Men in Black: International and all the images you see in this review are owned by Sony Pictures Releasing
Directed by F Gary Gray
As tacky as it may seem, I kind of want to see MORE studios blatantly try to pick at the MCU’s carcass by snatching up its major talent and putting them in new scenarios with similar dynamics. It’s kind of like the cinematic equivalent of an Elseworld’s tale or maybe even one of those bizarre crossover comics where the X-Men are on the Enterprise or Doctor Who has to fight the Cenobites or whatever. Picking up both Chris Hemsworth in full on Thor Swagger mode and Tessa Thompson at the height of her popularity is probably the best thing this film has going for it because it certainly isn’t the name brand recognition. The first Men in Black movie was good but is older than the target audience of this film, the sequel was utter dreck despite having my beloved Johnny Knoxville in a fun supporting role, and I never even bothered with the third movie that this thankfully doesn’t seem to be a direct sequel to. Still, the concept is at least unique enough that you could still salvage it given the right talent which looks to be the case with its cast as well as being directed by F Gary Gray. Can the MIB be brought back from the dead to be the next big cinematic franchise, or are we doomed to repeat the mistakes of the late nineties and early 2000s over and over again
Molly (Tessa Thompson) has spent the last twenty years looking for the mysterious Men in Black organization which tried to capture an alien in her childhood home but failed to do so and also failed to neuralyse her like they did her parents. It was a pretty serendipitous event as well because Molly is a bit of a loner and cares more about unlocking the mysteries of the universe than having friends or forming genuine human relationships; a trait prided in members of the MIB! Because of this as well as her ability to eventually find them, the current head of the New York branch Agent O (Emma Thompson) gives her a shot with the new moniker Agent M and sends her to London for training where she runs into Agent H (Chris Hemsworth) who is a big shot hero from a few years ago but seems to be in a bit of a slump. He and the head of the London branch High T (Liam Neeson) once stopped an alien invasion with nothing but a couple of weapons and their wits, but when a protection operation H takes M along on goes completely awry, it could spell the end of not just their careers but the Earth itself. They must solve the mystery of who wanted to kill H’s alien buddy Vungus the Ugly (Kayvan Novak) and whether or not there’s some greater conspiracy happening with the MIB that this is just a small part of. Oh yeah, and there’s a comic relief alien (Kumail Nanjiani) that does cute things and spouts sarcasm. Can M and H learn to work together and solve the mystery before MIB or something more dangerous catches up to them? Will the organization that prides itself on being secretive collapse into ruin due to the duplicitous nature of one of its own? Is it just me, or is it becoming increasingly hard to believe that THIS many people and THIS much equipment are STILL a complete mystery to the undiscerning masses; all of whom have smart phones and social media accounts?
“Is this the place?” “Yup. XxVegetaAlphaxX won’t be uploading Men in Black and nutshot complications any time soon.” “Freaking Reddit.”
Aladdin and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Guy Ritchie
The Disney money train just keeps on rolling, doesn’t it!? With nowhere else to go but back to the well, they’ve been pumping out remakes, reboots, and even sequels for some time now with… let’s say MIXED results. In fact, Dumbo might have been the last straw to finally knocking these into MOSTLY BAD territory; and I’m not liking the way that Lion King movie is shaping up despite its solid casting! Still, Aladdin is probably the film BEST suited for the big budgeted live action retelling considering how cinematic and adventurous it is, and the fact that the story’s already been done in live action in the past! Can Disney pull off another remake of a beloved nineties property, or are we gonna have to wait for Maleficent 2 for things to get back on track? Let’s find out!!
In the wondrous city of Agrabah, there once lived a thief known as Aladdin (Mena Massoud) who spent most of his days stealing apples and talking to his monkey Abu; presumably because he gave up on forming attachments to other humans and find that monkeys are less likely to stab you in the back. I mean they COULD what with apposable thumbs, but that’s beside the point! What’s important is that one day he meets a woman in the local bazar who doesn’t seem to understand how money works which you’d think she WOULD considering she’s Princess Jasmine (Naomi Scott), the one and only daughter to the Sultan (Navid Negahban), but I guess when you’re THAT rich possessions and currency don’t hold much value. Thankfully Aladdin is there to smooth things over, and by smooth things over I mean help her run away, and the two hit it off almost immediately which would normally be good news if it weren’t for the fact that she can only marry a prince. That’s where the Sultan’s Grand Vizier Jafar (Marwan Kenzari) comes in who sees something in this street rat and wants to use him to get his hands on the Magic Lamp for clearly nefarious purposes, and so spins him a tall tale of how doing this one job for him will get him all the riches he could dream of and become a prince in his own right! Well Aladdin at least holds his end of the bargain up, but things inevitably go wrong and he’s stuck there with nothing but his monkey, a magic carpet and oh yeah THE MAGIC LAMP which houses a TERRIFYING Genie (Will Smith) that promises him three wishes for finding his lamp! What will Aladdin wish for, and will it be enough to win the heart of the Princess? How long can he keep up the ruse he concocts, and will he be able to fool the sharp witted Vizier; even WITH the Genie’s magic? More importantly, who needs a Genie when you can capitalize on people’s nostalgia? That ALREADY gets you all the riches in the world!!
“Do you trust me? To tastefully pay homage to an animated classic?” “Well…”
Alright everyone! Now that we’ve had our fun with the GOOD list, it’s time to put on some work pants as we start wading through the unimaginable dreck that was yet another “fun” aspect of the abysmal year that we all had to suffer through. You know what though? Most of us made it through to the other side, so if looking back at the year that couldn’t beat us and having a laugh (or one last bitter tirade) at the pathetic excuses for entertainment that made daily life just a little bit worse, well I think we all deserved it, don’t you?
Anyway, let’s not beat around the bush any longer! WE’RE DIVING RIGHT IN!!
Dishonorable Mentions: Death Note & Bright
Since I didn’t even bother trying to watch another Adam Sandler movie this year, this dubious distinction goes to two OTHER Netflix features; albeit it for very different reasons. The truth of the matter is, I didn’t particularly mind either of these films as I think they had some good ideas buried within their mediocre (and cheap looking) execution with Death Note having an interestingly different take on its main character (a whiny little punk with issues of inadequacy instead a megalomaniacal genius) and Bright having an ALRIGHT set up for what is essentially a weaker version of 16 Blocks. That said… yeah, these films are REALLY flawed and in glaringly offensive ways. As much as I like the idea of taking some of the pomp and circumstance out of Death Note and reframing Light Yagami to be a less foreboding figure, I don’t see why that necessitated him to be white since they never play with that change in his identity within the text of the film. There could have been a component of White Privilege to the story (especially with L being black), but that seems to have never been the intent on the part of the filmmakers who simply seemed to associate AMERICAN REMAKE with WHITE AS DEFAULT. Similarly, the half-baked and ham fisted social commentary in the script for Bright creates one of the most cringe inducing screenplays of the year which has Orcs standing in for Black People in a world that still has Black People, and it even finds an excuse to get Will Smith to say “Fairy Lives Don’t Matter” before beating said fairy to death. Sure, the movie picks up once it gets away from its proudly ignorant views on race and becomes a straight up chase film with Will Smith and Joel Edgerton (who’s under a decent enough make up job), but that’s hardly enough to excuse everything that it gets wrong in the process. Now I don’t want this to come across as Netflix bashing because they DO put out quite a bit of decent content as I’ve heard good things about First They Killed My Father, Beast of No Nation, even The Babysitter, and while it wasn’t my favorite King Adaptation this year I thought Gerald’s Game was pretty good too. That said, they’ve had quite a few stumbles over the years, pretty much starting with their awful Adam Sandler deal, and these two movies are just further examples of their awkward steps towards becoming a media empire of their own; something they’ll need to keep working on now that Disney is gonna own everything else in the world and will eventually come out with their own streaming service to try and crush them. If Netflix wants a chance to survive the Disney/Fox merger, they’ll need to avoid having clunkers like this clogging up their service.
Collateral Beauty and all the images you see in this review are owned by Warner Bros Pictures
Directed by David Frankel
Is it that time again for Will Smith to try and win that Oscar he’s been so desperately seeking for some time now!? Hey, since DiCaprio got his we need another underdog to root for, and Will Smith is as good a candidate as any. Well… except that HIS Oscar bait films tend to be stuff like Concussion where he’s a boring scientist while Leo jumped off mountains and did massive amounts of drugs trying to get his. This movie, just from the awkward title, doesn’t inspire much hope that The Fresh Prince is ready to put himself out there in something fun and risky to win his Academy Award, but then maybe this movie doesn’t need any of that and is a truly moving film in its own right. We can only hope…
The movie begins with Howard (Will Smith) and Whit (Edward Norton) as two best buddies as the heads of some advertising company that seems to get motivational Howard Speeches on a daily basis. That is… until the tragedy. We jump straight to three years later where Howard has gone from The Fresh to Hancock (well… Hancock without the fun) and is now spending his days building up elaborate domino sets instead of working. Not only that, but he’s so preoccupied with the grief of what happened (it doesn’t take long before we find out his daughter died) that he’s letting the company gone down the tubes financially and can’t even be bothered to sign the company over to Whit as well as Simon (Michael Peña) and Claire (Kate Winslet) who could save the company if Howard would just give them the authority to do so, though I’m not sure what the law is about letting someone literally sit on his ass all day while all his employees are left to watch things crumble. Eventually, our trio of good buddies decide that Howard needs to either lose his fucking mind or get better (it’s never quite clear which one they’re going for) and decide to Christmas Carol his ass using actors (Keira Knightley, Jacob Latimore, and Helen Mirren) who will play Love, Time, and Death; all three of which are concepts that Howard has been writing letters to as a way of expressing his internal frustration and rage. Will this strange plan to convince Howard he’s seeing his delusions come to life make him deal with his problems, or drive him further into his unhealthy state of mind? Will he eventually seek help from a local support group led by Madeleine (Naomie Harris) which seems like a less risky way for him to deal with his daughter’s death? Seriously, isn’t there like a MILLION ways this plan could go horribly wrong!?
“Without love in your life, you couldn’t even appreciate the time you had with her, and-” “Oh! I see you have a guest! What will she have?” “Wait, you can see her!? She can see you!?” “Uh…”
Suicide Squad and all the images you see in this review are owned by Warner Bros Pictures
Directed by David Ayer
After Batman v Superman, I can’t imagine how everyone behind this movie wasn’t shaking in their boots now that the ENTIRE franchise is resting on their should to right the course and bring audiences back around before the Justice League and Wonder Woman movies have a chance to kick this cinematic universe into high gear. In fact, the heavily publicized reshoots of this movie were probably due almost entirely those expectations being thrust upon this after Batman v Superman fell flat on its face. Still, even when that movie was running its course, there was always the hope that this one would be the fun alternative to the somber and serious Snyder film and the marketing at least was leaning heavily on that idea to sell it to the masses. Does this succeed in distinguishing itself from the rest of the DCCU which includes a maybe a third of a good movie and a really awful one, or were DC and WB playing us all for fools by convincing us this one would be different? Let’s find out!!
The movie follows the first undertaking of The Suicide Squad which is a group of SUPER criminals that the US government plans to use in order to fight meta-human or otherwise extremely dangerous threats. The project is being pushed forward by the tough as nails Amanda Waller (Viola Davis) and is comprised of Deadshot (Will Smith) who is a perfect shot, Harley Quinn (Margot Robbie) who… I guess is good with a baseball bat, El Diablo (Jay Hernandez) who’s actually doing this under duress as he’s given up his fire spewing ways, Killer Croc (Adewale Akinnouye-Agabaje) who’s… half man half crocodile I think, Captain Boomerang (Jai Courtney) who is pretty good at throwing boomerangs, and of course Slipknot (Adam Beach) who doesn’t do shit. Along with the squad is Col Rick Flagg (Joel Kinnaman) who’s basically serving as their babysitter and also has the power to blow their heads off if they step out of line (NOTHING at all like Battle Royale) and Katana (Karen Fukuhara) who I think is supposed to be a good guy at least compared to the other members (as far as I can tell, she’s NOT actually in jail and volunteered for the mission) and she’s got a magic sword. Not what I’d call the best team to send out when a city gets very nearly leveled by an evil witch called The Enchantress that is inhabiting the body of Dr June Moone (Cara Delvingne) who JUST SO HAPPENS to be Flagg’s girlfriend, but at least the government won’t have to pay for their funeral expenses when they surely get obliterated by dark and unimaginable forces. Can the Suicide Squad manage to infiltrate the city that’s crawling with monsters summoned by the witch and save a highly valuable target inside? What about the Joker? Isn’t he supposed to be in this too? Does the fate of the world REALLY need to rest on the shoulders of Captain Boomerang!?
“Deadshot! Secure the perimeter! Harley! Keep an eye on the door! Boomerang!” “WHAT IS IT BOSS!? I’M READY FOR ANYTHING!!” “Go get me a coffee.”
Concussion and all the images you see in this review are owned by Columbia Pictures
Directed by Peter Landesman
Mr. Fourth of July is back with his latest attempt to win that Oscar after Ali, The Pursuit of Happyness, and 7 Pounds didn’t do a damn thing for him. Well at least this one is a story that’s still fresh in people’s mind as it explores the events that led up to the NFL being in hot water over the dangers of head injuries and the consequences of not getting these issues treated in their former players. Does William Smith Jr finally have the movie that will get him an Academy Award that he can shove in Leonardo DiCaprio’s face, or does the search continue for Will to find something that will prove once and for all what a great actor he is? Let’s find out!!
The movie follows Dr. Bennet Omalu (Will Smith) who happens to be on duty at a Pittsburg morgue the day that a former NFL player is found dead after long bouts of mental illness and medical problems. During the autopsy, Omalu discovers some irregularities that lead to him eventually discovering a hereto unknown disease known as Chronic Traumatic Encephalopathy (CTE) that is caused by repeated blows to the head which is something that happens quite frequently to NFL players. Clearly this needs to be explored further as it’s clear that other older players begin to exhibit extreme mental issues, but the NFL instead decides to bury the guys work and deny it incessantly. Omalu though continues to push for more research and for the NFL to acknowledge the diseases existence, but to little avail at least at first. Along his journey to get the truth out there, he starts to pursue a romantic relationship with a fellow churchgoer (Prema Mutiso played by Gugu Mbatha-Raw) and eventually meets a former NFL doctor (Julian Bailes played by Alec Bladwin) who knows first-hand what it’s like to see former players’ minds deteriorate. With support from the medical community and his girlfriend along with the insider knowledge of Dr. Bailes, will Dr. Omalu get his way and save hundreds of people in the process, or is this a task too herculean for any one man to accomplish?
“And the Oscar goes to… Will Smith. I’ll get up looking shocked, kiss Jada on the cheek, and lightly job down there. Gotta make sure to thank all my kids, thrown in a joke here and there…”
Not long ago, we got trailers for the upcoming DC Comics films, namely Superman v Batman and Suicide Squad. Needless to say that both of them have been HUGE presences in entertainment media since they’ve come out with everyone giving their two cents about the trailers and what their movies will ultimately be about, and not one to avoid jumping on the bandwagon, I’ve decided to use my little platform to give you my thoughts on them as well. Do they inspire confidence in DC’s unique direction to take their superhero films, or are they the further indication that they have no idea what the hell they’re doing over there other than desperately try to scramble together a cinematic universe after Marvel did it so effortlessly? Let’s find out!!
Batman v Superman
The trailer begins with what appears to be some sort of senate hear4ing where Superman is being brought before them to explain his actions in the previous film. We also get to see that Bruce Wayne was in Metropolis at the time of Zod’s attack and saw the destruction that these super humans can dish out. From there we get to see as things escalate between the two with Batman coming out of retirement (I think) to get ready to fight Superman, while Clark Kent is still trying to figure out what his purpose on this planet is (I think). If you’re wondering why I’m so uncertain about those things, it’s because the trailer does a pretty poor job conveying where in Batman’s history we are and giving us ANY reason to even give even the TINIEST of shits about Superman or understand him in any way.
“A LOT of bad shit went down when you dragged that alien through Metroplis, right?” “…” “I mean, I’m SURE you did the best you could, but there was quite a bit of damage in the process, right?” “…meh.” “Okay, fuck this. GUILTY!!”