Cinema Dispatch: Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Joaquim Dos Santos, Kemp Powers, and Justin K Thompson

The first Spider-Verse movie had a lot of things going for it before everyone realized what a masterpiece it was going to be. Spider-Man movies reliably make money, animated features are one of the more bankable box-office draws, and it had some pretty amazing trailers with a unique art style and some fun ideas to play with from the comics that we haven’t seen on screen before. Still, I’m not sure anyone expected it to be the overwhelming success that it was, both critically and commercially, and the prospect of a sequel was certainly exciting as the studio would be throwing everything they could at it. Still, the idea left me at least a little bit anxious. Capturing lightning in a bottle is a rare feat in its own right and even the best filmmakers have struggled to pull it off a second time, though oddly enough none of the original directors returned to direct this one. The trailers for this certainly didn’t help matters as I made clear in a Twitter thread earlier this year and I wasn’t thrilled to find out that it would be a Part One instead of a singular movie, so going into this one was both a delight and a moment of dread with expectations being higher than for almost any movie I’ve seen. Does this manage to exceed all expectations yet again and deliver another Oscar-caliber animated feature, or do even the best creatives fall victim to the Subpar-Sequel curse? Let’s find out!!

After saving the multi-verse and becoming the new Spider-Man, Miles Morales (Shameik Moore) has started to learn the hard way what it means to try and live as both a superhero and a teenager with only enough time in the day to perhaps make one of them work. This struggle has not escaped the notice of his parents (Brian Tyree Henry and Luna Lauren Vélez) who are getting fed up with his absentmindedness which only puts more pressure on the budding superhero. It comes as a relief when Spider-Gwen (Hailee Steinfeld) pops up into his universe despite the pathways between them getting closed at the conclusion of the last film, and it turns out that some Spider-People, led by Miguel O’Hara and Jess Drew (Oscar Isaac and Issa Rae) are able to cross dimensions with super-science wrist watches and Gwen had joined up with them not too long ago. Unfortunately, the reunion is cut short as one of Miles’s less competent villains, the Spot (Jason Schwartzman), has somehow upgraded to an inter-dimensional threat and Gwen is forced to pursue him with Miles tagging along and experiencing the multi-verse for himself. Will Gwen, Miles, and a host of other fun Spider-People catch The Spot and stop his absurd schemes? How did Gwen end up with this group of Interdimensional Spider-Cops, and what secrets are they keeping from Miles? Is it the ultimate swing technique or perhaps the secret to a chafe-free Spider Suit?

“I call this the No Hands Spider-Wobble!”     “He’s growing so fast…”
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Cinema Dispatch: Spider-Man: Into the Spider-Verse

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Spider-Man: Into the Spider-Verse and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman

Honestly this whole “Oscar Season” thing has felt rather muted this year as I really haven’t seen that many movies that would fit the archetype we often associate with them.  Other than Welcome to Marwen, the holiday season has been just an extension of summer with huge blockbusters coming out back to back with three presumed major money makers (Bumblebee, Mary Poppins Returns, and Aquaman) fighting over a single weekend right before Christmas.  However out of all those movies that we’re getting right now, the one that really caught my attention was this film; not because I had any particular reason to think it would be great (though I do certainly hope that’s the case!) but because it looked so much different than everything else.  An animated film with a unique art style about Spider-Man characters other than Spider-Man?  Heck, that’s PRACTICALLY Venom considering how much CG they used, and that wasn’t TOO bad!  Can the cinematic debut of Miles Morales, Spider-Gwen, and… others I guess, manage to be up there with the best that Disney can put out, or is this only gonna look good in comparison to Sony’s other recent Spider-Man efforts?  Let’s find out!!

Miles Morales (Shameik Moore) is your typical Marvel nobody; slightly smarter than everyone else, painfully insecure, and doesn’t realize how good his life is until some tragedy will inevitably strike it after they get super powers!  For now though, he’s just bummed about having to go to a fancy new school that his parents (Brian Tyree Henry and Luna Lauren Velez) want him to attend while all he wants to do is be with his friends and hang out with his uncle (Mahershala Ali) who understands him a heck of a lot more than his parents do.  During one such hang out session where he and his uncle tag a wall in an abandoned subway tunnel, Miles gets bit by a radioactive spider and goes through the typical Spider-Man first day of school; make a fool of yourself, stick to things, and eventually realize how awesome these powers are!  Then again, there’s already a Spider-Man roaming the streets (Chris Pine) so it’s not like he needs to get himself involved in Super Hero shenanigans, right?  Oh wait, Spider-Man’s dead.  Huh.  Didn’t see that coming (especially if you don’t know anything about Miles Morales already) and not only that, the big Super Villain plot he failed to stop is some sort of interdimensional portal gun thingy that The Kingpin (Liev Schreiber) is making and is merging alternate realties into this one.  It makes a lot more sense when you see in the movie.  Trust me on that.  ANYWAY!  One of the alternate dimensions has spout out Peter B Parker (Jake Johnson) who is like this universe’s Peter only a lot less dead and a lot less competent, and he and Miles end up crossing paths through even more convoluted shenanigans.  So now that we’re up to TWO only somewhat competent Spider-People, they can do what the actually GOOD Spider-Man couldn’t, right?  Eh… maybe, but let’s see if we can find a few more Else Worlds Spiders like Spider-Gwen (Hailee Steinfeld), Spider-Noir (Nicolas Cage), Spider-Bot (Kimiko Gleen), and Spider-Pig (John Mulaney) before storming The Kingpin’s castle.  I’m sure they’re around here somewhere!  Will Miles learn how to use his powers for good and accept the responsibility that comes with them?  Can the other Spider-People not only show him what it means to be a hero, but stop The Kingpin before their universe’s become endangered as well?  Can we somehow find a way to go to an alternate dimension where this film is ALSO part of the MCU!?

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“In our universe Venom was released in 2007.”     “WOW!  Your world really IS superior!”

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Cinema Dispatch: Dope

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Dope and all the images you see in this review are owned by Open Road Films

Directed by Rick Famuyiwa

We are smack dab in the middle of the summer blockbuster boom-a-thon where you can’t chuck a rock without it exploding and narrowly avoiding a recognizable character from a long running franchise.  Who knows?  Maybe the movie going public is ready for something other than dinosaurs and superheroes for about a week or so and this might just fill that necessary niche.  No wait, they released it the same day as Inside Out.  You’re telling me that this movie, from the director of a Carlos Mencia vehicle (Our Family Wedding), is trying to go up against a Pixar film!?  If ANY movie had the balls to go up against the Mouse House, then this is either a film they just want to dump in theaters to get it over with, or something REALLY special that they are confident everyone will take notice of.  Before my pessimism overwhelms you all, it might just fall into the latter category considering the very solid trailers and the fact that it was produced by Forest Whitaker (who was actually in Our Family Wedding) and Pharrell Williams who was also responsible for the soundtrack.  Well it HAS to be better than Mac and Devin go to High School at least… right?  Anyway, the movie is primary about Malcolm who is a high school student in Los Angeles with a 4.0 GPA and wants to get into Harvard.  Not only that, but he’s also a huge nerd for nineties hip-hop and its aesthetic (just look at his flat top) which makes him an even more obvious target for bullying.  One day, he ends up going to a drug dealer’s party which gets raided by the cops and he barely manages to escape with his friends and the love interest he was chasing after in the party.  The next day at school though, he finds that the drug dealer managed to sneak a big ol’ bag of dope into his back pack and he has a bunch of angry mother fuckers looking for it.  As circumstances begin to snowball, he and friends try to do whatever they can to get rid of the drugs without getting shot or thrown in jail.

“So is this one of those life changing adventures where I learn a lot about myself along the way?”     “You watch too many movies punk.  JUST GIVE US THE DAMN DRUGS!!!”
“So is this one of those life changing adventures where I learn a lot about myself along the way?”     “You watch too many movies punk.  JUST GIVE US THE DAMN DRUGS!!!”

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