Tag Archives: Paul Rudd

Cinema Dispatch: Ant-Man and the Wasp

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Ant-Man and the Wasp and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Peyton Reed

The first Ant-Man is easily one of my favorite Marvel films and has always felt like an outlier in the MCU because (incoming pun VERY much intended) it knew the value of going small.  The fate of the world wasn’t at stake, it didn’t involve Gods, Kings, or vast armies of convenient cannon fodder; rather it was a heist film about a guy who basically just needed a job and got wrapped up in a while bunch of sci-fi nonsense!  It was fun, it was light, and it didn’t have the weight of a dozen other films dragging it down which, given my lukewarm reception to the more recent BIG TEAM UP MOVIES, is just the kind of Marvel film I could really use right about now.  Seriously, I couldn’t IMAGINE a better time to make a goofy palate cleanser than in the wake of Infinity Bore which I’m STILL feeling rather grumpy about and could certainly use something like this to take my mind off of it.  Does this manage to be the perfect antidote to the overly serious and bombastic Avengers film that preceded it, or does the specter of that film loom large enough over the MCU that even THIS series cannot escape from its massive shadow?  Let’s find out!!

The movie begins in that period between Civil War and Infinity War where The Avengers are basically split up but no one is all that freaked out about it.  Spider-Man is doing his thing on the East Coast, Black Panther is dealing with his kingly duties in Wakanda, and it turns out that Scott Lang (Paul Rudd) has been doing… nothing.  Yeah, it turns out that after helping Captain America in Civil War and taking a plea deal with the US government, he’s under house arrest and hasn’t been doing his Ant-Man thing in a while; especially since the Sokovia Accords (ugh…) have an odd stipulation that the people who MADE the tech he used are JUST as responsible as he is and need to face similar punishments.  Well jeez, I kinda wish we ACTUALLY had that with gun manufacturers, but what it means here is that Hank Pym and Hope van Dyne (Michael Douglas and Evangeline Lilly) are on the run and decidedly not talking to Scott for putting them in this situation in the first place… not that they could considering he’s under house arrest.  Jeez, kind of a downer way to start the movie, BUT things get better once Scott starts having night terrors about the Quantum Realm and Janet van Dyne (Michelle Pfeiffer) who is the mother of Hope and the wife of Hank, and manages to get this message to those two who swiftly kidnap him MERE DAYS BEFORE HIS HOUSE ARREST IS UP!  It turns out that the two of them have been continuing their research while running from the law (pretty easy to do when you have the ability to shrink) and they’re VERY close to making a tunnel to the Quantum Realm (that place you go to if you shrink TOO SMALL and where Janet ended up after doing so on a mission) but apparently Scott has some connection to it and potentially to Janet due to him somehow escaping it in the first film.  Okay, so Scott helps them with the Tunnel and with any clues he may have about Janet from his dreams, and then they just drop him off at his house before the cops realize he’s gone!  Easy enough, right!?  Well… not exactly.  Throw in some wannabe gangsters looking to snag their research for profit (led by professional scumbag Walton Goggins), a mysterious woman who has bad ass phasing powers (Hanna John-Kamen) trying to steal their research for reasons OTHER than profit, and all of a sudden it looks like Scott might end up going to jail for twenty years because he got caught up in some giant caper yet again and could get caught out of the house at any moment by FBI agent Jimmy Woo (Randall Park) who is just itching to put him away for good!  Can Scott, Hope, and Hank find out what happened to Janet and maybe save her from the Quantum Realm?  What exactly is the mystery phasing lady after, and just how far will she go to get her hands on their research?  When they get that glove away from Thanos, can we use the Time Stone to go back and make EVERY Marvel movie about Ant-Man and The Wasp?

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“Captain Ant-merica!  Guardians of the Colony!  Thor; Ragna-wasp!”     “Yeah, I’m sure Paul Feig is gonna put those on a marque.”     “Well you won’t know until you ask him!”

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Cinema Dispatch: Sausage Party

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Sausage Party and all the images you see in this review are owned by Columbia Pictures

Directed by Greg Tiernan and Conrad Vernon

I’m pretty sure I’ve been hearing this movie for at least five years and Seth Rogen and Evan Goldberg have been trying to get this made for even longer than that.  I’m not sure how it took so much work to get this movie made as both of them are bankable stars and this movie ended up costing next to nothing (ten million is nothing in terms of Hollywood features), but regardless of whatever strife they had to work through, the day has finally come for us to see a movie about dicks, vaginas, and assholes being played by hotdogs, buns, and bagels.  Does this movie end up being a classy as fuck masterpiece for the ages, or was all that effort for naught and this is just a giant steaming load of lameness?  Let’s find out!!

The movie follows the misadventures of several food items in this one grocery store known as Shopwell’s, but for the most part our focus is on Frank the Sausage (Seth Rogen).  He’s living the perfect sausage life; namely staying fresh inside his package and praising the Gods every day in the hopes that he will be chosen to leave the store and enter the great beyond!  Well he’s also praying that he can nail that hot little number in the bun package, Brenda Bunson (Kristen Wiig), but he’s got to keep those urges in check.  After all, the Gods only want FRESH food that isn’t tainted with sin!  Now all the food in this store (and presumably all the other stores in the world) seem to all follow this belief system where the humans are Gods taking them to a promised land, but as we all know humans tend to be to total assholes and will end up eating them instead which is SUPER fucked up!  The day finally comes for Frank, his other sausage buddies (Carl and Barry played by Jonah Hill and Michael Cera), and Brenda as one of the Gods chooses them and they’re put in its holy shopping cart.  Of course, things don’t go quite as planned as the shopping cart runs into another one; splattering a lot of the food in a very gruesome manner and knocking both Frank and Brenda (along with a few other items) out of the cart and into the store… OUT OF THEIR PACKAGES!!  Now you may have assumed that the shopping carts collided due to bad luck.  Not quite so, as a jar of Honey Mustard (Danny McBride) had seen some shit and jumped out of the cart after telling the rest of the food how fucked they are, and that was the cause of the crash.  Why is this important?  Well there was one person listening the entire time, and that was Frank!  So on top of getting back inside a sausage package (along with Brenda who needs to find a bun package) Frank is on a journey to find out the truth and if what Honey Mustard was saying had any merit to it!  Can Frank discover the dark secrets that the world outside the grocery store holds?  Will this inevitably create a schism between him and Brenda, the latter of which still has faith in the Gods and their divine plan?  And what about Carl and Barry!?  WHAT THE FUCK IS GONNA HAPPEN TO THEM!?

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Oh, you know… probably nothing good.

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Cinema Dispatch: Captain America: Civil War

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Captain America: Civil War and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Anthony Russo and Joe Russo

The Marvel money machine has deigned to appease the masses with the next chapter in their long running story about people in tights (or robo-tights) that STILL manages to be more character driven and exquisitely crafted than any number of big blockbusters that have tried to challenge Marvel to their title as king of the cinematic landscape (*cough* Batman v Superman *cough*).  Now we have another entry in the Captain America series which actually looks like an Avengers movie more than anything else.  Does Marvel once again show us what makes the Captain America movies so unique within the Marvel Cinematic Universe, or has the whole enterprise gotten too massive to tell a simple story about one man throwing his mighty shield?  Let’s find out!!

The main thrust of the narrative in this movie is the Avengers having the whole “collateral damage” thing come back to bite them in the ass.  It’s been building up for a while, but when an operation in Nigeria goes south after the bad guy blows himself up and the blast is redirected by Scarlet Witch (Elizabeth Olsen) into a nearby building and killing eleven people in the process, it seems that the world powers have no choice but to step in.  Of course, the guy had stolen a biological weapon that could have killed THOUSANDS but no one wants to bring that up apparently.  Anyway, Tony Stark (Robert Downey Jr) seems to be in a bad place right now and the guilt over his actions in the last ten or so movies are starting to eat away at him, so when the US government and the UN come to the Avengers with some international regulations, he jumps at the opportunity to get them all on board.  The biggest opponent to this new form of oversight though is Captain America (Chris Evans) who sees the writing on the wall and the possibility of those checking their power using that for nefarious ends.  Things only get worse when a UN meeting in Vienna about the new Avenger regulations (known as the Sokovia Accords) gets bombed as part of a terrorist attack and the only suspect is Bucky Barnes The Winter Solider (Sebastian Stan) who if you recall from the second Captain America movie escaped his captors and has been laying low ever since.  Not only is everyone and their grandma after this guy, but Captain America is the only one convinced that he could not have done it which makes it that much harder to keep the government, the other Avengers, and a new super hero Black Panther (Chadwick Boseman) off of his back.  Can he clear Bucky’s name before the world leaders put a bullet in both their heads?  Who really DID bomb the UN meeting?  Will he be able to convince his fellow Avengers as well as Tony that the Sokovia Accords will lead to more harm than good?  Most importantly, how many cameos are they gonna squeeze into this!?

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“Did you guys kidnap me?”     “Yup.”     “That’s AWESOME!”

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Cinema Dispatch: Ant-Man

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Ant-Man and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Peyton Reed

Marvel films have gotten quite a bit of criticism recently which is to be expected with a studio that has become so omnipresent in popular culture.  When something gets this big, it’s only natural that a lot more voices enter the conversation which means that the overall discussion turns into a diverse mix of varying opinions, and not all of them are going to be positive.  Still, it seems that with Ant-Man, Marvel is trying to expand what these movies can be with this one primarily being a heist film rather than what we usually get from this studio, though it hasn’t been a smooth ride what with the original director (Edgar Wright) leaving production partway through.  Does this movie succeed in tweaking the formula that made the other films a success, or has the shaky production surrounding this film led to a sub-par outing for a studio trying desperately to convince us that they’re totally going to keep up this track record of excellence for the next decade?  Let’s find out!!

The movie begins with a flashback to that most infamous of decades, the eighties.  Hank Pym (played by Michael Douglas) is at the height of his career and is respected by all his peers.  Unfortunately, it turns out to be 1889 and just like Michael Douglas, Hank’s career is about to take a turn for the worse.  He’s working for Shield (which is actually Hydra but whatever) and is the discoverer of what is known as the Pym Particle.  Essentially, he made super science goo that makes things shrink which makes aid goo super valuable.  Valuable enough that Shield is going behind his back and trying to recreate the formula which is enough for him to quit his job and he vows to let the secret formula die with him.

Michael Douglas’s secret to his success on the other hand is something he’s willing to tell everyone.  Spoiler alert:  It’s his dick.

Michael Douglas’s secret to his success on the other hand is something he’s willing to tell everyone.  Spoiler alert:  It’s his dick.

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