and all the images you see in this review are owned by Amazon Studios and STX Entertainment

Directed by Nash Edgerton

Hey, if Netflix is gonna try to produce feature films, then why not Amazon too!?  Heck, they’ve had a pretty good track record with distributing films like The Handmaiden and The Big Sick, and some of the original programming on their video service has been pretty decent too!  Hopefully they can translate that success into this wacky comedy which has a PRETTY good trailer but not a whole lot of buzz, though it’s not entirely their fault considering how much Black Panther and even A Wrinkle in Time have dominated the national discussion around film; leaving films like this to just kinda slink in wherever they can.  Does Amazon have a great film on their hands that’s unjustly falling under the radar, or should they have sent this straight to their storefront where no one will ever actually buy it?  Let’s find out!!

Harold Soyinka (David Oyelowo) is a well to do middle management corporate drone who is incredibly content with his current life living with his wife Bonnie (Thandie Newton) and working for Richard and Elaine (Joel Edgerton and Charlize Theron) at a pharmaceutical company he very much likes.  The problem is that at every turn, the people in his life continually disrespect him and see him less as a valuable asset and friend, and more of an errand boy that also functions as a doormat.  Eventually Harold gets wise to this during a trip that he along with Richard and Elaine take to Mexico in order to inspect one of the facilities, and the straw that breaks the camel’s back comes when Bonnie decides to divorce him; something that she tells him over skype.  Having something of a nervous breakdown, Harold takes a bus to a small town in Mexico and fakes his own kidnapping once Richard and Elaine are back in Chicago.  Little does Harold know however that the Cartel is after him due to his connection to the pharmaceutical company, so his little ruse might turn out to be more of a prophecy!  On top of that, we’ve got a couple trying to sneak drugs from Mexico back to the US (Amanda Seyfried and Harry Treadaway), a mercenary who may be able to get Harold out of the jam he’s in (Sharlto Copley), and like four other subplots that are going on at the same time as Harold’s misadventures in Mexico.  Will Harold be able to bilk his employers out of a crap load of money before he gets captured by the Cartel?  What was Richard and Elaine doing that got the eye of the Cartel in the first place, and what will they do to get Harold out of the mess he’s in?  Most importantly, HOW DID THEY MANAGE TO MAKE A STORY LIKE THIS SO BORING!?

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“Hello?  Has anyone seen the plot?  I can’t find it anywhere!”

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