Cinema Dispatch: The Flash

The Flash and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Andy Muschietti

The Flash has been in development since at least Suicide Squad and its journey to the big screen has been fraught, to say the least. Controversy with its main star, the shifting sands of the DCEU project as a whole, Warner Bros getting sold to Discovery, and let’s not forget the Global Pandemic that threw everything into chaos and continue to affect us to this day. On top of all of that, in case there wasn’t enough going against this, it was a movie that frankly few people seemed to ask for as it was borne of the earliest version of the DCEU that people have roundly rejected and that even Warner Bros has started to correct course on. The DCEU may yet have a happy ending now that we’re finally starting over with a new creative vision under James Gunn, but is this last hurrah a bittersweet epithet to everything that it had previously stood for or is it the nail in the coffin that will finally put it all to rest? Let’s find out!!

It’s not easy being a superhero as I’m sure most of them will gladly tell you, but for Barry Allen (Ezra Miller) it comes with an extra dose of sadness as they are the perpetual New Guy of the Justice League. Unlike their teammates who are either God-like figures or super rich, they’re just a person trying to live their life and deal with their tragic backstory which involves their mother being murdered and their dad taking the blame for it. With their father’s last appeal coming fast, Barry is overcome with grief and finds out, much like Superman back in 1978, that angry running is the secret to time travel; giving him a chance to fix what went wrong all those years ago. Sadly for them, however, we’re following Butterfly Effect rules and every change makes things much worse which cascades into more and more problems that he is tasked with fixing which includes a much goofier Barry Allen who needs to learn to take care of himself and an older Batman (Michael Keaton) who gave up the cowl long ago. Oh, and General Zod (Michael Shannon) is about to take over the world since there’s seemingly no Superman in this timeline, and there are very few outcomes I can think of that are worse than having to live through Man of Steel again. Can Barry fix the timeline and perhaps leave the world in a better place than where it was when they started this adventure? Can Barry be a proper mentor to younger Barry and set them on the right course, or will this interference in the timeline create unforeseen ripples for them as well? Is there any way I can go back in time myself and have Warner Bros cancel this instead of the Batgirl movie?

“What’s up? I’m the new Supergirl and I’m gonna get a movie soon.”     “Yeah, just like how I’m alternate Barry, and I’ll be getting a spin-off!”     “Whoa, whoa, whoa! None of that’s gonna happen until I get my sequel first, right?”
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Cinema Dispatch: Tully

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Tully and all the images you see in this review are owned by Focus Features

Directed by Jason Reitman

So hey!  Remember when Jason Reitman was the big rising star in Hollywood?  It doesn’t seem like THAT long ago, and yet here we are with a film that has gotten very little buzz despite being directed by him as well as being written by Diablo Cody and starring Charlize Theron.  You’d think there’d be a LITTLE more buzz considering how much talent is behind it, but for some reason it was left to languish in the wake of Avengers: Infinity Wars where it will surely remain in obscurity until it’s dumped on Netflix or Amazon Prime.   Still, a lot of really excellent films have suffered similar fates against the might of big blockbusters, and since when has box office success been in any way an indicator of a film’s overall worth?  Does this manage to be a great film to cleanse the palate after the latest Marvel feature, or are you better off rewatching that in hopes of getting a better ending?  Let’s find out!!

The movie follows the day to day life of Marlo (Charlize Theron) who’s just about to have a third child and is honestly not handling things as well as she claims to be.  Sure her other two kids Jonah and Sarah (Asher Miles Fallica and Lia Frankland) are doing… fine, and her husband Drew (Ron Livingston) is doing… fine, but things are only gonna get more difficult with a third mouth to feed; especially one that’s gonna be screaming and pooping itself for at least a couple of years.  That’s why Marlo’s brother (Mark Duplass) and his wive (Elaine Tan) have gotten her a PERFECT baby shower gift which is the services of a Night Nanny.  What’s a Night Nanny you may ask?  Well she’s a nanny, and follow me here… who comes at night.  Basically, she’ll take care of the baby when you’re trying to get some sleep so that you can start the day fully rested and ready to be the best mom you can be!  Well to me that sounds like a brilliant idea, but Marlo is skeptical at first.  Let’s see how long it takes… okay about two weeks before she gets desperate on a particularly bad day and calls them in.  Said nanny is named Tully (Mackenzie Davis) who is ABSOLUTELY PERFECT!  She’s brilliant, she’s loving, and sure she MAY be a little over eager, but she’s everything Marlo needs to get her life back on track which has been noticeably hollow since she became a mother.  She’s got no interests of her own, no particular hobbies, and doesn’t even seem to have the energy to stick up for herself which is PROBABLY some red flags to much deeper issues, but Tully manages to be at least a good influence if not an outright cure for her woes.  Will Marlo find her zest for life again now that she can rely on someone else to help her out?  Where did this MYSTERIOUS Tully come from, and how can one person be so awesome at taking care of babies?  Is parenthood the one challenge that ultra-badass Charlize Theron is incapable of overcoming!?

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“ZZZ… stop… or I’ll shoot…  ZZZ… where’s the guzzolene?… ZZZ…”

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