Cinema Dispatch: Mickey 17

Mickey 17 and all the images you see in this review are owned by Warner Bros Pictures

Directed by Bong Joon-Ho

This has been a tough year for a lot of people, least of all me, as I’ve been severely unmotivated to keep things going around here. This ennui is not helped by the less than stellar slate of movies we’ve gotten so far, some of which I’m gonna try and knock out a few reviews for when I’m feeling up to it, but even amidst the fog of banality, there was a ray of sunshine on the horizon with this latest feature by Bong Joon-Ho starring one of my favorite actors today. With so much going wrong in the world, can this prove to be a bright spot to make things feel a little bit better? Let’s find out!!

Mickey Barnes (Robert Pattinson) is not living his best life on Earth, and like many of us, decides to travel to try and find himself. Well, that and escape debt collectors with chainsaws, but in any case, he and his buddy Timo (Steven Yeun) queue up to get onboard the Nifilheim which is a ship intended to colonize a distant ice planet run by the overtly sinister Mr. and Mrs. Marshall (Mark Ruffalo and Toni Collette) who seem to have given up on making Earth Great Again, and are looking for a do-over in their own little fiefdom in space. Timo gets a spot for being a decent pilot, but since Mickey’s only skill is his desperation to escape, he signs up to be an Expendable; basically a worker bee whose DNA is kept on file and gets printed out whenever the current version of him dies. I suppose dying of solar radiation and maintenance blunders is better than getting a chainsaw to the face, but after four years and sixteen dead copies behind him, he’s found himself in a bit of a rut; especially when the planet turns out to have a bunch of creatures on it that is hindering their colonization efforts.  Still, at least between his immortality and his new girlfriend Nasha (Naomi Ackie), he’s managed to find some stability in his life. That is until he comes back from a particularly nasty day out in the snow and realizes that the crew already declared him dead and printed out the eighteenth Mickey. Not only is this new Mickey kind of a jerk, it’s also against protocol for more than one Expendable to exist at the same time, which could mean his Get Out of Death Free card will be revoked; probably via a bullet to the head or a tumble into the engine’s exhaust pipe. Can Mickey and Mickey work together to keep each other alive and out of sight from the ship’s wrathful captain? What is the Niflheim’s ultimate plan for this new world, and what would it mean for the native species whose home they are invading? I suppose this is the best Mickey could hope for, given who’s in charge. After all, who needs health insurance when you’ve got the ultimate 3D printer?

“The best is that we’ve already killed you so now OSHA standards don’t apply! It’s called Double Jeopardy!”     “Oh yeah, I like that movie. Hey, are my eyeballs supposed to be burning?”
Continue reading “Cinema Dispatch: Mickey 17”

Cinema Dispatch: Tom & Jerry

Tom & Jerry and all the images you see in this review are owned by Warner Bros Pictures

Directed by Tim Story

The pandemic has been awful for everyone, but I have no doubt that a few movies were relieved to avoid having to release in theaters and have dismal box office returns; particularly the movies that were already being pushed further and further back looking for the least competitive window possible to MAYBE scrape by at number three on slow weekend.  My Spy certainly springs to mind, as does this movie which didn’t exactly light the world on fire with its trailer and frankly I was not looking forward to sitting through it when Warner Bros put it on their HBO Max slate.  Still, even if it looks a bit cheap and cheesy for the big screen, perhaps it plays a bit better on the smaller one and will find its niche in the streaming market.  Is this a fun little romp for the kids that captures the spirit of these classic characters, or is it yet another lousy cash-in that’ll come and go faster than the LAST time they tried to bring these characters to the big screen all the way back in 1992?  Let’s find out!!

Thomas D Cat and Jerome A Mouse are two critters roaming the streets of New York City; one looking for a place to stay that has lots of cheese and the other hoping to be the world’s most famous keyboard playing feline right after Keyboard Cat.  Their paths cross when Jerry interrupts his concert in the park and after a series of convoluted antics; one ends up in a fancy hotel chomping holes into walls and stealing food while the other is left homeless and with a broken keyboard.  Try to guess which one is which!  Said hotel by the way has a new employee named Kayla (Chloë Grace Moretz) who faked her way into the position and is trying to prove herself by fixing the hotel’s mouse problem in preparation for an upcoming celebrity wedding that will take place in the hotel’s banquet hall.  The current supervisor (Michael Peña) is skeptical of Kayla and is looking for any excuse to get rid of her, so she has to bring in a mouse catching ringer and decides to hire this cartoon cat that clearly has it out for the little mouse.  Will Tom be able to stop Jerry’s antics and earn a decent salary to fund his hopes and dreams?  Will the wedding go off without a hitch, or is there more going on with the celebrity couple that can only come to light via cartoon animal violence?  I know the movie is out and I’ve sat through it already… but are we sure this is even a real movie? 

Did they actually get her to be in this, or is that just a cardboard cutout!?
Continue reading “Cinema Dispatch: Tom & Jerry”