Cinema Dispatch: The Naked Gun

The Naked Gun and all the images you see in this review are owned by Paramount Pictures

Directed by Akiva Schaffer

What, another reboot of a classic comedy from the eighties? I don’t know about you, but the Gen-X nostalgia for Ghostbusters alone has me wary of any revivals from the Reagan years, but people were surprisingly optimistic about this one, and the trailers at least put a solid case for itself to be taken seriously as a genuine successor to the original. It would certainly have to find a new angle given how different cops in both media and real life fit into popular culture, but it has some interesting talent behind it, and Neeson certainly seems game to fill Nielsen’s iconic shoes. Could this be the rare reboot that finds a way to be both faithful to what came before while also forging an identity of its own? Let’s find out!!

Detective Frank Drebin Jr (Liam Neeson) is a hard-nosed and sharp witted cop; right on the edge and peering over the side into the darkness below. This intuitive insight into the depths of man’s inhumanity to itself, along with the pleas of Beth (Pamela Anderson), the grieving sister of a man who died under suspicious circumstances, puts our intrepid hero from the venerable Police Squad on the trail of billionaire tech genius Richard Cane (Danny Huston) who’s all smiles and charm in front of the camera but is hiding something sinister behind closed doors. What is this fiendish villain planning, and does Frank Jr have the wherewithal to overcome whatever silly challenges get in the way of cracking this case? Where does Beth fit into all of this, and will she prove to be a strong ally to Frank or the sexy cause of his sexy downfall? With a man like this leading the charge, what could possibly go wrong?

“Fitting an entire hot dog in your mouth is not merely a challenge; it’s a show of domination to the rest of the food. They will KNOW who’s at the top of the chain!”
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Cinema Dispatch: Bill & Ted Face the Music

Bill & Ted Face the Music and all the images you see in this review are owned by United Artists Releasing

Directed by Dean Parisot

There haven’t been many rays of sunshine during the last few months of lock-down, but one of them was the first trailer for Bill & Ted Face the Music.  I remember hearing that Reeves and Winter were trying to make this movie back when I was in COLLEGE which at this point that was a depressingly long time ago, but after years of starts and stops, hype and silence, and Keanu Reeves regaining his A-List star clout (as well as becoming everyone’s Favorite Person Ever), the duo have finally returned to give us one more adventure with the Wyld Stallyns.  Is it a beautiful trip down memory lane for all the fans that loved this franchise, or is it too little too late for all the years of anticipation?  Let’s find out!!

Bill S Preston Esq and Ted Theodore Logan (Alex Winter and Keanu Reeves) have spent their entire lives trying to write the song that unites the world which apparently was NOT God Gave Rock And Roll To You.  Apparently someone else wrote that song and the Wyld Stallyns haven’t come up with a better one since then despite releasing several albums over the years; some of which were decent but they fell off the charts pretty quickly and have been scraping by for some time now.  At least they have loving families that support them as Bill is still married to Princess Joanna (Jayma Mays) and they have a daughter Thea (Samara Weaving) while Ted is still married to Princess Elizabeth (Erinn Hayes) and they have a daughter Billie (Brigette Lundy-Paine), but the strain is starting to get to them and they might just give up music altogether.  Right as they’re discussing the end of their career, a time machine shows up in the driveway and out steps Kelly (Kristen Schaal) who is the daughter of Rufus from the previous films, and she takes them to the future where they high council of… I guess the ENTIRE EARTH informs them that their song to save the world is not only to usher in an enlightened age but to fix some horrific distortion in space and time that if they DON’T fix will end all of reality as they know it.  Oh, and they have less than two hours to do it, starting… now!  Without much time left to get their act together, Bill & Ted figure the best way to get the song that saves the future is to go INTO the future and the song after it’s already written by their future selves, and while that’s going on Billie & Thea are given a time machine from Kelly to try and muster up a band who will be talented enough to play the song once Bill & Ted get it.  Will these two loveable has-beens find a way to save the future before time and reality folds in on itself?  Will Billie & Thea turn out to be as good at traveling through space and time as their fathers were, and discover what destiny has in store for them as well?  You know, we could really use a Bill & Ted miracle right now, so what are the chances that this is the MOVIE that will unite the world and save reality as we know it?

“We humbly accept these seven Oscars, the Noble Peace Prize, and the Grammy for Best New Artist!”     “We had to go all the way back to 1977, but we got it!”     “Take THAT, Starland Vocal Band!”
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