Super Wrestling: AEW Dynamite (03-18-20)

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AEW Dynamite is owned by All Elite Wrestling, Shahid Khan, and TNT

Welcome back to another week of AEW which will more than likely be the LAST one we get for a while!  I mean we’ll probably still have SOMETHING on Wednesday nights to fill that timeslot, but unlike WWE who’s got a performance center to keep the ship going with empty arena shows, AEW has no such facility to get them through this COVID19 outbreak and I doubt any arenas will be keen to letting them host another show; nor will the talent be all that jazzed about going to new states week after week in the middle of all this.  Personally I’d suggest TNT to just put on a mix of Dark and PPV matches for the new few weeks, but before we contemplate what the future holds for this company, let’s see what they’re putting on right now!

We begin the show in the middle of an empty arena with Cody under a spotlight in the middle of the ring.  He doesn’t dance around the obvious and gets right to the elephant in the room which is this virus that is affecting everyone and how we need to be aware of what we need to do to protect ourselves and others.  This segues from a pep talk to the audience at home to a direct message to both Adam Page and Matt Jackson; both of which have been bickering for the last few weeks and need to resolve their differences in light of these trying times and in the face of the upcoming Blood and Guts match between The Elite and The Inner Circle.  Matt, Page, and even Kenny Omega eventually come out and TRY to work on their difference with Matt Jackson going so far as to swallow his pride and asks Adam Page to stand with them, but Adam’s got some serious drinking to do, so he doesn’t give them an answer just yet.  Not exactly a surprise considering his behavior the last few weeks, and Kenny tries his best to lighten the mood by telling the crew to hit the lights, start the music, and fire off all that pyro they’ve got saved up to kick this show off right!  It was certainly an interesting segment and the empty arena did lend a lot of eerie gravitas to it all that made the realities of the day as well as the schism in The Elite all the more apparent.  Let’s hope that the matches find a way to work with the circumstances as well as this segment did.

Before that though, we HAVE to check on Tony Schiavone who’s interviewing MJF to find out what he’s even doing here.  It turns out that he’s not here to wrestle but is instead here to watch the undercard losers duke it out… as well as place some bets with Shawn Spears, but that’s on the hush hush!  Speaking of which, the setup is definitely unique and kind of ingenious given the circumstances.  I haven’t seen the WWE shows yet so I don’t know how they set things up in their empty arena, but here they had a very small audience mingling on the barricades made up of AEW talent like Sonny Kiss, Joey Janela, and even Jake the Snake Roberts with his new protégé Lance Archer; all hooting and hollering as much as possible to bring a bit of life to the show.  They also filmed the show at a very different angle as the primary camera is typically placed perpendicular to the ramp but they decided to move it to so that it’s facing both the ring AND the ramp.  I think it works for the most part as it covers up the fact that there is next to NOBODY there, and it’s certainly different from anything I’ve seen before on a wrestling show.  Anyway, onto the first match!

Continue reading “Super Wrestling: AEW Dynamite (03-18-20)”

Cinema Dispatch: The Hunt

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The Hunt and all the images you see in this review are owned by Universal Pictures

Directed by Craig Zobel

Boy does this movie want us to think it has a chip on its shoulder!  I haven’t seen negative review quotes used this liberally since Freddy Got Fingered, which… okay, that might actually be a good sign because I do like that movie purely on its utter absurdity (THIS IS A FANCY RESTAURANT!!), but is not the usual calling card of studio confident in a film on its own merits.  Then again I can’t imagine Universal having any other bright ideas after the thing got pulled from theaters and certain segments of the media decided that THIS was the thing that’s going to destroy the fabric of our society.  Personally, I think we already got that film with London Has Fallen, but whatever it is that hyped this movie up so much, is there any way that it can live up to those expectations?  Let’s find out!!

A bunch of people wake up in the middle of a field with no idea where they are or how they go there.  They start to slowly move towards the center of this big field with a giant crate right in the middle that contains a whole lot of weapons and a pig for some reasons; the implications of which they don’t have long to ponder because they are immediately beset by gunfire, booby traps, and all manner of lethal armaments!  Some of them seem to carry themselves well enough (Betty Gilpin) while others are showing themselves to be MASSIVE jerks (Ike Barinholtz) who may or may not have it coming for various reasons; the least of which being that they’re in a horror movie and that’s usually the way things go.  Eventually though, it’s revealed that their attackers are a bunch of liberal yuppie yahoos (including but not limited to Glenn Howerton and Hillary Swank) who seem to be taking their 2016 frustrations out on a bunch of red necks and scumbags through a game facilitated by their massive wealth.  Is this all just one big excuse for that whole class warfare thing I’ve been hearing about to become literal, or is there more going on than what we’re initially led to believe?  Is this like Saw where the main villain has justifiable reasons for taking these people prisoner, or is it like Saw 4 where things just get ridiculous and asinine for no good reason?  Seriously, is it POSSIBLE for Ike Barinholtz to not be a scumbag in everything he plays?  I’d give fifty-fifty odds on some rich fool actually BELIEVING this guy to be monster and throw him in one these death games for real!

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“When I signed up for a sequel to Blockers, I was NOT expecting this!  WHERE IS MY AGENT!?”

Continue reading “Cinema Dispatch: The Hunt”

Cinema Dispatch: Onward

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Onward and all the images you see in this review are owned by Pixar and Walt Disney Studio Motion PIctures

Directed by Dan Scanlon

It’s no secret that I’ve been pretty down on Pixar this past decade.  On the one hand, we DID get Coco and I guess Inside Out was just fine, but this was also the decade that brought us redundant sequels that I just failed to connect with; particularly Incredibles 2 and Toy Story 4 which everyone else seemed to enjoy a heck of a lot more than I did.  Because of this and the somewhat underwhelming trailers we got (It’s fantasy AND modern AT THE SAME TIME!?), I’m not exactly looking forward to seeing this kid friendly version of Bright, but that’s just the pessimistic side of me talking and maybe this really will be another return to form for the venerable studio.  Is this a road trip for the ages and the sequel to Brütal Legend we’ve all been secretly hoping for, or is this a mythical folly more disastrous than that Warcraft movie you’ve already forgotten about?  Let’s find out!!

Ian Lightfoot (Tom Holland) is your typical Elf teenager; aspiring to be Legolas but more like The Elf on a Shelf.  He’s gangly, really quiet, and to some people he might come off as a bit creepy considering his lack of social skills.  VERY different from his brother Barley (Chris Pratt) who is basically the unholy offspring (in the cool Rock N Roll sort of way) of Andy Dwyer and Jack Black; spending most of his times talking theatrically, creating cool-tastic stories for his knock off D&D campaigns, and decidedly not getting a job or moving out.  Some of his arrested development issues as well as Ian’s social anxieties can be traced back to their father who died of an illness right before Ian was born, and there’s a lot of unhandled baggage there despite the efforts of their mother (Julia Louis-Dreyfus ) to make a happy home and the stern if bumbling guidance of their mom’s new boyfriend Officer Bronco (Mel Rodriguez).  On Ian’s sixteenth birthday however, that all changes when their mother gives him a gift from his late father that she was instructed to hold off on until this day, and it turns out that their dad was a wizard who came up with a spell to bring him BACK FROM THE DEAD for one day so that he can see how great his sons turned out.  Sure!  Just ask the Elric brothers how well this worked out for them!  Well it KIND of works out as Ian is only able to bring back the bottom half of their dad and they now need to go on an EPIC QUEST TO FIND A NEW GEM FOR MAGIC STAFF, and cast the REST of the spell before the 24 hours are up.  Can Ian and Barley find the mythical Phoenix Gem and see their father one last time?  Who exactly WAS their father and how far does Ian want to go with these new magic gifts that he’s discovered?  Will Barley put him through the Rocky Training Montage of his life!?  He certainly has the right music for it!

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“You’ve gotta say it bro!”     “Sigh… This is my big staff, this is my wand.  This is for casting, this is for fun…”

Continue reading “Cinema Dispatch: Onward”

Super Wrestling: AEW Dynamite (03-11-20)

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AEW Dynamite is owned by All Elite Wrestling, Shahid Khan, and TNT

We’re back with even more of the Wednesday Night Wars and AEW’s weekly shot across the bow!  With Revolution behind us and the Blood and Guts special mere weeks away, do they succeed at building up the feuds and alliances that will define the next few months of their promotion?  Let’s find out!!

The episode begins with an Adam Page interview as Tony Schiavone asks him who his MYSTERY tag team partner will be.  Yeah, so as it turns out, putting on ONE OF THE GREATEST TAG TEAM MATCHES OF ALL TIME has left its mark on at least one of the competitors as Kenny Omega is out of action for a few weeks from a hand injury which means that Page has to team up with someone for this match and for some reason he felt the need to keep it a secret.  A mystery partner angle isn’t exactly hyping me up for the match, but then I’m watching this show every week come hell or high water, so maybe the gimmick works for someone else who was on the fence about seeing this week’s episode.  Perhaps one of the reasons the mystery isn’t doing much for me is that everyone kind of assumed that it would be Matt Jackson and sure enough The Young Bucks are on hand to stand awkwardly to the side while this interview is going on, but in a shocking twist of fate Page assures us that there is no way in HECK he’ll be teaming with Matt Jackson and that he’d rather go with Nick if he had to choose between them.  His beef with Matt Jackson has been clear for some time now, so it actually makes sense that he wouldn’t CHOOSE to work with him (Page’s current character is far from a “I don’t like you but I respect you” mindset) and he’s still keeping it a secret as to who he will be teaming up with later in the show.  It was a fun little segment that managed at least turn me around somewhat on the angle.  While I was skeptical at first, this at least made the whole thing kinda funny and I’m interested in seeing where this ultimately goes. Continue reading “Super Wrestling: AEW Dynamite (03-11-20)”

Super Comics: Sonic the Hedgehog (IDW) – #26

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Sonic the Hedgehog (the comic book series) and all the images you see in this recap are owned by IDW and SEGA of America

Are we still in the Zombot story arc?  Yup!  Do we now have to fight the Zeti who are showing up at the last minute?  Yup!  Do I still not particularly care about this story; especially since we’ve been dealing with it for so long now?  YUP!!  Is it better than the Sonic movie?  Well… we’ll have to see about that.  Let’s get started!!

The issue begins with Eggman and Tails using their Smart Brain powers to cobble together a multi-teleportation device using the Warp Topaz that they… “borrowed” from Dr. Starline who is shall we say… temporally displaced at the moment.  The master plan here, which I can only assume (and hope) is the final confrontation of this arc, is to battle with the Zeti to get back the chaos emeralds so that Sonic can go SUPER SONIC which will wipe out the Zombot virus… somehow.  I don’t know, they’re the Chaos Emeralds!  You could tell me they can bake a perfect soufflé and it’d be far from the least believable or most outlandish power we’ve seen them have!  Speaking of which, why doesn’t Knuckles protect them as well as the Master Emerald?  What, keeping an eye on the BIG rock takes up so much time and energy that he can’t look after the little ones too!?

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“Oh will you relax?  Worst case scenario, we’d just us the Chaos Emeralds to wish for a new island!”     “THAT’S NOT HOW CHAOS EMERALDS WORK!”     “Jeez, Knuckles!  When did you become so cynical?”

Continue reading “Super Comics: Sonic the Hedgehog (IDW) – #26”

Super Wrestling: AEW Dynamite (03-04-20)

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AEW Dynamite is owned by All Elite Wrestling, Shahid Khan, and TNT

With the events of Revolution fresh in our minds, this Dynamite has a lot to live up to and a lot to unfold. Does this wrap up the stories of the PPV while also forging a bold path forward for the company and its stars?  Let’s find out!!

We begin with Jon Moxley taking a particularly long walk through the crowd to the ring; his belt over his shoulder and a determined look on his face as he grabs the mic to tell the crowd what’s what.  The thing is though, I’m not sure I’m all for the message that he’s delivering here which is that YOU THE FANS are what makes AEW great!  YOU THE FANS are the best thing about this company, and this belt belongs to YOU!!  Yeah… I don’t know.  That kind of fan appreciation just comes off as cloying and even if you could classify Moxley as a Babyface, he’s not THAT much of a Babyface.  Like, I hear about what Drew McIntyre’s been saying lately as he tries to make his big face turn in anticipation for his match against Brock Lesnar at Wrestlemania, and it’s just not what I want from that guy; it’s certainly not what I want from Jon Moxley here!  That’s just me though and it’s not the entirety of the promo.  He makes sure to call out The Inner Circle as well and dares them to come after him whenever and wherever.  See, THAT’S what I want from Jon Moxley, and apparently that’s what Jericho wants as well as he comes out as soon as Moxley offers the challenge.  Now Jericho’s big gambit to save face here is to call Moxley a cheater because he could see out of both eyes in that match while pretending to only see out of one.  I mean… it KIND of makes sense which makes it a great troll excuse because he DID come in under false pretenses to a title match.  I mean if he went into the match with a cast or only one arm and then out of nowhere he’s fighting with more limbs, then that’s SOMETHING, but it’s paper thin at best; especially considering how much interference The Inner Circle had in the match.  Jericho then promises that because Moxley won the belt in such a dishonest way that he has UNLEASHED HELL UPON THE WORLD and that all the wrestlers at AEW are on notice for a beat down from The Inner Circle.  If they have a problem with that, talk to Moxley.  In fact, Jericho is SO convinced of the efficacy of his Reign of Terror that he promises Jon Moxley, if he can walk out of the arena tonight, he will take a leave of absence for SIXTY DAY from AEW!  Now I don’t know if this is just an angle or if Jericho has some time off scheduled, but it certainly raises the stakes for the main event!  Jon Moxley is not impressed with this AT ALL and welcomes the challenge that Jericho has brought before him which we’ll see later tonight.  This was a REALLY great opening segment that managed to give us something worth staying tuned to the end of the show for, and certainly helped to put Moxley over as a star while also showing The Inner Circle as a still dominate force even without the belt.

Continue reading “Super Wrestling: AEW Dynamite (03-04-20)”

Super Wrestling: AEW – Revolution

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Revolution and all the images you see I this recap are owned by All Elite Wrestling and Shahid Khan

Welcome one and all to the most exciting event of the year (at least if you’re an AEW fan) as it’s finally time for their biggest PPV to date!  A stacked card full of memorable bouts between bitter rivals, hated enemies, and whatever you’d call Orange Cassidy!  Will it be a glorious event worthy of its lofty title, or will this be an uninspired slog of a show?  Let’s find out!!

So first off, I had no idea what was going on with the pre-show. I didn’t see anything on BR Live other than the Countdown show which was on TNT Wednesday, and for the life of me I couldn’t find confirmation online that they were starting any earlier than 8pm.  Sure enough though, they had a match BEFORE the Revolution PPV, and so I had to catch up on it AFTER the fact when they posted it to YouTube.  Let’s hope they don’t make it THIS hard to find their matches in the future, but could it be because they knew the match was going to be bad and were trying to hide it from us!?

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The Dark Order (Evil Uno & Stu Grayson) Vs. SCU (Frankie Kazarian & Scorpio Sky)

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The Dark Order is accompanied to the ring by The Creepers

Before the match begins we get an interview with Christopher Daniels promo-ing his heart out about The Dark Order’s empty promises and SCU’s in-ring superiority, which makes it all the more heartbreaking that Kazarian and Scorpio Sky ask Daniels to stay in the back and not be with them ringside.  The implication seems to be that they think Daniels might be a wolf in sheep’s clothing and really IS the Exalted One, but I’m not sure what sending him to the back is gonna do.  Frankly if he IS going to betray them it’d hardly matter if he was outside the ring already or had to run out from the back, but in any case Daniels agrees and looks very sad as the rest of SCU goes out for their match.  See, this is why I can’t understand why people think The Dark Order is hopeless.  I was SO negative about them in those initial PPVs, but they’ve done such a good job at playing mind games on the other wrestlers that even if they aren’t the MOST successful heel group out there, they’re still genuinely contributing to the drama of these matches.  This by the way is also the first Dark Order match that Evil Uno and Stu Grayson themselves are participating in in I don’t even know how long, so now that we’ve got our BIG NAME members out there, I do feel like they REALLY need to win here because the one thing I will definitely agree with people on is that The Dark Order come off like losers in the ring and they could use a few victories to make their menace that much more legitimate as well as their offers to other wrestlers more enticing.

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“Hey, Creeper Number Two; does any of this seem silly to you?”     “Why do you say that, Creeper Number One?”     “I don’t know, just the whole CLAW thing seems a bit silly is all.”

Continue reading “Super Wrestling: AEW – Revolution”

Cinema Dispatch: The Invisible Man

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The Invisible Man and all the images you see in this review are owned by Universal Pictures

Directed by Leigh Whannell

You know what movies I should really get around to?  The Hollow Man films.  I don’t know much about them other than they’re about a REALLY creep dude who becomes invisible, but it seems like that idea is alive and well in this which I guess you could call… a reboot?  I mean I WISH it was part of the Dark Universe and that that was still a thing, but whatever you want to call this latest spin on the formula from Universal AND my often beloved but frequently beloathed Blumhouse, it’s certainly a film that’s caught my attention!  Personally, I’m REALLY excited for this as the trailer looked very good (if a bit too revealing ironically enough) and frankly it looked like the kind of sequel to The Boy that we should have had instead of whatever the heck Brahms 2: Boy Harder was supposed to be.  Not only that but with this season being such a bad time for horror movies including Blumhouse’s OTHER reboot from two weeks ago, it couldn’t have come at a better time.  Does 2020 finally have a mainstream horror film that isn’t a total embarrassment to the genre, or is this another case of good marketing covering up a mediocre film?  Let’s find out!!

Cecilia Kass (Elisabeth Moss) has been living with her boyfriend Adrian Griffin (Oliver Jackson-Cohen) for some time now but has finally decided to leave him due to his controlling and abusive behavior in this relationship, and despite only doing so by the skin of her teeth she does manage to escape with the help of her sister Emily (Harriet Dyer) and starts living with her friend James (Aldis Hodge) and his daughter Sydney (Storm Reid).  Still, the road to recovery is a long one and despite not living under his roof anymore she still can’t shake the feeling that he’s around every corner and will find a way to ruin her life; especially since he’s some big shot genius scientist who promised to do just that if she ever left.  However, good news arrives as Cecilia learns that Adrian is dead and she will inherit a huge chunk of money in the process!  Everything’s starting to look up now… except that strange things keep happening around the house.  Did she leave the oven on?  Was that knife on the floor before?  Is someone taking pictures of her while she’s sleeping?  As these strange occurrences start to escalate, it becomes clear to Cecilia that Adrian MUST still be alive and that he found some way to turn invisible using his some sort of super science which admittedly sounds a bit out there as far as explanations go, but considering the title of this movie I think it’s right on the money.  Will Cecilia be able to stop Adrian from running her life from beyond the grave?  Will anyone believe her story, especially when the strange occurrences get more and more violent and people are starting to suspect her of being behind them?  How the heck did he turn himself invisible anyway!?  Super reflective body paint!?

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“First the Green Goblin, and now this…”

Continue reading “Cinema Dispatch: The Invisible Man”

Super Wrestling: AEW Dynamite (02-26-20)

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AEW Dynamite is owned by All Elite Wrestling, Shahid Khan, and TNT

It’s finally here!  AEW Revolution is this Saturday and we are on the last episode of Dynamite before that momentous event!  They’ve done a great job of setting up the various matches that will be on the card for that show with some great character work in regards to Cody, MJF, The other members of The Elite, and even the more recent stuff like Dustin Rhodes Vs. Jake Hagar and Darby Allin Vs. Sammy Guevara.  Is this the perfect Go Home show for something they’ve worked so hard to get to, or are they about to trip at the one yard line?  Let’s find out!!

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Kenny Omega Vs. Pac – 30-Minute Iron Man Match

Kenny Omega is accompanied to the ring by The Young Bucks

See, I thought this was going to be the main event of the show, but we’re starting right off the bat with it!  Now this match is a good example of AEW being pragmatic with their embarrassment of riches because Kenny Vs. Pac in a specialty match like this could have easily been on the PPV, but when everything started to shake out it was clear that there was just not enough room for that AND his tag team match, so we’re instead getting it here on TV which is great because if you want to sell an audience on your PPV, you want to give them a REALLY good match to let them know just how good the paid version is going to be!  Now if you didn’t know (I didn’t hear the announcers explain the rules at the start of the match), it’s basically a Time Versus Match in Super Smash Bros; you have a limited amount of time for you and your opponent to kill each other and whoever has the most points at the end wins!  Now they don’t ACTUALLY kill each other here (though I wouldn’t be surprised if that was Pac’s intent) and instead you get a point from a pin fall or a submission of your opponent.  Now the issue you need to contend with when it comes to an Iron Man match is keeping the momentum up for the full thirty minutes, and often these matches are rather routine and don’t get a lot of heat until the very end when it gets down to the wire.  These two guys are absolutely game to try and fix that by going at full speed RIGHT off the bat and never really stopping!  There may not have been a pin in the first five minute, but I’ll be damned if these two weren’t getting the crowd cheering with a serious flurry of super moves and adept athleticism!  The First near fall occurs just over eight minutes in as Pac does a DEVISTATING drop kick from the top rope and tries to pin Kenny who kicks out at two.  The match is then grounded for a bit as Pac continues to work over Kenny on the floor, which is fine as any good match needs peaks and valleys, and I’m sure both guys could use a moment to get their energy back.  When Kenny DOES get his momentum back at around the thirteen minute mark, he starts landing super moves on Pac but he’s still not able to land a pin on the guy as we’re still at zero-zero.  At the sixteen minute mark, with only fourteen minutes to go, Pac says SCREW IT and grabs a chair from under the ring and bashes Kenny right in the head with it!  The ref calls for the bell which isn’t QUITE a disqualification (if it was, it’d be the first one in AEW history) but instead gives Kenny a point.  I’m sure he’ll be happy about that when he WAKES THE HECK BACK UP, but until then he’s Pac’s play thing and lands a pin on the guy after a Black Arrow; bringing the total to one-one.  Then we go to commercial and then nothing happens. You’d think Pac would have gotten a FEW more pins while Kenny was still recovering from the chair shot, but I guess they didn’t want to give too much away while the cameras were off and Pac makes sure to give us something HORRIFIC as soon as we get back.  I don’t know what this move is called, but the best I can describe it is that Pac lifts up Kenny while both are on the apron, and then PILE DRIVES HIM into the floor!  THAT somehow looked worse than the chair shot and Kenny will no doubt be hurting during his tag team match on Saturday!  But that’s not enough!  Pac grabs a table from under the ring, puts Kenny on it, and then jumps from the top rope and smashes Kenny’s crumpled body through the table!  We’ve still got six minutes to go!  The ref starts counting for the Ten Count as both of them are outside the ring and Pac crawls his way back to the ring at the count of seven or eight.  Kenny (with a bit of help from The Young Bucks) gets back into the ring a nanosecond before he gets to ten.  Pac is getting annoyed here and goes up to the top rope for another Black Arrow, but Kenny is ready for it this time and gets his knees up right before impact.  With not much energy left, Kenny goes for back to back V-Triggers and then slams Pac to the mat.  He goes for the pin, and NO!  Pac kicks out at two!!  With less than three minutes left, Pac finally gets Kenny in The Brutalizer; the move that knocked him out and cost him the win in their first match, and now he has to survive it after taking THAT much abuse!  Kenny inches and crawls his way to the ropes and just barely breaks the hold, and yet undeterred Pac kicks him back to the middle of the ring and reapplies The Brutalizer.  We’ve only got about a minute left and Kenny manages to make it until the bell rings, and the match ends in a draw; one to one.  Pac is so pissed off that he attacks the ref and leaves Kenny on the ground which turns out to have been a mistake as it’s announced that the match will CONTINUE under Sudden Death rules; meaning the next pin fall wins.  Kenny immediately hits a V-Trigger and then a One Winged Angel on Pac to get the pin and win the match.  This whole saga was all VERY GOOD and left things a bit ambiguous at the end there without feeling unsatisfying.  Kenny flying in under the wire of that Ten Count could be seen as too lenient on the ref’s part, but then Pac DID use a chair on him and then also wasted time hitting the ref which gave Kenny an opportunity to get the win.  Everything just fired on all cylinders from the pacing to the drama to even the placement of the commercial break which in previous episodes would normally be a huge problem with the show, but here they got it to work just right along with everything else for one heck of an opening bout!

Continue reading “Super Wrestling: AEW Dynamite (02-26-20)”

Cinema Dispatch: Brahms: The Boy II

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Brahms: The Boy II and all the images you see in this review are owned by STX Entertainment

Directed by William Brent Bell

You’re unlikely to find a bigger cheerleader for The Boy than me, so when the trailers started coming out for this sequel four years after everyone else had forgotten about it AND it looked like a truly awful mess, well let’s just say that my spirits weren’t very high for this. Seriously, that bit where Katie Holmes makes a face in the trailer and they play the clichéd horror movie sting is one of the most embarrassing things I’ve seen in something allegedly trying to sell you on a movie, and it was so disappointing to see how little they seemed to care about this considering just how good the first one was! I guess getting excited for horror sequels is in and of itself a fool’s errand, but who knows what it’ll REALLY be like before we get a chance to see it. Maybe there are some hidden depths to this that the studio was scared to give away in the trailers, much like the first film, and this is truly worth successor! Yeah, I’m doubtful as well but let’s find out!!

Taking place sometime after the events of the first film, we follow Liza (Katie Holmes) and her son Jude (Christopher Convery) who had a traumatic experience with a break in; leaving her with headaches and night terrors while Jude became mute and now communicates with a notebook. In an effort to try and get them past this, the father and husband Sean (Owain Yeoman) decides to take them on a trip to someplace out in the country where they can get away from it all and reconnect as a family! As it just so happens however, the place they decide to stay in is a hereto unknown guest house (ugh…) of the mansion from the first film, and said mansion has fallen into disrepair under the new owner Joseph (Ralph Ineson) who’s been trying to fix it up but can only do so much as one guy. Of course, Jude ends up finding the Brahms doll somewhere and IMMEDIATELY attaches himself to it which seems to at least be doing a good job of opening him up a bit, but it comes with other weird behaviors and a set of rules that must be followed or else the doll will get very cross with them. Liza’s naturally worried about all this and isn’t helped by her ghastly nightmares of the break in, but Sean isn’t exactly convinced the doll is evil (just a little bit creepy) and believes that Liza is overacting despite the many strange things that start to happen around the guesthouse and Jude’s increasingly bizarre behavior. Is there some secret to the doll that wasn’t in the last film that Liza must uncover in this one? Is Jude being manipulated by whatever it was in the last film, or is there something else that’s terrifying this family? I’m not even sure why they’re friends to be honest. Doesn’t seem like they’d have a lot in common.

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“Did you kill your parents yet?”     “NO! STOP ASKING!”     “Alright! All I’m saying is that the knives are right there-”     “What, and you’re gonna help me clean up the mess?”     “Oh, you are just IMPOSSIBLE today!”

Continue reading “Cinema Dispatch: Brahms: The Boy II”