Cinema Dispatch: The Farewell

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The Farewell and all the images you see in this review are owned by A24

Directed by Lulu Wang

I really haven’t seen nearly as many small release and indie films as I should have this year which is a shame because Can You Ever Forgive Me, Sorry to Bother You, and Ingrid Goes West certainly aren’t the kind of films that will be playing at my local theater which STILL has Aladdin yet no room for this film.  Yes, I had to go out of town once again to see something even marginally outside the mainstream (how does an Awkwafina movie not get on every screen in the world!?) but more often than not the effort has been worth it as there are a lot of great stuff to find outside the blockbuster tent pole films, and not ALL of them have gone to Netflix yet!  Does this family drama about a family member dying somehow manage to be the standout film of the summer, or are we doomed for mediocre dreck ON TOP OF such as somber premise?  Let’s find out!!

Billi (Awkwafina) is your typical American millennial; in that she’s living in New York, she wants to be a writer, and she is perpetually broke.  Oh well!  At least she has her parents to support her (Tzi Ma and Diana Lin) and has maintained a good relationship with her paternal grandmother who she refers to as Nai nai (Zhao Shuzhen) and talks to on a regular basis.  One day however, when Billi is home to do her laundry, she finds out that Nai Nai has been diagnosed with lung cancer and only has a few months left to live.  The whole family including relatives in Japan will be going to see her so they can make her goodbyes which is about all Billi could hope for from this tragic situation, BUT WAIT!  The family SPECIFICALLY doesn’t want her to go!  Why?  As it turns out NO ONE IS TELLING NAI NAI SHE’S DYING (her sister played by Lu Hong hid the medical reports) and everyone is pretending that Billi’s cousin Hao Hao (Chen Han) is getting married as an excuse for the trip.  Billi being the… I don’t know, emotional and/or Westernized one is liable to spill the beans if she sees her.  Billi goes anyway however despite the protests of her parents but she does manage to keep the secret for the time being.  However, she’s constantly struggling with whether to tell her while going along with this wedding ruse that starts to spiral out of control; all the while just trying to deal with the fact that she’s going to lose someone so important to her as well and the (at least to her) bewildering actions her family is taking.  Will Billi come clean to Nai Nai or is keeping this a secret the more humane approach?  Will the family get the closure they need during this trip despite the layers of subterfuge getting in the way?  What if Nai Nai has some unfinished business she needs to take care of!?  How do they REALLY know what she’s up to on the weekends!?

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“This is the last picture we took with Nai Nai before she died.  Not from her illness; she died blowing up the Martian flagship.  That whole invasion thing just kinda came out of nowhere.”

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Cinema Dispatch: Hobbs & Shaw

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Hobbs & Shaw and all the images you see in this review are owned by Universal Pictures

Directed by David Leitch

You know what movie I’ve recently watched again?  Face/Off!  Seriously, isn’t that like THE BEST MOVIE EVER MADE!?  Great performances, over the top action, doves, it’s got it all!  I’ve always had a soft spot for action movies like that where two awesome actors are either working together or fighting one another while ludicrous action is going on around them.  It’s my excuse for still liking Central Intelligence, and it’s also why I found myself really excited to see this movie.  That trailer with the goofy song choice, the laughable premise, and Idris Elba being the most awesome Terminator imaginable hit all the right buttons for me, and throwing in John “THE DWAYNE” Rockson together with America’s favorite British dude Jason Statham was just the icing on the cake!  Can this spin-off of the most absurd action franchise of all time manage to excel past what came before it, or was moving the focus away from the main cast as bad an idea now as it was when they did it in Tokyo Drift?  Let’s find out!!

After the events of Fate of the Furious, Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are no longer in jail because… I guess saving the world gives you a free pass, and are going about their daily lives as the most interesting men in the universe; living in nice houses, driving nice cars, and kicking random bad guy butts whenever the need arises.  The best part is that neither one of them has to see the other one since they live in entirely different countries working for entirely different bosses, and can just leave each other in peace, because I guess they don’t like each other anymore for some reason.  Well too bad for them!  Shaw’s sister Hattie (Vanessa Kirby) gets swept up in some global crisis involving a deadly robo-virus and is being hunted down by deadly robo-MAN Brixton Lore (Idris Elba), so Hobbs and Shaw have to put aside their differences and work together to keep the virus Hattie selflessly injected into herself from falling into the wrong hands, and to find some way to cure her before her insides turn to mush.  Can these three action heroes with coolness to spare but baggage for days outsmart the perfect cyborg human and whatever EVIL organization he works for?  Will they find the cure for this virus inside of a fast moving car or at the end of a gun barrel!?  I wonder if the next one will be Hobbs & Shaw vs. The Fast and the Furious…

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“Looks like I’ve got to take you in again, Dom.”     “And I’m the bad guy still.”     “And I’m here as well!”

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Super Recaps: The Twilight Zone (Gabe’s Story)

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The Twilight Zone and all the images you see in this recap are owned by Warner Bros Television and based on the series created by Rod Serling

Episode directed by Allan Kroeker

The episode begins with the titular Gabe (Christopher Titus who I’ve talked about in the past) smashing his car into someone else’s by accident; someone by the way who doesn’t even seem too perturbed by it which is a little odd.  His driver’s side door is half caved in and yet rather than get yell at Gabe or get his insurance information, he makes a half-hearted crack at his driving skills before calling him a loser.  Seems a bit low key considering the damage inflicted which I would certainly call a silver lining, but then Gabe is one of those perpetually miserable dudes who attributes everything to his all-encompassing belief in his own bad luck.  Well that and his lousy boss who’s keeping him down at work.  Gabe is basically the embodiment of lower white working class angst which is a topic Sir Titus is quite familiar with as he jumps right into a stand up routine while explaining to his wife (Stefanie von Pfetten) why he didn’t get the promotion due to his lack of butt kissing skills.  He goes outside to nurse his ego as well as the big lump on his head which he got in the car crash when he notices some guy in an orange jumpsuit (Kelly Perine) in the backyard killing his grass.  When confronted, the guy just oddly says that Gabe shouldn’t even be able to see him and that he should pretend this is ALL some big hallucination before turning tail and running off while Gabe just stands there; gawking at the absolute gall of this guy to just kill his grass and say IGNORE ME.  I wish I got to see the inner workings of the universe whenever I bumped my head.

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“Darn crabgrass.  I should have listened to Philip K Dick when I had the chance…”

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Super Comics: Tangle & Whisper – #1

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Tangle & Whisper as well as Sonic the Hedgehog (the comic book series) and all the images you see in this recap are owned by IDW and SEGA of America

We’re back with what is OFFICIALLY the first issue of the Tangle & Whisper mini-series!  No more sneak previews or spoilers being doled out by IDW; it’s time to get to the real story and what we’ve all been waiting for!  Both these characters have been the highlight of the renwed Sonic series (Whisper more so, at least in my opinion) and giving them their own shot at the spotlight was a brilliant move by IDW; especially since they are original for the series so building them up as much as possible will either entrench them as neigh inseparable from the franchise it spun off of.  Does the Sonic Comic team at IDW make a brilliant case for their OCs’ place in SEGA’s world?  Let’s find out!!

The issue begins… well exactly the way that Tangle & Whisper 0 started since that was the first four pages of this one.  To quickly recap, Tangle is bored in her home town now that the threat of Metal Sonic has been thwarted (I’m assuming this is either right before the Zombot-pocalyse or the town is far enough away that they haven’t heard about it yet) and is itching for some adventure to break up the monotony of day to day life.  Fortunately there’s a commotion outside where Tangle finds none other than Whisper the Sniper Wolf who is in the middle of the street firing her laser rifle at a scampering Sonic the Hedgehog!  Say WHAT!?

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“IT’S THE ONLY WAY TO STOP SONIC FORCES 2!”     “NOTHING can stop Sonic Forces 2!”     “WELL I HAVE TO TRY!!”

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Cinema Dispatch: Once Upon a Time in Hollywood

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Once Upon a Time in Hollywood and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Quentin Tarantino

I really didn’t want to see this movie.  In fact, if ANYTHING else had bothered to come out this weekend I would have seen that instead, but nope!  Everyone had to make way for this film so I guess I have to try and be professional!  I don’t know, with everything we’ve heard about Tarantino recently it’s just hard for me to get excited to see his movie’s again; let alone support a new one.  Cancelled or not, I just personally feel very much deflated thinking about him and going to see his latest movie just felt like even more of a somber experience.  Still, while acknowledging the very real and very important context of the artist behind the art, is there a good movie to be found here?  I guess we might as well find out…

Rick Dalton (Leonardo DiCaprio) is an actor struggling to find steady work in the hectic world of late sixties Hollywood after a rather unsuccessful string of movies following a decent television career playing the lead role on a western.  His stunt double Cliff Booth (Brad Pitt) has stuck with Rick all this time since he’s had trouble finding work elsewhere and seems to have accepted his lot in life even if he’s basically Rick’s assistant at this point.  Fortunately for Rick, he’s got a decent gig lined up playing the bad guy in some TV pilot which will hopefully get him some attention (otherwise he’ll end up doing Spaghetti Westerns which I guess weren’t good things to be in at the time) and this also means that Cliff has the day to himself which he uses to pick up a hitchhiker (Margaret Qualley) who wants to introduce him to her buddy Charlie who’s got a bunch of followers out in the desert.  Oh, and on top of that Sharon Tate (Margot Robbie) is Rick’s next door neighbor, and she’s doing stuff as well like… seeing movies and dancing around the house.  Can Rick nail this latest role that may be his last chance to stay relevant?  What will Cliff find at the compound the hitchhiker is taking him too, and will he be able to leave if things get out of hand?  Is it just me, or is Tarantino trying a bit too hard here?  Or perhaps not hard enough?

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“Do you want me to say ‘Nazi scalps’ yet?”     “No, we’re not doing that again.”     “Really?”     “…Okay, let’s not rule it out completely.”

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