Cinema Dispatch: Madame Web

Madame Web and all the images you see in this review are owned by Sony Pictures Releasing

Directed by SJ Clarkson

Sony’s attempts at building their own Marvel mini-verse out of the Spider-Man license have yielded mixed results, to say the least. I, for one, appreciated the two Venom films for their shameless swagger and playful take on the material, but Morbius was an absolute bore and I never thought Kraven was a good idea unless they got Sharlto Copley to play the part. Now we have this slice of the expanded Spider-Man canon that Spider-Verse hasn’t laid a claim to, but hey; at least this one has actual Spider-People in it which you’d think would be a bare minimum requirement to making a Spider-Man connected movie. Is this the film to finally get the Sony-Verse on track and competing with Marvel, or are those dreams as lofty as Warner Bros bringing back the Snyder-Verse? Let’s find out!!

Cassie Web (Dakota Johnson) is living a normal, unassuming thirty-year-old life in the early 2000s as she drives an ambulance with her best friend Ben Parker (Adam Scott) and… well, that’s about it. She does have a mysterious past as her mother died in Peru while researching spiders, but hey, what Gen Xer doesn’t have some weird stuff going on with their parents? Cassie just wants to get through life one day at a time without making any strong connections or getting wrapped up in other people’s problems, but fate has other things in store for her as a near-death experience starts to awaken future-seeing powers that are a real drag when you’re just trying to get through your shift. With great power comes great responsibility, however, as she sees three young women (Sydney Sweeney, Isabela Merced, and Celeste O’Connor) getting attacked on a train by what appears to be an Evil-Spider-Man (Tahar Rahim), though since this takes place before Spider-Man, I guess that would make Spider-Man the good version of whoever this is, and manages to save them while putting a target on her own back for the Spider-Jerk. Why are these three girls so special that they incur the wrath of the Wicked Web-Head, and what role does Cassie have to play in this clash of destiny? Does the Not-So-Friendly Neighborhood Spider-Man hold the secrets to Cassie’s past that she’s been desperately searching for?  If Spider-Man doesn’t exist yet, does a guy walking on walls and wearing a spandex bodysuit even read as a spider?

“Why are we being chased by a sticky man!?”     “What even is his gimmick? Mr. Adhesive?”     “How about The Human Lint Roller?”     “How about we run, instead!?”
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Cinema Dispatch: Once Upon a Time in Hollywood

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Once Upon a Time in Hollywood and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Quentin Tarantino

I really didn’t want to see this movie.  In fact, if ANYTHING else had bothered to come out this weekend I would have seen that instead, but nope!  Everyone had to make way for this film so I guess I have to try and be professional!  I don’t know, with everything we’ve heard about Tarantino recently it’s just hard for me to get excited to see his movie’s again; let alone support a new one.  Cancelled or not, I just personally feel very much deflated thinking about him and going to see his latest movie just felt like even more of a somber experience.  Still, while acknowledging the very real and very important context of the artist behind the art, is there a good movie to be found here?  I guess we might as well find out…

Rick Dalton (Leonardo DiCaprio) is an actor struggling to find steady work in the hectic world of late sixties Hollywood after a rather unsuccessful string of movies following a decent television career playing the lead role on a western.  His stunt double Cliff Booth (Brad Pitt) has stuck with Rick all this time since he’s had trouble finding work elsewhere and seems to have accepted his lot in life even if he’s basically Rick’s assistant at this point.  Fortunately for Rick, he’s got a decent gig lined up playing the bad guy in some TV pilot which will hopefully get him some attention (otherwise he’ll end up doing Spaghetti Westerns which I guess weren’t good things to be in at the time) and this also means that Cliff has the day to himself which he uses to pick up a hitchhiker (Margaret Qualley) who wants to introduce him to her buddy Charlie who’s got a bunch of followers out in the desert.  Oh, and on top of that Sharon Tate (Margot Robbie) is Rick’s next door neighbor, and she’s doing stuff as well like… seeing movies and dancing around the house.  Can Rick nail this latest role that may be his last chance to stay relevant?  What will Cliff find at the compound the hitchhiker is taking him too, and will he be able to leave if things get out of hand?  Is it just me, or is Tarantino trying a bit too hard here?  Or perhaps not hard enough?

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“Do you want me to say ‘Nazi scalps’ yet?”     “No, we’re not doing that again.”     “Really?”     “…Okay, let’s not rule it out completely.”

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