Tag: Movie Review

Cinema Dispatch: A Minecraft Movie

~ Matt Vetrano ~ Leave a comment

A Minecraft Movie and all the images you see in this review are owned by Warner Bros Pictures

Directed by Jared Hess

I’m getting too old for this. I’m sure I’ve said that before, but it’s only getting truer with time as the generation after me starts to come into its own. I suppose Minecraft was something of my own generation, but it had never clicked with me back when it was new, and I’m certainly not about to dive back into it now; even if it would bring a bit more insight into what the heck is going on in this movie. Besides, I brought my seventeen-year-old cousin to the theater with me, so he was able to explain quite a few of the references. Now Millennials are no strangers to irreverence and inanity as we grew up with Internet 1.0 and Newgrounds, but rarely has that aspect of our pop culture been put on the big screen; especially with such an exorbitant budget and big name stars. Is there enough juice to squeeze out of this franchise to make an entertaining movie for all ages, or will I finally understand what my grandma went through when I dragged her to see The SpongeBob SquarePants Movie all those years ago? Let’s find out!!

Stuck in a rut and yearning for more in life, a Man called Steve (Jack Black) ventures into the mines to dig out his destiny, and wouldn’t you know it! He finds a cube that takes him to a land of square shaped geometry and similarly boxy creatures! Some of them are friendly like the villagers and his pet wolf (), but others have bad attitudes such as the pigs from the Netherworld who wish to take over the Overworld where Steve now resides. Seeking to protect his new home, he sends the magic cube to his world so it will stay out of rich of the pigs, and it winds up in the possession of Garrett “The Garbage Man” Garrison (Jason Momoa) whose entire personality revolves around a video game tournament he won in the eighties. With the help of the new kid in town Henry (Sebastian Hansen), he haplessly uses the power of the cube to go to the Overworld along with Henry’s sister Natalie (Emma Myers) and the local real estate agent Dawn (Danielle Brooks). Now that the cube is back within the reach of the pigs and their leader Malgosha (Rachel House), these four must unite with Steven and find a way back home to keep the Overworld safe once and for all! Will this call to action turn these misfits into heroes, or will this journey simply reveal how much growing up they still have to do? What wonders does this world contain, and are there enough of them to fill a ninety-minute movie? Wouldn’t the audience for a Minecraft movie much rather see the movie recreated in Minecraft?

“You’ve got to think three steps ahead. We’ll recreate the movie in Minecraft, ONLY using sheep! THIS is how we reach the Gen Alphas!!”
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Cinema Dispatch: Black Bag & Presence

~ Matt Vetrano ~ Leave a comment

Steven Soderbergh is one of those directors I just never managed to connect with.  I’ve only seen a handful of his movies, and aside from The Informant, I don’t think I cared much for any of them; not even the one Ocean’s movie I saw that didn’t star Sandra Bullock.  I suppose now is as good a time as any to familiarize myself with his work as he’s put out two movies more or less back-to-back, which is a rather impressive feat, but are they two showstopper movies from a prolific creator, or was the quick turnaround time a bad omen that I should have heeded?  Let’s find out!!

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Black Bag

Black Bag is owned by Focus Features

Directed by Steven Soderbergh

In modern day Britain, George Woodhouse (Michael Fassbender) is tasked with finding the identity of a traitor in their midst; a job he’s quite good at, but this time comes with a twist.  Among those suspected of stealing a powerful computer virus is his wife Kathryn (Cate Blanchett) who is also a British Intelligence Office and could have just as skillfully absconded with the code as anyone else he suspects.  With not only national security but his marriage on the line, can George uncover the traitor’s identity, and will he know what to do with that knowledge once all the evidence falls into place?

I’m having a hard time pinning down my exact thoughts on this movie, which is rather fitting for a story about deceit and subterfuge. I left this movie with more positive thoughts than negative, and yet very little of it comes to mind as standout moments or genuinely interesting ideas. It’s a boilerplate spy thriller with much of its style and panache replaced by banality and authenticity, which ends up being an interesting take on the genre, but also lacks a lot of the thrills and fantasy that draws people to these type of movies in the first place. The movie is bookended by dinner parties, which end up being its most interesting scenes, so it feels like we’re just meandering our way from one to the other; occasionally livened up by an all too brief cameo from Pierce Brosnan. So what is it that gives this otherwise middle of the road movie an inkling of greatness? Well, as James Bond, Jason Bourne, and Austin Powers have proven in the past, a good spy movie can go quite far with a compelling main character, and this gives us not one but two. Cate Blanchett and Michael Fassbender don’t just turn in great performances, but have a phenomenal amount of chemistry with a script that constantly has you guessing as to their motives while hoping for the best outcome. Fassbender in particular manages to turn an aloof and distant character into a font of emotional despair through the strength of his subdued yet extremely vulnerable performance. Blanchett has always been perfect casting for the perfect woman, even in shlock like Borderlands, but the role is elevated through the interactions she has with Fassbender which only invests us further in the outcome of this mystery. Their relationship is the heart of the movie, and it’s where it seems that all the effort has gone into, and while a better movie would have incorporated everything else more elegantly and thoughtfully into the relationship drama, it’s strong enough here that I can more or less ignore everything else. Frankly, with its strong emphasis on our main stars and a relatively modest production, the whole thing comes off like a miniseries that was pitched, rejected, and trimmed down to feature length. It would explain why everything else feels very matter of fact, as well as it’s extremely brisk pace, which feels like we’re only just kicking things into gear by the time it decides to start wrapping things up. I appreciate it’s more modest ambitions up to a point, as the depth of the two main characters is certainly enough of a hook to carry a movie, but the scope feels needlessly bloated for something that works on such an intimate level. Dragging not one but two Bond cameos into this leads me to believe that it wants to be taken seriously as a spy film, so in that respect the movie does fail to meet the goals it has set for itself. Still, it can take some solace in the fact that it did something so right that it’s very easy to ignore everything else it got so wrong.

3.5 out of 5
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Cinema Dispatch: Mickey 17

~ Matt Vetrano ~ Leave a comment

Mickey 17 and all the images you see in this review are owned by Warner Bros Pictures

Directed by Bong Joon-Ho

This has been a tough year for a lot of people, least of all me, as I’ve been severely unmotivated to keep things going around here. This ennui is not helped by the less than stellar slate of movies we’ve gotten so far, some of which I’m gonna try and knock out a few reviews for when I’m feeling up to it, but even amidst the fog of banality, there was a ray of sunshine on the horizon with this latest feature by Bong Joon-Ho starring one of my favorite actors today. With so much going wrong in the world, can this prove to be a bright spot to make things feel a little bit better? Let’s find out!!

Mickey Barnes (Robert Pattinson) is not living his best life on Earth, and like many of us, decides to travel to try and find himself. Well, that and escape debt collectors with chainsaws, but in any case, he and his buddy Timo (Steven Yeun) queue up to get onboard the Nifilheim which is a ship intended to colonize a distant ice planet run by the overtly sinister Mr. and Mrs. Marshall (Mark Ruffalo and Toni Collette) who seem to have given up on making Earth Great Again, and are looking for a do-over in their own little fiefdom in space. Timo gets a spot for being a decent pilot, but since Mickey’s only skill is his desperation to escape, he signs up to be an Expendable; basically a worker bee whose DNA is kept on file and gets printed out whenever the current version of him dies. I suppose dying of solar radiation and maintenance blunders is better than getting a chainsaw to the face, but after four years and sixteen dead copies behind him, he’s found himself in a bit of a rut; especially when the planet turns out to have a bunch of creatures on it that is hindering their colonization efforts.  Still, at least between his immortality and his new girlfriend Nasha (Naomi Ackie), he’s managed to find some stability in his life. That is until he comes back from a particularly nasty day out in the snow and realizes that the crew already declared him dead and printed out the eighteenth Mickey. Not only is this new Mickey kind of a jerk, it’s also against protocol for more than one Expendable to exist at the same time, which could mean his Get Out of Death Free card will be revoked; probably via a bullet to the head or a tumble into the engine’s exhaust pipe. Can Mickey and Mickey work together to keep each other alive and out of sight from the ship’s wrathful captain? What is the Niflheim’s ultimate plan for this new world, and what would it mean for the native species whose home they are invading? I suppose this is the best Mickey could hope for, given who’s in charge. After all, who needs health insurance when you’ve got the ultimate 3D printer?

“The best is that we’ve already killed you so now OSHA standards don’t apply! It’s called Double Jeopardy!”     “Oh yeah, I like that movie. Hey, are my eyeballs supposed to be burning?”
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Cinema Dispatch: The Monkey

~ Matt Vetrano ~ Leave a comment

The Monkey and all the images you see in this review are owned by Neon

Directed by Osgood Perkins

There have been many times that I’ve found myself on the wrong side of history when it comes to movies I’ve reviewed, and while I’m more than happy to like movies that others overlooked, it’s less fun when you’re the one person who just didn’t get a critically acclaimed masterpiece. That’s why I breathed a sigh of relief when I saw the trailers for this movie, as Osgood’s last few films didn’t really hit the mark for me and this looked like an easy layup for my goofy sensibilities. Will this horror comedy finally bring me onboard the Osgood Perkins train, or will this be a bigger train wreck than that time he starred in Quigley? Let’s find out!!

As young children, brothers Hal and Bill (Christian Convery) find a mysterious monkey figurine that once belonged to their deadbeat dad. Of course, since this is based on a Stephen King story, the Monkey is no mere toy but a harbinger of doom who brings about gruesome and hilarious death whenever its key is turned and its drums are played. After taking the lives of people they care about, they finally dispose of it in a well and go on about their broken lives for thirty-odd years before it mysteriously reappears, which prompts Bill to call Hall as estranged adults (Theo James) and tell him to get rid of it once and for all. Of course, life hasn’t been all that great for Hal, who’s become a deadbeat dad himself and now needs to spend his last week of custody with his son (Colin O’Brien) finding this toy and dealing with it before it kills everyone in their old hometown. Will Hal mend his relationship with both his son and his brother before the Monkey takes them away from him too? What monstrous force is behind the Monkey’s power, and is there more to be afraid of than just a simple toy? I’ll say this for the little guy; his penchant for unexpected and gory demises certainly gives those Final Destination films a run for their money!

“UGH! All over my glasses!?”
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Cinema Dispatch: Top 10 Best Movies of 2024

~ Matt Vetrano ~ Leave a comment

Looking back on a year full of disappointments and heartbreak, both for movies and the wider world itself, it can be difficult to focus on what made it tolerable instead of fixating on our despair, but no year can be perfect, and no year is without great movies to talk about. As we head into an already challenging 2025, let’s remind ourselves of the good that’s still out there and why we go out of our way to see movies in the first place. Let’s get started!

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HONORABLE MENTIONS: Kraven the Hunter & Sonic the Hedgehog 3

Kraven Review; Sonic Review

I’m sure giving these movies any spot on my list will raise a few eyebrows; especially when films like Anora and Challengers didn’t make the cut. I suppose when it comes to Honorable Mentions, I’m far more interested in making a point than just simply listing my eleven and twelve spots. See, everyone has a theory about what’s wrong with Hollywood movies these days, and the two most common answers are unasked for superhero movies as well as banal nostalgic shlock. Sure, Sonic has a built-in audience who will give this decent reviews and solid box office returns, but no one was expecting the movie to be anything more than what you see on the poster, and it’s doubly worse for Kraven which was mocked from its announcement all the way up to release date. For me, both of these exceeded the low expectations put on them; not in an exceptional way, but enough to refute the perceived wisdom of many armchair studio heads. You can’t simply write down a list of rules to follow or tropes to avoid and say that it’s the formula for success, as any competent filmmaker with the passion, the talent, and the faith of the producers can make something that’s genuinely entertaining. Sure, it doesn’t always make you money as Kraven tanked at the box office, but a good movie is always a net positive in the world; even if it means we have an old sounding Shadow the Hedgehog or Aaron Taylor Johnson running around like an awkward cheetah.

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Cinema Dispatch: Top 7 films of 2024 That Need Improvement

~ Matt Vetrano ~ Leave a comment

And so we’ve come to the end of another year on this ridiculous little planet, one that had its high points to be sure, but wasn’t lacking for low ones either. I try to keep these Needs Improvement lists more positive than negative, as the over reliance on antagonism and sheer pig headed ignorance has turned film criticism into just another brand for YouTube shouty-bros, and the last thing I want to do is contribute to the noise. The last twelve months certainly haven’t made it easy to keep an upbeat attitude, but we’re all doing our best in these uncertain times as we take a look at movies that just didn’t quite hit the mark. Let’s get started!!

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The Lord of the Rings: The War of the Rohirrim

Full Review

I understand why a lot of Tolkien fans would appreciate this movie despite its faults. Taking it in as a mood piece that lets you slip into this world for a couple more hours is a valid way of enjoying this, but I simply could not get past how dull it was for most of its runtime. It has a solid foundation to tell an interesting story, but the dialogue and the characters let it down. There’s a lack of personality among the cast. Lots of emotions to be sure, but everyone who express them doesn’t feel like they exist outside their current predicament. This is especially problematic for our two leads as the motivations of our villain lack any sort of nuance and our hero feels thin as her stoicism and humility are presented to us in place of a personality; leaving the movie with two blocks of wood with anime eyes to revolve the story around. If it were up to me to make this work, I’d cut the whole thing down to the bone, no more than forty minutes, and make it the grand finale of a Lord of the Rings anthology. Animation collections have worked for The Matrix, Batman, Halo, even that recent Star Wars thing on Disney Plus, so why not for Tolkien? Without having to fill the space of an entire movie, the characters could stay as archetypes and legends whose actions are meant to speak louder than the words coming out of their mouths. The animation and action could be fleshed out to better suit the simplified storyline, and without having to explain as much, the characters can come off as much more proactive in the story. Perhaps my suggestions are more a testament to my own attention span, but there had to be a more interesting story to tell in Middle Earth than that one time there was a very long siege!

Continue reading “Cinema Dispatch: Top 7 films of 2024 That Need Improvement” →

Cinema Dispatch: Sonic the Hedgehog 3

~ Matt Vetrano ~ Leave a comment

Sonic the Hedgehog 3 and all the images you see in this review are owned by Paramount Pictures

Directed by Jeff Fowler

The Sonic movies have been only slightly better than mediocre, but I’ve given them praise where it’s been deserved, and audiences have been more than kind as the films have racked up impressive box office numbers. Certainly small potatoes compared to The Super Mario Bros Movie’s billion dollar haul, but Sonic has been jogging behind my main man Mario for over three decades now and is just happy to be in the conversation. With this third movie, however, it’s time for SEGA and Paramount to find out if the audience that turned out for classic Sonic will stick around for the more modern iteration and all the baggage that comes with it. Will this be another hit for our favorite blue hedgehog, or are parents gonna dip out before they have to explain who Rouge the Bat is to their seven-year-olds? Let’s find out!!

Sonic, Tails, and Knuckles (Ben Schwartz, Colleen O’Shaughnessey, and Idris Elba) are enjoying their life of carefree picnics with their adopted human parents Tom and Maddie (James Marsden and Tika Sumpter), but this idyllic situation comes with a price as GUN will occasionally call these three in to deal with whatever strange mess they’ve gotten into now. The latest disaster that our team is airdropped into is a renegade alien that had been in GUN captivity for the last fifty years but has finally escaped and is ready to exact his vengeance on the world. Said renegade, who seems quite ambivalent to good and evil, is Shadow the Hedgehog (Keanu Reeves) who can teleport, has rocket boots, and can glower with the intensity of a thousand suns. He proves to be far stronger than Sonic Team can handle on their own, so they are forced to recruit Ivo Robotnik and his assistant Stone (Jim Carrey and Lee Majdoub) in order to take down the rebellious hedgehog. What secrets are lurking in Shadow’s tragic backstory that has led him to be such a jerk, and is he right to resent GUN as much as he does? Can Robotnik be trusted to stay on the side of good, especially when his and Shadow’s past are far more intertwined than anyone could have realized? Is there any chance we can just root for the bad guys, because they seem like they’re having a lot of fun in this.

I’d say they should start a boy band, but they’ll just start fighting over who gets to be the tough one.
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Cinema Dispatch: War of the Rohirrim & Conclave

~ Matt Vetrano ~ Leave a comment

The Holiday season is usually a busy time for me, but this year was a little more difficult than most to keep up with everything that was coming out. Thankfully, I got a chance to see two of the more interesting movies that made it to theaters, so we’ll take a look at those now before we inevitably get to Nosferatu and Sonic 3 to close the year out. Are these December releases worth taking time out of your busy holiday schedule to take a break and enjoy? Let’s find out!!

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The Lord of the Rings: The War of the Rohirrim

The Lord of the Rings: The War of the Rohirrim is owned by Warner Bros Pictures

Directed by Kenji Kamiyama

Long before Bilbo Baggins had his fateful run-in with the Ring of Power, the world of Middle Earth was rife with conflict among its nobility. King Hammerhand of Rohan (Brian Cox) may be a strong leader, but his temper gets the best of him and he makes a powerful enemy of one of his lords; the young Wulf (Luke Pasqualino) whose father was struck down in a fight with the king. With a war seemingly inevitable as Wulf gains the favor of the Wild Men, the children of Hammerhand which includes his sons Hama and Haleth (Yazdan Qafouri and Benjamin Wainwright), as well as his daughter Héra (Gaia Wise), will have to summon their courage, their wits, and their leadership in order to prevent Wulf from taking Rohan for himself. As the army of the Wild Men grows stronger and the Rohan citizens must retreat to a nearby stronghold, is there any hope of victory for Héra and her family?

The Lord of the Rings trilogy was a monumental achievement in filmmaking, and while they may not be my favorite films, I have a deep respect for what Peter Jackson was able to accomplish in bringing these books to the big screen. Since then, however, no one has been able to capture that lightning again; least of all Peter Jackson himself, whose Hobbit movies are pale imitators of his earlier work. Sadly, that trend continues as this movie is an admirable, but ultimately banal effort to bring the world of Middle Earth to life once again. We can go into the dull narrative, the stagnant pacing, and the cast of forgettable characters, but what it truly lacks is an identity of its own; a sense of personality that defines it as a unique adaptation of the source material. Say what you will about the previous animated efforts from Ralph Bakshi and Rankin Bass, they were incredibly distinct and had some impressive highs as well as some genuinely entertaining lows. This never escapes being a middle of the road effort; too stiff and clean to have fun with it or be spontaneously bizarre. As much as we now think of Jackson’s vision of the books as the definitive interpretation of Tolkien’s work, the man brought his own eclectic and grungy style to the movies, and while they may not be as unhinged as Bad Taste or Meet the Feebles, the work he did on those movies were an undeniable influence. Here, I just don’t feel that sense of spirit emanating from the stock characters and trite plot. The story of revenge lacks any teeth given the simplicity of our antagonist and the surprisingly small scale of the action which tries to convince you it’s an all-out war when, at best, it feels like a minor skirmish. I suppose if the action is small scale then the intent was for this to be a more intimate and personal account, but there’s just not enough depth to any of the cast for that to be the case; least of all our protagonist Héra who has little agency of her own. There are no flaws from within for her to overcome, as she simply needs to fulfill a destiny once she’s had enough tragedy thrust upon her. It has its moments to be sure, especially when the action kicks in, and it feels free to let loose, but those are the punctuations to the narrative while the meat of it is far too lifeless to hold up its somber tone. With so much of it polished to a mirror shine, it never sinks so low as to be obnoxious or off-putting, and definitely makes for a better time than Jackson’s Hobbit movies. I appreciate the immense amount of effort that went into this, and I’m impressed that there was enough faith behind it to put it in theaters, as the big screen is where animation will shine brightest. Even so, I can only recommend it to the most dedicated of Tolkien fans who don’t mind a tedious story if it means spending a little more time in this world. For me, I’ll stick to watching the Leonard Nimoy sing The Ballad of Bilbo Baggins over and over again.

2.5 out of 5
Continue reading “Cinema Dispatch: War of the Rohirrim & Conclave” →

Cinema Dispatch: Kraven the Hunter

~ Matt Vetrano ~ Leave a comment

Kraven the Hunter and all the images you see in this review are owned by Sony Pictures Releasing

Directed by JC Chandor

The Sony Spider-Verse has been a joke since its inception; arguably even before that, as people were groaning at the end of The Amazing Spider-Man 2 which teased a cavalcade of Spider-Foes for future installments. You could argue that it hasn’t been a disaster for Sony’s bottom line the Venom movies were reliably bankable, but aside from the goofy fun of seeing Tom Hardy arguing with himself, there just wasn’t anything to make this feel like more than a cash-in on a brand they had a tenuous grasp on in the first place. With all of that, it comes as no surprise to find this latest entry going over like a lead balloon, especially with Sony cutting its legs out from under it by announcing the end of its Spider-Verse right before it could hit theaters. Still, is this a case of everyone’s frustration with the Spider-Verse spilling over onto a perfectly alright movie, or is this the perfect capstone to such a cavalcade of cinematic failure? Let’s find out!!

In the heart of Siberia, there lives a man whose day job is hitman extraordinaire and fights for the animals of the world in his free time. He goes by Kraven (Aaron Taylor-Johnson), but his true name is Sergei, and he’s the son of an infamous Russian mobster (Russell Crowe) who is starting to lose his grip on power as new players are making moves on his territory. One such competitor is Aleksei Sytsevich (Alessandro Nivola) who takes the bold step of kidnapping Sergei’s brother Dmitri (Fred Hechinger) in an attempt to draw out the infamous assassin while also staking a claim as the head honcho of the underworld. With the help of Calypso (Ariana DeBose) whose family’s secret recipe for super solider serum turned Sergei into Kraven many years ago, Sergei must race against the clock to do what he does best; hunt those who deserve to be hunted. Can Sergei find his brother before he becomes the latest victim of this never ending crime war? What tricks does Aleksei have up his sleeve to deal with the mighty hunter, who is the only one that could threaten to his operation? See, I always saw Kraven as the guy who just wants to mount Spider-Man’s head to his wall, but I guess we’ve all got a little family drama in our backstory.

“I FIGHT WITH THE POWER OF A HUNDRED TIGERS AND THE RAGE OF A THOUSAND SUBURBAN WHITE BOYS WHO HATE THEIR DAD!!”
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Cinema Dispatch: Wicked: Part I

~ Matt Vetrano ~ Leave a comment

Wicked and all the images you see in this review are owned by Universal Pictures

Directed by Jon M Chu

Adapting a stage musical to the big screen is no easy task, and if you ask me, I’d much prefer if all these big Broadway shows go the Hamilton route and just record the darn thing for everyone to see, but if this is the only way that most people will have a chance to experience this show, then so be it. I’ve certainly been eagerly anticipating it as I can finally learn what all the hubbub is about, but the track record for stage adaptations has been far from sterling in the past few years, and not all the blame can be put on Tom Hooper. Will this be one of the better examples of such a tricky genre, or will it succumb to the same problems that plague so many of these movie musicals? Let’s find out!!

Many years before Dorthy freed the Land of Oz from the Wicked Witch’s tyranny and the incompetent rule of the Wizard, there was another story about two very different magic users who went to Shiz University with big ambitions and a lot to prove. Elphaba Thropp (Cynthia Erivo), who would one day become the Wicked Witch of the West, had a challenging childhood what with her green skin and magical outbursts, while Galinda Upland (Ariana Grande-Butera), who would one day become the Good Witch Glinda, had everything laid out for her on a silver platter except the one thing she desired most which was to be recognized as the greatest magic user in the land. The two clash constantly with Galinda being preppy and upbeat while Elphaba is more measured and guarded, but their fighting only intertwines their destinies further as Elphaba’s unique abilities and unusual skin tone set her apart from everyone while gaining the attention of others, such as her magic professor Madam Morrible (Michelle Yeoh) and even the Wizard himself (Jeff Goldblum). Can Elphaba finally find her place in a world that had rejected her for so long, or will her lived experiences open her eyes to the injustices that are going on around her? Will Galinda rest on her Popular Girl laurels, or will her rivalry with Elphaba drive her to succeed? Seriously, is the whole reason these two despised each other in The Wizard of Oz because of some high school drama!?

Not sure THOSE are the vibes I’m getting off of this.
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