I’m pretty sure I say this every other month, but life can come at you pretty fast, and I’ve let a few things slip through the cracks in trying to keep up with it all. The casualties this time around were two very successful summer blockbusters which I probably would have gotten a few extra views if I was timely with these reviews, but there’s no time like the present to try and catch up! Were these classic films carelessly shunted to the end of my to-do list, or does it make some amount of sense that I couldn’t be bothered to finish these reviews when they were relevant? Let’s find out!!
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Bad Boys: Ride or Die
Bad Boys: Ride or Die is owned by Sony Pictures Releasing
Directed by Adil & Bilall
The first two Bad Boys movies are obnoxious and crass in a way that left me very ambivalent about going into the third one, but the new blood behind the camera ended up being the shot in the arm the franchise needed to stay relevant. This one, however, is content to rest on its laurels and use the excuse of a sequel to work out some fancy camera techniques. It’s not a bad movie by any stretch, and it still runs circles around the first two, but it lacks a meaningful reason to exist. The third one actually had something to say about its aging heroes, which gave it a sense of purpose beyond the action spectacle and funny banter. They try to keep that thread going here, but there’s nothing of substance to it, as Laurence’s brush with death early in the movie is a complete goof and doesn’t hit the same way that it did with Smith in the first one. They’re also not as interesting to watch as Smith and Laurence seem to be going through the motions at times, but I would chalk that up to the lackluster script. It’s supposed to be a redemptive story, but the plot is far too convoluted for it to have the raw emotional catharsis that you’d want, and without a clear direction to point our two leads, they feel a little lost in the weeds. Still, the action is fantastic with Adil & Bilall proving once again why Warner Bros were fools to dump their Batgirl movie, and while the action is certainly sillier than in the last one, there’s more than enough of it at a fast enough clip that you hardly even notice as you’re sitting through it. I got the sense that the third movie was written to be an end to the series, even if the door was open to possible sequels. I don’t get that sense watching this one, as the sequel door is left wide open with neon signs around it and a twenty dollar bill dangling on a fishing line. If they want to keep this franchise going for as long as Smith and Laurence are interested in doing so, then the best of luck to them, but running the sequel mill has its drawbacks, and despite the movie’s subtitle, there’s no significant shakeup to the status quo to mark this one out as a significant entry. It’s been several weeks since I saw it and very little has stuck with me the same way that Bad Boys for Life has, so by that measure it’s a disappointing sequel. Not a significant disappointment, especially since it’s still the second best in the series by my estimation, but you’re only gonna get so far when not trying to do too much.
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Continue reading “Cinema Dispatch: Bad Boys: Ride or Die & Twisters”
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