Cinema Dispatch: Wonder Woman 1984

Wonder Woman 1984 and all the images you see in this review are owned by Warner Bros Pictures

Directed by Patty Jenkins

It’s been a WILD year that is thankfully coming to a close, but one of the big stories that will be with us throughout all of 2021 is going to be the distribution of films and what industries are going to survive this extended break from theaters.  Everyone’s made concessions here and there, but Warner Bros recently took charge of the conversation (wisely or not) by announcing that all of their delayed 2020 films will be available on HBO Max at no additional charge.  This has certainly angered a lot of filmmakers and production companies who were banking on the eventual box office offset costs so we’ll see if Warner Bros relents at some point in the future, but for now their first offering to the service is this movie; the sequel to Wonder Woman that was one of the most anticipated films of the year that time forgot!  Was it worth waiting for it to finally come to the small screen, or is this something they should have delayed indefinitely?  Let’s find out!!

It’s the mid-eighties and Diana Prince (Gal Gadot) has a new life in Washington DC as an Anthropologist at the Smithsonian.  A bit unfair to crowd out the competition by LITERALLY BEING FROM ANCIENT TIMES, but she does her best to keep a low profile and does the occasional super hero save as her alter ego Wonder Woman wherever evil doers rear their ugly head.  As charmed as this life seems however, she still carries the weight of Steve Trevor (Chris Pine) around her like an albatross around her neck.  One day at work, the nerdy girl at the office Barbara Minerva (Kristen Wiig) is sent a bunch of reclaimed artifacts and one of them catches both her and Diana’s eye; some sort of wishing stone that looks like something you’d buy at Spencer’s Gifts.  They disregard it at first, but Barbara starts to get super strength and super charisma while Diana somehow runs into none other than Steve Trevor; risen from the dead but not in a creepy zombie way!  Seems a bit odd but she’s willing to roll with it!  However, a local businessman named Maxwell Lord (Pedro Pascal) seems to know just what this stone is and needs it to save his failing business, but what no one seems to realize (or care about) is what the stone may be taking away from them as well.  Will Diana discover the hidden dangers of the stone and stop Maxwell before he does something TRULY evil with it?  What will Barbara learn about herself as she becomes more powerful and no longer has to be disrespected by others?  I wonder what would happen if Batman wished his parents back.  Is there any way we can add this thing to the Robert Pattinson film?

“‘When you wish upon a star, makes no difference who you are.’  Oh my god.  IT’S A TRAP FROM DISNEY!!”
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Cinema Dispatch: Long Shot

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Long Shot and all the images you see in this review are owned by Lionsgate

Directed by Jonathan Levine

I love Seth Rogen!  Have I mentioned that before?  Knocked Up, Neighbors 2, The Night Before, all are great movies that I’ve watched multiple times and showcase just how talented the guy is.  Now we’ve got a movie with him AND Charlize Theron, one of the hardest working actors working today with so many great movies under her belt!?  Well dang!  How had I not heard about this movie before!?  Seriously, considering how many times I go to the movies you’d think I’d have seen one trailer but no!  I hadn’t even heard of this until about a week ago and I had no idea what it was even about, but hey, when do you watch a comedy for the plot?  I’m here to see these two work off of each other and tell some funny jokes!  Does this team up manage to knock it out of the park like peanut butter and chocolate, or are we in for an experiment that’s gone more horribly awry than whatever the heck it is Oreo has been pumping out recently?  Let’s find out!!

Fred Flarsky (Seth Rogen) is a journalist with a serious chip on his shoulder who’s had a rough time of it recently and Charlotte Field (Charlize Theron) is the Secretary of State who’s had a rough time of it always.  Two people from two vastly different worlds who you wouldn’t think would ever meet, but in movie land these two have something of a history as Charlotte used to babysit Fred when they were younger and there was an embarrassing incident between the two of them.  Still, fate seems to conspire to bring them back together as Fred loses his job and is brought to an upper class party by his friend Lance (O’Shea Jackson Jr) where Charlotte just so happens to also be.  They talk for a bit, Fred makes a fool of himself when trying to confront an evil media conglomerate (Andy Serkis) and you’d figure that life would just keep on going from there.  However, Charlotte starts to read some of Fred’s earlier work and comes up with a brilliant idea!  See, she plans on running for president as the current guy (Bob Odenkirk) won’t be running for a second term to instead make movies and so she needs a speech writer who can write funny and incisive commentary that she can pepper into her usual rhetoric, so going on quite a limb here she hires Fred for the job despite him being… well a boorish man child who can barely even dress himself.  Naturally her staff isn’t too thrilled included her top aids Maggie and Tom (June Diane Raphael and Ravi Patel), but everyone goes along with it and Fred, if nothing else, seems to write decent speeches and the two begin to reconnect once more; possibly with more going on between them than either initially realized.  Can Fred be the necessary piece that Charlotte has been missing in her life, and is Fred even capable of being what she needs him to be?  What sinister actors out there will try to undermine Charlotte’s campaign, and how will Fred react to the realities of being part of the political machine on such a large stage?  Seriously, how did this jacket alone not destroy her political career?

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“I didn’t realize the Blue Meanie was getting into politics!”     “Say what you will about the Blue World Order, they at least have a sound economic platform!”

Continue reading “Cinema Dispatch: Long Shot”