Cinema Dispatch: Indiana Jones and the Dial of Destiny

Indiana Jones and the Dial of Destiny and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by James Mangold

I’ve actually gone back and rewatched the Indiana Jones trilogy recently, and for the most part, they still hold up pretty well.  Not so much Temple of Doom, but even that one has some charm to it and the big action packed finale is a sight to behold.  There’s just something unique about them that has kept the series relevant after all these years and sadly could not be recaptured with the fourth movie which at the time felt a bookend for the series.  Now we’re back with one more adventure starring the even more aged Indiana Jones and without Spielberg or Lucas behind the camera.  Does this change in direction bode well for Indy’s final adventure, or will this just feel hollow and cheap without the original creators who couldn’t even make it work again back in 2008?  Let’s find out!!

The year is 1969 and Indiana Jones (Harrison Ford) is now just crotchety old Dr. Jones teaching college classes that no one cares about when he’s not sleeping in his old man armchair.  Needless to say that the glory days have long been over with a few personal tragedies peppered throughout for good measure, but all of that is about to change as the daughter of an old friend shows up and asks him about an ancient artifact.  Her name is Helena (Phoebe Waller-Bridge) and she’s looking for a mysterious dial that her father was obsessed with and that Indy took off a Nazi researcher back during the war.  Said researcher, Jürgen Voller (Mads Mikkelsen), is also after the dial which holds some mysterious power and when he sends his goons to take the piece of it that is at the university, Indy finds himself whisked away on one last adventure to settle an old score, solve a mystery from his past, and save the day once again!  Can Dr. Jones summon the courage and dust off the cobwebs to become Indy once again?  Why did Helena show up after all this time, and what are her plans for the Dial once they find all the pieces?  Seriously, is he wearing a fedora in 1969?  That’s somehow more disconcerting than the guy running around with a bullwhip.

“Anyone who cracks wise about my hat gets one right between the eyes!”
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Cinema Dispatch: Black Panther

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Black Panther and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Ryan Coogler

It’s time once again for the Marvel Money Machine to give us all yet another excuse to give Disney ten more dollars of our hard earned cash to people with super powers in profoundly silly costumes punch each other between humorous quips and callbacks to previous films!  The sooner we declare Marvel release dates to be national holidays the better off we’ll all be (who DOESN’T like getting a Friday off!?), but until then the film critics must continue to go to the multiplexes, sit for two and a half hours as the lights and sounds dazzle our senses, and then tell you what you already know; namely that these are still good and that you’ll spend your money on it no matter what!  Now as cynical as this never ending cycle of unimaginable profits can seem, it STILL manages to keep its head above water at least with critics by having that one thing that many other blockbuster franchises DON’T have.  What was it?  Oh right!  Talent.  With pretty much every one of these films, Disney went the extra mile of hiring talented and sought after filmmakers to play around with their billion dollar toys, and so far we’ve had a near perfect success rate!  Okay, Jon Favreau didn’t QUITE capture lightening in a bottle twice with Iron Man 2 and there was the whole Ant-Man debacle with Edgar Wright, but for the most part they’ve had a good eye for picking out talent; especially considering they got Ryan Coogler of Fruitvale Station and Creed fame to start his blockbuster career with them.  Will this be a monumental addition to an already astronomically successful franchise, or… well okay, there’s no chance this is gonna be BAD, but will it be… MEDIOCRE!?  Let’s find out!!

The movie begins not long after Captain America: Civil War (so… presumably BEFORE Spider-Man Homecoming?) where T’Challa (Chadwick Boseman) is returning home to Wakanda to be crowned king after the death of his father T’Chaka (John Kani).  Here, we all the important people in his life including his mother (Angela Bassett), his sister Shuri (Letitia Wright), his top general and most dependable ass kicker Okoye (Danai Gurira), and an accomplished spy for the Wakandan military Nakia (Lupita Nyong’o) who also happens to be his ex-girlfriend.  Anyway, we spend some time with T’Challa as he’s getting used to the heavy burden bestowed upon him, but he doesn’t have much time to adjust as Ulysses Klaue (Andy Serkis) from all the way back in Age of Ultron has resurfaced and is still on Wakanda’s shit list for stealing Vibranium like twenty years ago.  With this chance at capturing one of Wakanda’s greatest enemies, T’Challa suits up to take the mantel of Black Panther once more and even takes Okoye and Nakia for backup.  Things don’t go quite as planned however as the CIA operative from Civil War, Everett Ross (Martin Freeman) is onto Klaue as well, and Klaue seems to be working with a guy that REALLY has a grudge against Wakanda and is known simply as Killmonger  (Michael B Jordan).  Can T’Challa unravel the mysteries before him, and will he like the answers that he finds?  What are these ruthless villains planning that could endanger Wakanda and the rest of the world with it?  How exactly does he breathe in that thing if it doesn’t even have a mouth hole!?

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“IT’S SO MUGGY IN HERE!!”

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