Cinema Dispatch: Justice League v Justice League – Dawn of Judgement

Justice League 2017 & Justice League 2021 as well as all the images you see are owned by Warner Bros Pictures

Both films directed by Zack Snyder

I can’t say I was ever looking forward to this day as I was one of the people who actually LIKED the original cut of Justice League and then spent the last four years seeing people opine (and worse) for a movie that they already got; not to mention the awful news that broke about how the reshoots went for Ray Fisher.  Still, Warner Bros is looking for ANY sort of cash cow to make their HBO Max service a success, so they threw a bunch of money at Zack Snyder and company to make an extended version of the movie they already made and feed into the LOST SNYDER CUT narrative that has been stuck with us for so long.  Now that the movie is finally out, was it worth all the hype and can it possibly justify the ridiculous over the top actions its most ardent supporters took?  Well obviously not, but instead of just doing a straight up review as the films are very similar in a lot of ways, I think it’d be much more interesting to take a look at what this new version gets right as well as where it falls short of the original cut.  Let’s get started, and beware of Spoilers ahead!!

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Something Good: The colors make more sense

The drastic change in pallets between the early trailers and the later ones was a definite sign that things were changing significantly and a lot of scenes in the movie ended up suffering for it.  Batman in particular always looked like an overstuffed sausage in bat-pants stuffed with pudding (which isn’t COMPLETELY gone but is much less prominent now), and there was a garishness to certain scenes where they pushed the colors up just a little bit too high.  The corrections here definitely fit more with what was being filmed and the pallet fits well with the new tone of the movie.

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Something Bad: The colors are more boring

And yet I just couldn’t get behind it.  Sure the colors didn’t always WORK, but for the most part they were bright and colorful which added a much needed cheeriness to a franchise that until then was stuck in its own morose grander.  Thankfully later movies like Shazam, Aquaman, and arguably even Wonder Woman 1984 built a brighter look from the ground up and the aesthetic fits better with those movies, but going back to this kind of look after those films is just deflating; even if it’s more competently done.  And I’m also going to throw this in here, I just don’t get why they insisted on using an IMAX aspect ratio for a moving going to a streaming service.  It’s distracting the whole way through and I never felt like it added anything.

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Cinema Dispatch: The Great Wall

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The Great Wall and all the images you see in this review are owned by Universal Picture and China Film Group

Directed by Zhang Yimou

Hey, Disney can’t be the ONLY company making all that money all over the world, right?  Sure, they have Star Wars and Marvel on their side, but there’s certainly room for even more movies that go for a global audience.  Hell, we’ve already got a few we can name off already like xXx: The Return of Xander Cage, Warcraft, or even the last loathsome Transformers movie which inexplicable set the third act in China.  Still, this particular movie is something different as it’s a US/China co-production that is legitimately one of those instead of a Hollywood film that had some of it done in China.  This is an acclaimed Chinese director with stars from his own country AND the US with financial backing from Universal and a script from Hollywood writers.  Hell, the fact that this movie ACTUALLY has Chinese subtitles yet is STILL getting a wide release in the US is noteworthy in and of itself!  Did all that effort ultimately pay off, or is this a lousy way to kick off this new era in filmmaking?  Let’s find out!!

The movie begins with William and Pero (Matt Damon and Pedro Pascal) running their ass off across the Gobi desert in hopes of outrunning the bandits chasing them and also finding out the secret to BLACK POWDER (i.e. gunpowder) from the Chinese once they find someone to ask about it.  Unfortunately for them, they wind up at The Great Wall where a secret army of warriors assigned to guard the wall (how can they be secret if they’re base of operations can be seen from space?) and they aren’t too friendly to tourists.  Fortunately for them (or maybe not so fortunately), they arrived on the EXACT DATE that an army of monsters that comes around every sixty years (I’m pretty sure they’re supposed to be aliens) are set to attack and try to break the wall down so as to siege the country behind it.  Because of this, General Shao and the chief strategist Wang (Zhang Hanyu and Andy Lau) who run this secret military called The Nameless Order don’t have the time to lock them in a dungeon and so they get a chance to prove their worth by slicing up a few monsters as well.  This gives them a brief stay of execution and even the respect of some of the members there including Commander Lin Mae (Jing Tian) and an ill prepared lower solider named Peng Yong (Lu Han).  Of course, these newcomers ALSO get the attention of Sir Ballard (Willem Dafoe) who’s… a prisoner I think?  He came to China 25 years ago for BLACK POWDER as well, and I guess The Nameless Order just won’t let the dude leave; a fate that both William and Pero fear awaits them if they stick around too long.  So it looks like they have a dilemma on their hands!  Take what Black Powder the order has and leave them to fight on their own, or do what they can to help and hope they can finagle a way out once the dust has settled.  Will they make the right choice in the end?  What does the order have planned to fight this monstrous threat?  How much were they hoping Matt Damon would bring in?  A hundred million?  Two hundred million?

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Wait, HOW much did that last Bourne movie make!?

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