Cinema Dispatch: Nosferatu

Nosferatu and all the images you see in this review are owned by Focus Features

Directed by Robert Eggers

Robert Eggers has been one of my favorite filmmakers to keep an eye on in recent years with The Witch and The Lighthouse being two of the best films in the last decade, and while The Northman wasn’t everything I had hoped it would be, a remake of Nosferatu seemed like the perfect pairing with such a brilliant filmmaker. The original Nosferatu is one of the first great horror movies in cinema and began a long tradition of filmmakers making knockoffs of popular works to avoid copyright laws, and it was even followed by a remake in 1979 that is somehow even better than the original which leaves Eggers with some sizable shoes to fill even for someone as talented as him. Will this latest attempt to reimaging the terror of Count Orlok prove to be the best one yet, or does the shadow loom too large for any modern filmmaker to get out from under? Let’s find out!!

Thomas and Ellen Hutter (Nicholas Hoult and Lily-Rose Depp) have only just been married, and yet news has come down from Thomas’s employer that he must go to Transylvania to meet with a very important client in the Carpathian Mountains. This Count Orlok or some such (Bill Skarsgård) is an odd fellow, but Thomas’s boss (Simon McBurney) assures him that a deal like this will make his career, and so he goes off to meet the man in the hopes of giving himself an Ellen a fine start on their life as husband and wife. With Ellen staying at their friends, The Hardings (Aaron Taylor-Johnson and Emma Courrin), Thomas makes the treacherous journey that leads him to a world far more sinister and terrifying than he could ever imagine. Of course, there is one person who did imagine it as Ellen has been struck with terrifying nightmares of a mysterious creature that will kill everyone around her, and when she starts to have fits in the middle of the night, The Hardings call in Doctor Sievers (Ralph Ineson) to diagnose the mysterious behavior, and when he is left baffled, he enlists the help of Professor Franz (Willem Dafoe) who seems to think that Ellen is right to be afraid of what is coming. What manner of creature does Thomas find at Orlok’s castle, and can he escape the horrors with his body and soul intact? Why does Ellen have this connected to the dark forces surrounding her home, and can this be used to find salvation from the encroaching darkness? Is it just me, or does this sound just as much like a soap opera as it does a horror film?

I felt the same way when they announced Death Stranding 2.
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Cinema Dispatch: Allied

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Allied and all the images you see in this review are owned by Paramount Pictures

Directed by Robert Zemeckis

Oh hey!  I remember that guy!  Didn’t he do that one movie no one saw last year?  Sure, Zemeckis hasn’t had the best track record since Cast Away (mostly due to his obsession with CG animated films for a while there), but The Walk was a pretty solid film that just didn’t get much attention for some reason.  Sure, it wasn’t full of explosions or even A list actors (Joseph Gordon Levitt still has a ways to go), but it still a really well made little caper that kept things light and fun.  Now it seems that Zemeckis is going in the opposite direction with this sizably budgeted war thriller with two super stars in the cast and a much more intense feel to it.  Not to say that any of that is a BAD thing; it’s just interesting that his new film seems to be so diametrically opposed to what he did just last year.  Is this movie not only another stellar outing for Zemeckis but the big hit that The Walk just couldn’t manage to be, or will we be wishing to see Philippe Petit walk across another tightrope before this film is over?  Let’s find out!!

The movie begins with Canadian Super Spy Max Vatan (Brad Pitt) arriving in Casablanca Morocco to meet up with French Resistance Fighter Marianne Beausejour (Marion Cotillard) to do the one thing you’re supposed to do Casablanca during World War 2; kill some damn Nazis!  Say what you will about the greatest generation; at least they knew not to VOTE for them!  Of course, during the course of this mission they end up falling in love and Max manages to get Marianne passage to England so that they can get married and he can take a desk job in British Intelligence.  Things seem to be going well for some time (they even have a kid together), but then one day some dude who’s like fifty pay grades above Max that they suspect Marianne to be a German Spy.  Not only that, but if they find OUT she’s a spy then he’ll have to kill her with his own hands; lest he get charged with treason hang from a noose.  Okay… I’m pretty sure that’s still murder even if some dude in the government tells you to do it, but whatever.  Needless to say that Max doesn’t buy this for a second and then proceeds to break every rule in the book to try and prove his wife’s innocence despite the evidence this government dude is laying out for him.  Will Max find the truth and is it the truth he’s hoping for?  Where exactly did the higher ups get all this evidence, and why are they coming to Max like this while they’re still investigating?  If she’s REALLY a Nazi what the hell could she POSSIBLY hope to get by going THIS deep under cover for THIS long when she’s hooking up with THIS pencil pusher!?

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“Did you get that promotion yet?”     “No, I’m still in Human Resources.”     “Oh well.  Let’s play Show Me What’s In Your Briefcase!”     “Again!?”

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