Tag: A24

Cinema Dispatch: Everything Everywhere All at Once

~ Matt Vetrano ~ Leave a comment

Everything Everywhere All at Once and all the images you see in this review are owned by A24

Directed by Dan Kwan & Daniel Scheinert

I heard a lot of good things about this movie going into it, but what really grabbed my attention was finding out that this was directed by The Daniels. Their previous film, Swiss Army Man, was a pretty fantastic little indie film (that I did a pretty poor job reviewing despite giving it a good score) and I’d always wondered what they had been up to since then. You probably don’t need me to tell you if this movie is good given how far-reaching the praise has been for it (and the fact that I’m reviewing it almost a month after its release), but maybe my little voice out there in the universe will ultimately make a difference for someone! Is this as great as everyone says it is, or will I be the bearer of bad news that’s about to rain on everyone’s parade? Let’s find out!!

Evelyn Wang (Michelle Yeoh) is not very happy with her life. She runs a laundromat with her husband Waymond (Ke Huy Quan), her father (James Hong) has health issues and needs to be taken care of, and her daughter Joy (Stephanie Hsu) is bugging her about something when all she wants to do is keep everything from falling into chaos. Throwing a wrench into her plan is the IRS who is auditing her business, and the agent assigned to her case (Jamie Lee Curtis) is not exactly the most amenable to her stressful situation. Sometimes you just have to wonder where things went wrong and if there’s a better version of you out there. Fortunately for Evelyn though, she gets an answer to that question when her husband starts acting very weird and tells her to wear these wireless earpieces that end up sending her to alternate dimensions. It turns out that Evelyn may just be the key to solving some sort of inter-dimensional timey-wimey nonsense and that her husband is being controlled by a parallel version of him from the Alpha-verse that is able to hop dimensions and is searching for a way to stop a terrible threat that is about to shatter all of existence. Sort of a lot to drop on someone already struggling to make it through the day, but when the alternative is talking to someone at the IRS, it’s pretty easy to figure out which is the better option! Evelyn has to find the strength within her and put everything she holds dear on the line in order to save the future (or something like that), but can she juggle the problems of multiple versions of her life when she’s struggling just to deal with the one she’s got? What is this all-powerful threat that Evelyn needs to face, and is Alpha Waymond keeping some very important secrets from her? Can you apply deductions from businesses in an alternate reality, or do you need separate filings for each parallel universe?

“This may be a bit hard to believe.” “Let me guess. You’re from the planet Mars and the stream deck you tried to write off was for parts to rebuild your spaceship?” “I mean, you’re not TOO far off.”
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Cinema Dispatch: 2021 Catch Up (Part 2)

~ Matt Vetrano ~ Leave a comment

January is still proving to be a rough month across the board, so we’re gonna continue our look back 2021 with a few more movies that I missed!  Will some of them be contenders for the end of the year lists I’ll be putting together very soon?  Let’s find out!!

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Being the Ricardos

Being the Ricardos is owned by Amazon Studios

Directed by Aaron Sorkin

Lucille Ball (Nicole Kidman) and Desi Arnaz (Javier Bardem) are about to have a rough week making their show I Love Lucy when a local news station accuses Lucille of having ties to the Communist Party.  Couple that with tabloids about Desi’s behavior, fights with the network over content, and a director that really gets under Lucille’s skin, and there may not be a show to put on by the time it goes to air!  Can Lucy and Desi smooth through all of these problems without alienating the people who help them make the show, and is there more at stake than their careers if things go badly?

Aaron Sorkin has always been fascinated with the inner workings of organizations that carry a lot of public weight; places where hiding the turmoil behind the scenes is just as important as anything else they are doing.  It seems almost natural that he’d turn that fascination even more inward with a movie about the field he’s most familiar with, television productions, and while there are some Sorkin-esque flaws in this movie, I think the material has steered him into making one of his best works.  Lucy and Desi, at least as they are portrayed in this movie, are fascinating characters with deeply compelling inner lives, and the movie makes no bones about singing their praises throughout.  Whenever they clash with the network over their creative vision for the show, it’s played with reverence as these victories did end up revolutionizing television and American culture, and Sorkin definitely uses this story to indulge in his favorite topics.  Strong men and women with sharp tongues and even sharper wits sticking it to the old guard to make way for the next generation is well-worn territory for him, but the fact that he’s drawing from real things that other people did tempers that enthusiasm and so it comes off as genuinely important rather than mere wish fulfillment.  Now that’s not to say he doesn’t exaggerate in places as the film does lack a certain sense of authenticity.  Clothing, technology, and even a lot of the attitudes do fit in with the time period, but it never quite feels like a period piece with Sorkin’s dialogue being what it is, and the overall look and feel of the show just feels too modern.  I don’t know if there are HD transfers of I Love Lucy, but I’m guessing they don’t look this crisp and they certainly weren’t shot in widescreen.  Still, even if it’s a bit showy in places where it probably wasn’t in the real-life story, Sorkin’s overly enthusiastic style fits with themes of the movie and his specific brand of dialogue creates a clear delineation between the deep and flawed people who make the show and the more modest caricatures they bring to life in front of cameras.  This is where the movie shines brightest, where these two people are darn near Herculean in their ability to solve problems, fight for what’s important, and smooth talk their way to getting what they want, but at the end of the day, when the cameras stop rolling and the lights turn out, they are still flawed people barreling towards an ending they are too scared to face.  Desi is madly in love with Lucille and Lucille is just as passionate about him, but Desi also can’t help but hurt her in ways that she cannot ignore.  This tension between the genuine love they feel and their uncontrollable selfishness (admittedly much more so with Desi than Lucille) is where the tragedy of this story ultimately lies and where the story is at its strongest.  This ends up being a double-edged sword however as the movie feels the need to be about more than just that and so it feels a bit scattershot and overstuffed with subplots and characters that don’t have the impact you would expect them to given the prominence of certain scenes.  The big red elephant in the room is the Communist allegations which are what kicks off the movie and you assume it’s what the whole thing is going to be about, but that ends up fading into the background as the network stuff and the relationship between Lucy and Desi end up pushing it to the background. It ends up being relevant only to the start and the end of the movie which is a bit of a shame as the fervor surrounding communism in the mid-twentieth century is certainly a frightening chapter in television history, but it at least ends on a very strong note and sets us up for a pretty big gut punch right at the end of the movie.  It’s certainly a flawed movie throughout, but it’s entertaining from the first frame to the final curtain call, and frankly, something that walks with confidence is more interesting to me than something safe; even if the former trips over itself a few times along the way.

4 out of 5
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Cinema Dispatch: The Green Knight

~ Matt Vetrano ~ Leave a comment

The Green Knight and all the images you see in this review are owned by A24

Directed by David Lowery

The first trailer for this movie dropped in February of 2020 which was mere weeks before the world pretty much came to an end and movies were either shelved or released on streaming services for exorbitant prices.  I was definitely interested in seeing it as I had a vague understanding of what The Green Knight story was and seeing it realized on the big screen with such interesting visuals and an AWESOME looking design for the titular knight seemed like a slam dunk to me!  I was ready to open a spot for it on my top ten list of 2020 based on the trailer alone, but we all know what happened next, and much like Sir Gawain himself we all had to wait one year to see how it all worked out.  Was it worth holding out until we could return to theaters to release it, or was it would it have been a better idea to just toss it onto HBO Max and hope that everyone forgets it before the studio puts out their next movie?  Let’s find out!!

In the time of legends and poor hygiene, a young knight name Gawain (Dev Patel) was going about his life without much knighting to speak of.  Sure he had the title, but he spent most of his days waiting for glory and honor to come to him rather than seek it out himself.  Fortunately for him, opportunity presents itself at the King’s Christmas party where a mysterious green Knight offers anyone there a simple challenge!  Strike him once however they wish, on the condition that in one year’s time they will take the same blow from the Green Knight.  Feeling plucky and looking to prove himself, Gawain takes up the challenge and with one swift strike, chops the Green Knight’s head off!  Well so much for taking a blow next year, am I right?  Well… it looks like this will still come to pass as the Green Knight casually picks up his head and rides off into the night!  I mean it’s KINDA on Gawain to not assume some magical shenanigans were at play, but still; he has one year to make up his mind as to whether he will got to face the Green Knight at his chapel and go through with this game despite him being PRETTY sure that his own head is not so easily reattached.  Gawain seems to be willing to face his fate as he mounts a horse and starts his journey, but things are not as straightforward as they seem; not with the path ahead of him or the convictions in his own mind.  Will Gawain preserve his honor and face the Green Knight’s blade despite how unfair this all seems?  What challenges will he face along the way, and are they enough to make him waiver in his convictions?  Seriously, WHY DOES THIS GUY LOOK SO COOL!?  Maybe that’s how he gets people to fall for this; he just charms them with his rugged good looks!

Green Knight for Smash!!
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Cinema Dispatch: Uncut Gems

~ Matt Vetrano ~ Leave a comment

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Uncut Gems and all the images you see in this review are owned by A24

Directed by Josh and Benny Safdie

Good Time wasn’t one of my favorite movies of that year by a long shot, but it’s also a movie I keep thinking about even now as the filmmakers clearly made something wildly compelling even if it wasn’t exactly for me.  If nothing else, I was eager to see what they did next as I really believe they can make a movie that’s not just great but one that I’d like as well, which is why when I first heard of this new movie they were making AND that it would be a dramatic turn for Adam Sandler, I knew that this had to be a top priority that I needed to see as soon as it came out!  Okay fine, AFTER Star Wars, but this was locked in for second place!  Do the Safdie Brothers improve on their last film and make a film that’s even better, or was all the potential I saw in Good Time actually the peak of their creative vision?  Let’s find out!!

Howard Ratner (Adam Sandler) runs a jewelry store out of New York City where he makes a tidy living selling exquisite trash to those looking for something Gaudy more than Elegant, but most of the money he makes is then funneled into his gambling addiction which means he gets to talk to sports stars, have nice apartments, and live a life of relative comfort, but he’s also in deep with loan sharks (Eric Bogosian, Keith Williams, and Tommy Kominik) who want nothing more than to rip his heart out right out of his chest since that’s about all they’ll get from the guy who can’t stop throwing all his money away on terrible sports bets.  Still, he’s got an ace up his sleeve which is this opal he got straight from a mining company in Ethiopia which he plans to sell at an auction for up to a MILLION dollars.  Seems like he’s got it all sorted out, but of course when you’re a guy whose got as much bad blood as he does, those people who want something from him could easily derail everything in an instant, and Howard himself can’t seem to keep his own behavior under control long enough to get the money and clean the slate; especially when he “loans” the opal to basketball player Kevin Garnett (playing himself) and for whatever reason he can’t be reached and his go between guy (Lakeith Stanfield) is being awfully cagey for some reason.  Can Howard get the opal back in time to sell it and get his life back in order?  What sorts of comeuppance will he have waiting for him the moment he gets the money and what if it comes for him sooner than that?  I mean if he’s THAT deep in the red, can’t he just make Happy Gilmore 2?  Nineties nostalgia is ALL the rage now; tell me that wouldn’t make a hundred million at the box office!

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“Weren’t you Little Nicky?  No, you’re thinking of the other guy.  I think his name was SHUT UP!!”

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Cinema Dispatch: The Lighthouse

~ Matt Vetrano ~ 1 Comment

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The Lighthouse and all the images you see in this review are owned by A24

Directed by Robert Eggers

The director’s last film The Witch was a PHENOMENAL film that is easily one of the best horror films in the last decade (certainly better than Hereditary), so I was excited to see what he was going to do next.  Lo and behold, his next movie starts two of the best character actors working today, is presented in Black and White, and is about something relatively mundane but will no doubt lead to horror and intrigue!  Jeez, you might as well have wrapped it up, put a nice bow on it, and put it on a drone to crash into my house!  Does Robert Eggers’s second film exceed the high bar he set with his first outing, or is a talent as great as his still not immune to the dread Sophomore Slump?  Let’s find out!!

Ephraim Winslow (Robert Pattison) is the new assistant lighthouse keeper watching over a crappy little light house on a crappy little rock not too far from shore but far enough that you wouldn’t survive an attempt to swim towards it.  His supervisor Thomas Wake (Willem Dafoe) is an old sea captain with the accent, peg leg, and pipe to back it up, and his task is to whip this young whipper snapper into ship shape if he’s to one day maintain a lighthouse of his very own.  Seems simple enough, and they certainly have more than enough work to do maintaining this house and the light therein, but over time it starts to become clear that maybe Captain Wake isn’t all he claims to be and that maybe Winslow isn’t as cut out for this work as he initially thought.  Oh well, it’s not like he’s gonna be there FOREVER, right?  He’s only there for a month before being moved somewhere else… oh what’s that?  There’s a big storm coming that’ll make it impossible for his ship to come anytime soon?  Well then!  That’s… unfortunate for everyone involved.  So Ephraim is stuck there for a while and with each passing day it seems that little bit of his sanity has gone with it as things get weirder and weirder around here; not the least of which being Captain Wake who REALLY seems to like the light at the top of the tower.  I mean… he REALLY likes that light!  So much so that Ephraim hasn’t had a chance to maintain it despite that being part of his training because Wake wants to keep it all to himself… for some reason.  Can Ephraim keep his head down, focus on his work, and stay out of trouble long enough for the lighthouse company to send him another boat?  What is going on up there at the top of the tower, and is that just the tip of the iceberg as far as strange happenings on this unassuming island?  After seeing Pattinson brood his way through this, is there anyone else who COULD be Batman!?

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People are starring miserably at the camera.  Of COURSE it’s yours!

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Cinema Dispatch: The Farewell

~ Matt Vetrano ~ Leave a comment

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The Farewell and all the images you see in this review are owned by A24

Directed by Lulu Wang

I really haven’t seen nearly as many small release and indie films as I should have this year which is a shame because Can You Ever Forgive Me, Sorry to Bother You, and Ingrid Goes West certainly aren’t the kind of films that will be playing at my local theater which STILL has Aladdin yet no room for this film.  Yes, I had to go out of town once again to see something even marginally outside the mainstream (how does an Awkwafina movie not get on every screen in the world!?) but more often than not the effort has been worth it as there are a lot of great stuff to find outside the blockbuster tent pole films, and not ALL of them have gone to Netflix yet!  Does this family drama about a family member dying somehow manage to be the standout film of the summer, or are we doomed for mediocre dreck ON TOP OF such as somber premise?  Let’s find out!!

Billi (Awkwafina) is your typical American millennial; in that she’s living in New York, she wants to be a writer, and she is perpetually broke.  Oh well!  At least she has her parents to support her (Tzi Ma and Diana Lin) and has maintained a good relationship with her paternal grandmother who she refers to as Nai nai (Zhao Shuzhen) and talks to on a regular basis.  One day however, when Billi is home to do her laundry, she finds out that Nai Nai has been diagnosed with lung cancer and only has a few months left to live.  The whole family including relatives in Japan will be going to see her so they can make her goodbyes which is about all Billi could hope for from this tragic situation, BUT WAIT!  The family SPECIFICALLY doesn’t want her to go!  Why?  As it turns out NO ONE IS TELLING NAI NAI SHE’S DYING (her sister played by Lu Hong hid the medical reports) and everyone is pretending that Billi’s cousin Hao Hao (Chen Han) is getting married as an excuse for the trip.  Billi being the… I don’t know, emotional and/or Westernized one is liable to spill the beans if she sees her.  Billi goes anyway however despite the protests of her parents but she does manage to keep the secret for the time being.  However, she’s constantly struggling with whether to tell her while going along with this wedding ruse that starts to spiral out of control; all the while just trying to deal with the fact that she’s going to lose someone so important to her as well and the (at least to her) bewildering actions her family is taking.  Will Billi come clean to Nai Nai or is keeping this a secret the more humane approach?  Will the family get the closure they need during this trip despite the layers of subterfuge getting in the way?  What if Nai Nai has some unfinished business she needs to take care of!?  How do they REALLY know what she’s up to on the weekends!?

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“This is the last picture we took with Nai Nai before she died.  Not from her illness; she died blowing up the Martian flagship.  That whole invasion thing just kinda came out of nowhere.”

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Cinema Dispatch: Hereditary

~ Matt Vetrano ~ Leave a comment

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Hereditary and all the images you see in this review are owned by A24

Directed by Ari Aster

You know… I’m starting to feel like the old man yelling at clouds.  For whatever reason, THIS kind of horror film (mostly put out by A24) is the new hotness in horror and I just can’t understand it.  I’ve sat through far too many weighty and slow paced exercises in excessive cruelty that still manage to get critical acclaim, and I just can’t understand it.  Now they had to make one of these with one of my favorite actresses which means I HAVE to go see it even if it’s probably gonna be more of the same.  GREAT!  I LOVE sitting through things that ruin my day, don’t you!?  Anyway, will this be the one that manages to be thoughtful, interesting, and GOOD instead of just provocative for the sake of pretension, or will this be yet another film I’ll want to bury in the backyard with cement so that even if it comes back as a zombie it’s not going anywhere?  Let’s find out!!

Annie Graham (Toni Collette) is a mother of two who just lost her own mother and is having trouble coping with the loss; mostly by repressing her feelings, but also because her mother was a… shall we say COMPLICATED person, and whatever secrets Annie is dealing with are not something she’s ready to share with everyone else.  Unfortunately her daughter Charlie (Milly Shapiro) had a particular attachment to her and is lashing out in her own way which is only bringing more and stress onto the family.  Her husband’s pretty cool with it though (Gabriel Byrne) as he’s a PEACE KEEPER who really just floats in and out of situations trying to cause as little fuss as possible, and their son Peter (Alex Wolff) is well on his way to being an emotionally repressed mess of his own, though that might just be the teenage angst talking.  Anyway… let’s just say that things get PRETTY bad from there as the death of Annie’s mother turns out to be the LEAST of their problems as… things get pretty bad from there.  Annie’s slowly unraveling from the stress and the guilt of… whatever happens, and it’s tearing the entire family apart; especially Peter who… let’s just say isn’t quite equipped to deal with all this.  With so much chaos at home and very little support outside of it other than Annie’s friend Joan (Ann Dowd), will this family manage to get past this… very bad thing that happened, and come together as a functional family?  How much hardships, horror, and emotional scarring will they have to go through for even a hope of surviving… whatever this is?  Why… you know what, just why.  WHY!?

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Do YOU know what the heck is going on here!?

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Cinema Dispatch: Lady Bird

~ Matt Vetrano ~ Leave a comment

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Lady Bird and all the images you see in this review are owned by A24

Directed by Greta Gerwig

So who would have guessed the surprise hit of Oscar season 2017 would be an indie coming of age story about a young woman who’s desire to be an artist and to see the world is straining against her down to Earth family that love her unconditionally but are hard on her because they only want what’s best?  Admittedly it DOES tick off quite a few check boxes in the Oscar Bait checklist, but then again a lot of movies that SUCCESSFULLY pull this kind of material off really are deserving of all the accolades they get and it’s not often that something receiving THIS much praise from such a large majority of film critics doesn’t have SOMETHING to offer… unless we’re talking about The King’s Speech.  Pointless and petty jabs at old movies aside, does this manage to be the critical darling that earned its title by being a superb film, or will the sterling reputation of this film be short lived as it fades into the background like many other supposedly great films that don’t hold up under scrutiny?  Let’s find out!!

The movie is about Christine “Lady Bird” McPherson (Saoirse Ronan) who’s about to enter her senior year of high school and is still not sure what she wants to do afterwards which is putting her in constant conflict with her mother (Laurie Metcalf).  Okay, well actually she KNOWS what she wants to do and that’s to find an arts college on the East Coast willing to take her in so she can get the heck out of Sacramento and be about as far as realistically possible from the life she’s living now, but her mom doesn’t want to hear all that and is insisting she go to a much closer college.  Not helping matters is the fact that her dad (Tracy Letts) just lost their job and is having trouble finding another one which makes the chances of out of state schooling that much more infeasible.  For the rest of the year, Lady Bird needs to find a way to escape from her less than engaging circumstances while also just trying to survive day to day life with her friend Julie (Beanie Feldstein) giving her moral support throughout.  Will Lady Bird find a way to fulfill her dream of NOT living in Sacramento?  Why is her mom in so hard on her all the time, and is all that Tough Love really helping her to be a better person?  WHY CAN’T WE ALL JUST GET ALONG!?

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“Will you back me up on this, Larry!?”     “Nah, I think you’ve got this handled.”

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Cinema Dispatch: Good Time

~ Matt Vetrano ~ Leave a comment

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Good Time and all the images you see in this review are owned by A24

Directed by Ben Safdie and Josh Safdie

Oh boy!  Is this another movie that I walked into with no idea what it’s about or even what kind of movie it is?  IT SURE IS!  It’s called Good Time, so how could it be anything but a barrel of laughs!?  Then again Robert Pattinson isn’t known for his comedy work, unless we’re talking UNINTENTIONAL ones.  Who knows?  It’s certainly been getting a lot of praise and was even one of the big hits from Cannes this year, so maybe it’s at least worth a shot!  Is this the kind of film that we’ll be talking about at the end of the year come award season, or is this yet another example of a festival darling being overhyped and underperforming once it takes a shot at mainstream audiences?  Let’s find out!!

The movie begins with Brothers Connie and Nick (Robert Pattinson and Ben Safdie) leaving the office where Nick sees a social worker that is assisting with his situation (he has a mental disability) and going to rob a crappy bank in Queens.  Sadly their skills at robbing the bank are even crappier and Nick ends up getting pinched by the cops while Connie just barely escapes with very little money to show for it.  From there it’s a series of blunders as Connie tries to find a way to get Nick out of jail; either through scrounging up enough money to post bail or through more creative means.  Each plan he comes up with is somehow worse than the last and the number of victims he leaves in his wake starts to build up as his methods become more and more desperate the longer he goes on without a legitimate solution to his problem.  Can Connie survive this night long enough to get his brother out of the big house, and will his freedom be enough to justify the ever increasing cost Connie is paying to get it?  What colorful and wacky characters will he meet along the way, and will any of them turn out to be the answer he’s been seeking?  Is there a chance that he can LITERALLY run away from his problems!?  Hey, when all else fails it’s worth a shot!

 

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“Running, Running, Running, RUNNING!!”

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Cinema Dispatch: It Comes at Night

~ Matt Vetrano ~ 1 Comment

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It Comes at Night and all the images you see in this review are owned by A24

Directed by Trey Edward Shults

I have to see movies ALL the time which means I see a lot of trailers over and over again, and while it doesn’t really affect my opinion of a film once I see it, it does make the movie going experience a bit more tiresome.  That’s why I love it when there’s a trailer that genuinely intrigues me and does something different from everything else I have to sit through when waiting for the movie to start.  That was the case with this film which was very minimal in its approach and yet EXTREMELY effective as it was mostly a long slow shot as we got closer and closer to a red door.  WHAT’S BEHIND THE DOOR!?  Well the day has come for us all to find out!  Will this be a new benchmark for the horror genre, or was it a REALLY great trailer for a mediocre movie?  Let’s find out!!

We start the movie with someone clearly dying of a horrific disease and their family surrounding them; wearing gas masks and saying their final goodbyes.  The head of the household Paul (Joel Edgerton) and his teenage son Travis (Kelvin Harrison Jr) take the sick man who turns out to be Travis’s grandfather (David Pendleton) out into the woods, put him out of his misery with a bullet to the head, and set the body on fire before burying it.  Clearly something bad has happened to the world and this family which also includes Travi’s mother Sarah (Carmen Ejogo) is trying to survive.  The modicum of stability they built up however is disrupted when a man named Will (Christopher Abbott) breaks into their house looking for food for his family, and after an intense interrogation scene Paul decides to let him and his family which includes his wife Kim and their little son Stanley (Riley Keough and a child actor known simply as Mikey with no other acting credits) stay in the house that’s been fortified to withstand… whatever it is that’s out there.  Of course, this being a post-apocalyptic film, things start to go wrong rather quickly as the greatest threat is not the virus, or zombies, or whatever could possibly be happening… its MAN HIMSELF!  Will everyone in this house learn to chillax and survive with one another, or are they all too paranoid to let the other’s live?  What is Travis hiding from everyone else and what is the cause of these dreams he keeps having that are keeping him up at night?  Is this gonna turn out to be a sequel to The Village!?

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Honestly, that would have been a MUCH better movie…

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