Three Billboards Outside Ebbing, Missouri and all the images you see in this review are owned by Fox Searchlight Pictures
Directed by Martin McDonagh
To tell you the truth, I never really liked In Bruges. It was fine I guess, but I never found it all that compelling and the ending is just a contrived mess that’s about as bad as sixty percent of the twists Shyamalan has come up with. And yet, there are a lot of people out there that like that movie as well as McDonagh’s other work, so naturally the buzz around this film was huge right off the bat which only grew once the trailers started coming out and we got to see some of Frances McDormand’s acting. At the very least, it manages to grab your attention with its unorthodox title (A COMMA!?) and even more unorthodox premise that will hopefully take advantage of the ideas that seem baked right into this material. Does this manage to live up to the hype that its beloved director and solid marketing campaign has built up for it, or will this end up a huge stumble for everyone involved? Let’s find out!!
The movie begins with Mildred Hayes (Frances McDormand) driving down the same road she’s driven down for years and years; heading home after a long day at work and trying hard to deal with the grief over her daughter’s death. Not just any death too! She was raped, murdered, and burnt to a crisp, so forgetting about that is proving to be a bit difficult, especially since the cops never found the guy who did it. That’s when Mildred comes up with an idea. On this road she’s traveled many times before are three billboards that no one has used in decades, so she decides to purchase the ad space and put up signs reminding the denizens of this small town that the police still haven’t caught the murderer. Now obviously this ruffles some feathers down at the station, particularly Officer Dixon (Sam Rockwell) who’s about as dumb and racist of a cop that you’d expect from a story like this and to a much lesser extent Sherriff Willoughby (Woody Harrelson) who’s leading the stalled investigation and is the primary target of Mildred’s ire. Things begin to get much more heated around town as several people begin to question (and stupidly try to attack) Mildred and her decision to put this spotlight on something that everyone would rather not think about and leave up to the cops. Mildred is having NONE of this and starts kicking ass and taking names at everyone who looks at her sideways which only escalates tensions further in this ticking time bomb of a standoff with her on one side and the rest of the world on the other. Will Mildred finally get justice for the death of her daughter whose killer roams free while the police do nothing? Just how far will Mildred go in order to get what she wants, and will she lose touch between what can and cannot be justified in her righteous quest? Just how much saltier will Frances McDormand get in this role before she wins that Oscar gold!?
Geostorm and all the images you see in this review are owned by Warner Bros Pictures
Directed by Dean Devlin
We’ve been getting a LOT of delayed films this year, haven’t we? Tulip Fever took a while to come out, Rings took even longer, and that Amityville Horror sequel or reboot or whatever ended up failing so hard that it was released FOR FREE on Google Play. Not in theaters; on the same storefront where you download crappy Tetris knockoffs and flashlight apps. Now we’ve got this movie which may be the most interesting of the bunch simply because of how much money Warner Bros inevitably sunk into the damn thing to try and recoup its losses. Not quite as much as Monster Trucks, but certainly enough that you’d question if anyone behind this damn thing had heard of the Sunk Cost fallacy. Well it’s finally out now at probably the worst time imaginable (this story keeps getting better and better!) and with very little fan far from Warner Bros who may have finally realized it’s time to cut their losses. Does this movie manage to rise above its troubled production to deliver something at least somewhat enjoyable, or is this possibly an even bigger mess than The Snowman was? Okay, NOTHING is quite as shoddily put together as that film, but will this still be an absolute disaster and not in the way they were hoping for? Let’s find out!!
The movie takes place in the very near future where humanity finally came up with an idea on how to combat Global Warming. Not by recycling or embracing renewable imagery of course, but by putting a giant freaking net of satellites around the globe that can somehow shoot science beams at the earth whenever a tornado, hurricane, or anything else is about to threaten human lives. Jake Lawson (Gerard Butler), who I’m assuming got this brilliant idea from Highlander 2: The Quickening, is the one dude bad enough to put this whole project together which is nicknamed Dutch Boy but is kicked off the project for infuriatingly political reasons. Okay, he punched an inspector in the face, but what ELSE was he supposed to do!? Listen to what he had to say!? Anyway, his brother Max (Jim Sturgess) is the new head honcho of the project but the system starts to malfunction a few years down the road which leads to some isolated but very deadly weather events and no one knows what’s causing them. I guess it’s time for good ol’ Jake to reclaim his throne and go up to the satellite to see what the heck is causing these problems and hopefully stop it before it threatens all life on Earth. Will Jake solve the mystery before it’s too late and find out if its simple malfunctions or sabotage? What will Max find out back on Earth with the help of one of Dutch Boy’s programmers (Daniel Wu) and a hacker that he apparently knows in the State Department (Zazie Beetz)? Just how many things can they manage to blow up with a weather machine!?