Cinema Dispatch: Scream VI

Scream VI and all the images you see in this review are owned by Paramount Pictures

Directed by Matt Bettinelli-Olpin & Tyler Gillett

The Scream franchise is certainly a unique presence in horror with a few solid entries under its belt and a premise that frankly hasn’t been replicated well by anyone else.  The blending of slasher tropes with whodunit elements feels like one of the most obvious premises imaginable, right up there with using Superheroes as the basis of big summer blockbusters, and yet nothing has really tried to put their own spin on it outside of arguably the Saw movies which itself ran out of steam the same way Scream did after the third one.  The reboot series of films which started with four has had some interesting takes on the formula and a few good ideas to keep the series relevant, but can they keep that momentum going long enough to round out the trilogy, or will it crash and burn as spectacular as Scream 3 did?  Let’s find out!!

After the events of the last movie, the survivors have decided not to stay in Woodsboro and instead move to New York City for a change of scenery.  After all, it’s not like slasher villains have a history of making New York City the one other place they go to kill people, right?  Sure enough, another Ghostface Killer makes themselves known and it’s up to Sam and Tara (Melissa Barrera and Jenna Ortega) to find out who is donning the outfit this time and to keep their friend group from becoming mincemeat.   This includes Mindy and Chad from the last movie (Jasmin Savoy Brown and Mason Gooding) as well as newcomers Quinn, Ethan, and Anika (Liana Liberato, Jack Champion, and Devyn Nekoda) who could all be the new killer because that’s how these things usually work out.  Oh, and of course, Gail Weathers shows up again (Courteney Cox) because this is a Scream movie and we can’t have one without at least one of the original survivors.  Will Sam and Tara survive yet another serial killer that’s hot on their heels, and in doing so resolve the tension that’s been building between them since the last time this happened?  Who could the killer be this time, and what new rules of horror movies need to be explored in order to stay one step ahead of Ghostface?   What exciting new ways of murdering are available to Ghostface now that he’s in the big city?  Maybe he can stab someone in an overpriced apartment instead of an oversized suburban home!

“Can you even name another horror movie that takes place in a bodega!?”     “Uh… Vampire Vs. the Bronx?”     “NO!  NETFLIX MOVIES DON’T COUNT!”     *BANG*
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Cinema Dispatch: Spider-Man: No Way Home

Spider-Man: No Way Home and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Jon Watts

It’s been a rather underwhelming year for the superhero genre which once towered over the world.  The Pandemic has pushed the release schedule around several times which means we’re waiting longer for these movies, and to me, the MCU is having trouble finding their voice after Endgame put a pretty definitive end to the original story arc.  Frankly, the best we’ve gotten from the MCU in the last two years have been the Disney+ shows that may not always hit their marks but definitely have a lot of interesting ideas that probably wouldn’t work as a movie; even with these things being overly long for the most part.  Still, it’s hard not to get excited about another Spider-Man film; especially one as specifically targeted to my generation as this one is.  Does it manage to pull us out of the MCU funk and deliver on all the ludicrous promises the trailers have made, or is this going to be as convoluted and pointless as the Clone Saga; or even worse, One More Day?  Let’s find out!!

Following the events of Spider-Man: Far From Home, Peter Parker (Tom Holland) has been revealed to the world as their friendly neighborhood Spider-Man, and this newfound celebrity (and infamy) has thrown his life into chaos.  Investigations from the government, a bunch of weirdos throwing bricks through his windows, and a very awkward school environment where half of them want to see him become their mascot and the other are hurling conspiracy-laden insults at him.  See, this is why you need to be rich or a soldier to do the Superhero thing; either commit to it full time or pay people to go outside for you!  It gets to be such a burden that Peter begs the MCU’s cool uncle Dr. Strange (Benedict Cumberbatch) to use his wizard magic to erase his identity from the mind of everyone in the universe.  Let’s just say that it had mixed results as the world doesn’t forget his identity, but there are now a bunch of villains running around who seem to know him; including Doctor Otto Octavius who has four robot arms (Alfred Molina), Max Dillon who has electricity powers (Jamie Foxx), Dr. Curt Connors who’s a lizard man (Rhys Ifans) Flint Marko who spends most of the movie as a human-shaped sandcastle for whatever reason (Thomas Haden Church), and of course Norman Osborne who still suffers from pretty severe mood swings (Willem Dafoe).  Now if you’ve kept up with the Spider-Man films for the last twenty years, those names should seem pretty familiar.  Sadly the Spider-Man of this universe didn’t get to see those movies, so he has to discover who all these people are, why they became villains in the first place, and if this confluence of inter-dimensional fan service can actually turn into a good thing for all involved.  Will Peter Parker, with the help of his friends, his Aunt May (Marisa Tomei), and his sorta-bodyguard Happy (Jon Favreau), be able to stop these guys from tearing apart this universe and perhaps even get past their overwhelming hatred of wall-crawling superheroes?  Who else may have found their way into this universe, and what can they do to either help or hamper Peter’s attempts to fix everything?  So is J Jonah Jameson (JK Simmons) also an inter-dimensional buzzkill, or is there no universe that can escape his ludicrous conspiracy theories and get-rich-quick schemes?

“Looks like they already turned you into an NFT.”     “Seriously?”     “Yup.  And it sold for five-hundred grand.”     “See THAT’S the kind of evil-doer I should be fighting.”
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Cinema Dispatch: Spider-Man: Far From Home

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Spider-Man: Far From Home and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Jon Watts

Well now that we’re FINALLY done with Thanos (and James Gunn is back on Guardians 3), we can finally get things back on track, right? I mean sure, we needed a nice big climatic sendoff for the big stars that helped bring this franchise to life, but now that the party’s over things have got to keep going without them and the MCU, if they’ve done NOTHING else, have managed to create something that can go on even after closing the book on some of its biggest characters. Still, there’s a big ol’ elephant in the room (or perhaps SPIDER-PIG in the room!) called Into the Spider-Verse that came out between the last Tom Holland film and this one which frankly blew Homecoming out of the water. Homecoming is still great, but Into the Spider-Verse? Woo boy is that a hard act to follow! Can this Post Thanos and Post Spider-Verse entry into the MCU cement itself as the first step to the future of this franchise, or have we already seen the best this version of the hero has to offer and will be left wanting for something more? Let’s find out!!

So hey! That whole… dead for five years thing was pretty rough, wasn’t it? Well the world keeps on turning I suppose and that’s definitely true for Peter Parker (Tom Holland) as well as the entire cast from the first Spider-Man movie who JUST SO HAPPENED to be blinked out of existence as well which makes sense to me because this is a movie and everyone liked the cast from the first film. This includes Ned (Jacob Batalon), Mary Jane (Zendaya), and even Flash Thompson (Tony Revolori); all of whom as well as a couple of other students from Peter’s school are going on a European field trip. Frankly, Peter could use the time off considering how much he’s had to go through in the past… I guess it’s only been a few months for him, and after… well ENDGAME SPOILERS WILL BE IN THE REST OF THIS REVIEW SO LOOK AWAY NOW, Tony died saving the universe, he’s been having trouble coping with this whole “superhero” thing which has gotten a lot more real than just being a dude doing back flips on roofs and stopping two bit muggers. Of course nothing can be that easy for good ol’ Peter Parker because Nick Fury (Samuel L Jackson) along with Maria Hill (Cobie Smulders) are trying to pull him into this “save the world” situation where elemental monsters from another dimension are tearing up cities all over the world, and with the Avengers kinda doing their own thing (the ones who aren’t dead at least) all they’ve got to work with is this kid and some dude named Quentin Beck (Jake Gyllenhaal) who claims to have come from the same alternate dimension as the elementals and wants to help us stop them. Oh, and at some point people start calling him “Mysterio” for some reason, but I’m sure that’s fine. This is all WAY more than Peter was ready to handle so soon, but then again if he’s not ready to drop everything at a moment’s notice and save the world, was he ever truly worth of being Tony’s protégé and a possible future Avenger? Can the world possibly get along fine with the new guys out there like the square jawed and overly capable Mysterio fellow to let Peter just be a kid for once? Seriously, considering where he ends up in Into the Spider-Verse, he might as well quit now. Yes, EITHER version of Peter in that movie!

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“So what’s it like having already done this already? When you look back on what you’ve accomplished, was it worth the years of sacrifice?” “What? No, that wasn’t… I’M NOT TOBEY MAGUIRE!!”

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Cinema Dispatch: Spider-Man: Homecoming

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Spider-Man: Homecoming and all the images you see in this review are owned by Sony Pictures

Directed by Jon Watts

So after a decade of crappy reboots and custody battles, Spider-Man is finally gonna start living with BOTH his parents; sticking with Sony but being able to visit Disney on the weekends.  To celebrate these two studios begrudgingly working together to make a lot of money, we have the third reboot of the Spider-Man franchise getting a whole move all its own with a little from column Sony and a little from column MCU.  Considering how bad things had gotten for the character with the two Amazing Spider-Man movies and how reliable the MCU is when it comes to making above average blockbusters, it’s unlikely that this will end up a disappointment for anyone who’s been hoping to see a Spider-Man movie with the official Marvel stamp of approval, but if it can ONLY manage to be better than the previous iteration… well I can hardly think of a more textbook definition of Damning with Faint Praise.  Does this manage to stand on its own as a great film, or has Marvel finally met its match by having to work with another studio for once!?  Let’s find out!!

The movie picks up right after Civil War where Peter Parker (Tom Holland) is spending his day doing his Friendly Neighborhood Spider-Man thing, but is getting antsy over the fact that Tony Stark (Robert Downey Jr) won’t return his calls.  Neither will Happy (Jon Favreau) who’s supposed to be keeping an eye on him and is clearly doing a poor job of it since even a LITTLE bit of attention might have kept him from doing something stupid!  Said stupid thing is when he starts tracking down a group of alien gun smuggles head up by Adrian Toomes who played by Michael Keaton (Oh hey!  I guess he DID live long enough to become the villain!) and soon finds himself in over his head.  Not only does he have to deal with REAL tough guys instead of street thugs, he also has to deal with the problems of being a teenager such as having a crush on a senior named Liz (Laura Harrier) trying to sneak around Aunt May (Marisa Tomei) and having to deal with his friend Ned (Jacob Batalon) who accidently found out his secret identity.  Can Spider-Man stop the bad guys AND get his math homework done?  Will Tony Stark eventually notice him once he takes down such a dangerous criminal, or will that only make things worse between them?  Oh I’m sure he can handle all this!  He’s a super hero, right!?

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SYMBOLISM!!

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Cinema Dispatch: Table 19

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Table 19 and all the images you see in this review are owned by Fox Searchlight Pictures

Directed by Jeffrey Blitz

Table what now?  Has anyone heard of this movie before like a week ago?  Hell, did anyone see a trailer of this or is its target audience people who couldn’t see Beauty and the Beast because it was sold out but made the effort to get out of the damn house anyway so are going to see something else?  I don’t know about you, but that seems like a pretty niche market to go after!  Well just because no one has heard of the damn thing doesn’t mean it’s a BAD movie.  Hell, Shawshank Redemption was a HUGE flop and now it’s one of the most beloved and overexposed films of all time!  Okay, so this probably isn’t gonna be THAT good, but maybe it’ll still manage to be rather enjoyable.  Let’s find out!!

The table in question refers to a table at the wedding reception, and the nineteenth one is the LAST table in the hierarchy of wedding guests.  While all the important people are at the first few tables and all the REAL guests are in the latter ones, the ones who were invited but weren’t expected to show up were placed at the TABLE OF INFINITE SHAME!!  The guest list includes the brides former babysitter (June Squibb) which seems kinda mean spirited, a couple who worked with the one of the dads of the married couple many years ago (Lisa Kudrow and Craig Robinson), a family member who screwed someone out of A LOT of money (Stephen Merchant), and… some teenager (Tony Revolori).  Honestly, I don’t remember why he’s even there in the first place, but his shtick is that he’s horny all the time so maybe he’s on hand to fill a cliché quota.  ANYWAY!  There’s still one more person at the table.  The best friend of the bride (Anna Kendrick)!?  SAY WHAT!?  She’s ALSO the former Maid of Honor and is personally responsible for the seating arrangements!?  As it turns out, there was a major falling out, particularly in regards to the brother of the bride (Wyatt Russel), and while she ultimately decided to still go, she’s stuck with the losers and rejects who probably resent being considered losers and rejects.  Will shenanigans inevitably ensue now that a Molotov cocktail of resentment has landed at the table with people who pretty much have nothing to lose here?   Just what exactly happened between our heroine of sorts and the happy couple’s family?  WHAT ARE THEY GONNA DO TO THE WEDDING CAKE!?

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“We’re all in agreement.  The cake had it coming, and we will never speak of this again…”

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Cinema Dispatch: Dope

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Dope and all the images you see in this review are owned by Open Road Films

Directed by Rick Famuyiwa

We are smack dab in the middle of the summer blockbuster boom-a-thon where you can’t chuck a rock without it exploding and narrowly avoiding a recognizable character from a long running franchise.  Who knows?  Maybe the movie going public is ready for something other than dinosaurs and superheroes for about a week or so and this might just fill that necessary niche.  No wait, they released it the same day as Inside Out.  You’re telling me that this movie, from the director of a Carlos Mencia vehicle (Our Family Wedding), is trying to go up against a Pixar film!?  If ANY movie had the balls to go up against the Mouse House, then this is either a film they just want to dump in theaters to get it over with, or something REALLY special that they are confident everyone will take notice of.  Before my pessimism overwhelms you all, it might just fall into the latter category considering the very solid trailers and the fact that it was produced by Forest Whitaker (who was actually in Our Family Wedding) and Pharrell Williams who was also responsible for the soundtrack.  Well it HAS to be better than Mac and Devin go to High School at least… right?  Anyway, the movie is primary about Malcolm who is a high school student in Los Angeles with a 4.0 GPA and wants to get into Harvard.  Not only that, but he’s also a huge nerd for nineties hip-hop and its aesthetic (just look at his flat top) which makes him an even more obvious target for bullying.  One day, he ends up going to a drug dealer’s party which gets raided by the cops and he barely manages to escape with his friends and the love interest he was chasing after in the party.  The next day at school though, he finds that the drug dealer managed to sneak a big ol’ bag of dope into his back pack and he has a bunch of angry mother fuckers looking for it.  As circumstances begin to snowball, he and friends try to do whatever they can to get rid of the drugs without getting shot or thrown in jail.

“So is this one of those life changing adventures where I learn a lot about myself along the way?”     “You watch too many movies punk.  JUST GIVE US THE DAMN DRUGS!!!”
“So is this one of those life changing adventures where I learn a lot about myself along the way?”     “You watch too many movies punk.  JUST GIVE US THE DAMN DRUGS!!!”

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