Tag: Michael Shannon

Cinema Dispatch: The Flash

~ Matt Vetrano ~ Leave a comment

The Flash and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Andy Muschietti

The Flash has been in development since at least Suicide Squad and its journey to the big screen has been fraught, to say the least. Controversy with its main star, the shifting sands of the DCEU project as a whole, Warner Bros getting sold to Discovery, and let’s not forget the Global Pandemic that threw everything into chaos and continue to affect us to this day. On top of all of that, in case there wasn’t enough going against this, it was a movie that frankly few people seemed to ask for as it was borne of the earliest version of the DCEU that people have roundly rejected and that even Warner Bros has started to correct course on. The DCEU may yet have a happy ending now that we’re finally starting over with a new creative vision under James Gunn, but is this last hurrah a bittersweet epithet to everything that it had previously stood for or is it the nail in the coffin that will finally put it all to rest? Let’s find out!!

It’s not easy being a superhero as I’m sure most of them will gladly tell you, but for Barry Allen (Ezra Miller) it comes with an extra dose of sadness as they are the perpetual New Guy of the Justice League. Unlike their teammates who are either God-like figures or super rich, they’re just a person trying to live their life and deal with their tragic backstory which involves their mother being murdered and their dad taking the blame for it. With their father’s last appeal coming fast, Barry is overcome with grief and finds out, much like Superman back in 1978, that angry running is the secret to time travel; giving him a chance to fix what went wrong all those years ago. Sadly for them, however, we’re following Butterfly Effect rules and every change makes things much worse which cascades into more and more problems that he is tasked with fixing which includes a much goofier Barry Allen who needs to learn to take care of himself and an older Batman (Michael Keaton) who gave up the cowl long ago. Oh, and General Zod (Michael Shannon) is about to take over the world since there’s seemingly no Superman in this timeline, and there are very few outcomes I can think of that are worse than having to live through Man of Steel again. Can Barry fix the timeline and perhaps leave the world in a better place than where it was when they started this adventure? Can Barry be a proper mentor to younger Barry and set them on the right course, or will this interference in the timeline create unforeseen ripples for them as well? Is there any way I can go back in time myself and have Warner Bros cancel this instead of the Batgirl movie?

“What’s up? I’m the new Supergirl and I’m gonna get a movie soon.”     “Yeah, just like how I’m alternate Barry, and I’ll be getting a spin-off!”     “Whoa, whoa, whoa! None of that’s gonna happen until I get my sequel first, right?”
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Cinema Dispatch: Bullet Train, Elvis, and The Unbearable Weight of Massive Talent

~ Matt Vetrano ~ Leave a comment

We’re back with a few more movie reviews, and I’ve got to say that I’m starting to enjoy this format! I still get to watch the movies I want to, but now I can watch them on my own schedule and I keep things nice and succinct. The only problem is that I’m not getting these out in a timely manner, but relevance is overrated, am I right!? Anyway, let’s take a look at three movies that I’m sure you saw a while ago but are still interested to hear what some guy on the internet has to say about them! Let’s get started!!

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Bullet Train

Bullet Train is owned by Sony Pictures Releasing

Directed by David Leitch

A hapless assassin given the codename Ladybug (Brad Pitt) is on a very simple mission to retrieve a briefcase on a train heading to Kyoto. Naturally, these kinds of things never are that easy and he laments his bad luck while dodging other assassins on the train, and is haphazardly embroiled in a plot that is bigger than he could possibly imagine and seems to be heading in one very bloody direction.

I’m not a guy who will turn his nose up at over-the-top action spectacles or something that is intentionally cheesy and a movie like this should have been my jam by default, but even the best ingredients will go to waste if given to an untalented chef, and I just found this whole thing to be insufferable. It’s convoluted without being clever, smarmy without the charm to make up for it, and artificial to the point that nothing seems to actually matter. The only part of the movie that resonated with me was the relationship between Lemon and Tangerine as Brian Tyree Henry and Aaron Taylor-Johnson had great chemistry and added some genuine heart to an otherwise insincere story, and while I feel like this is one of the most Monkeys’ Paw wishes imaginable, I’d kind of like to see what could be done with a spinoff focusing on them specifically. Andrew Koji also stands out from everything else with a very angry and desperate performance that’s still about as one-note as everything else in the movie, but at least it’s a different note being played and does a great job playing it. Everything else though is just laden with insufferable dialogue and compounding coincidences that just drain any investment you can have in the characters or the plot itself; especially our protagonist who is just in the wrong place at the wrong time. For that kind of story to work, it has to ultimately circle back around to them actually being the right person to be there, but that would require a level of emotional investment that this movie is just unwilling to extend and so Brad Pitt feels like as distant to the story as those of us sitting in the theater watching him awkwardly stumble his way through a place he doesn’t belong; like an uninvited party guest asking everyone where the bathroom is. With the threadbare story, the quip-tastic dialogue, and the general lack of impact or weight from any of the narrative beats, it falls somewhere between a Rick and Morty episode and one of those award show skits with a bunch of celebrities are comically inserted into another movie. If we take it on these terms, as little more than entertainment fluff with a bunch of famous people in it, does it manage to work? Sort of, I guess. It’s competent in its action and the actors are fine for what they’re asked to do, but it’s also not that inspiring or clever in its shallowness and I had my fill of everything it had to offer well before it got to its big cameos at the end. At best it’s a misguided attempt from Hollywood to recapture the lightning-in-a-bottle magic of early Tarantino as well as the director’s own early success with John Wick, and at worst it’s the cinematic equivalent of Steve Buscemi in a backwards baseball cap asking his fellow kids how they are doing. It’s not without its charms, but why settle for the smoothed-over corporate version of stylized action shlock when the genuine article is easier to find than ever?

2 out of 5

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Cinema Dispatch: Knives Out

~ Matt Vetrano ~ Leave a comment

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Knives Out and all the images you see in this review are owned by Lionsgate

Directed by Rian Johnson

I gotta tell you, I was in LOVE with this movie from the very first trailer!  Seeing great actors like Michale Shannon, Toni Collette, and Daniel Craig, on screen with Captain America in a movie from the Last Jedi guy, AND it’s a juicy as heck murder mystery?  What more could one person ask for!?  Even with the best of trailers however, there’s always a possibility that what we saw was a cleaned up version of the best bits while the finished product is a compromised and messy waste of time; the Suicide Squad approach if you will.  Can Rian Johnson prove once again how great of a filmmaker he is despite how… “controversial” his last film was, or is this just more fuel to the fire for the more obnoxious anti-fans of The Last Jedi?  Let’s find out!!

The morning after the eighty-fifth birthday of famed mystery novelist Harlan Thrombey (Christopher Plummer), he is found dead by his nurse Marta Cabrera (Ana De Anmas) with this throat slashed open by a knife, and because of his massive wealth and greedy family members it only makes sense to investigate things a bit further despite it looking like a suicide.  Not only that, famed detective Benoit Blanc (Daniel Craig) with his rich southern accent was brought in to investigate by a mysterious correspondent who sent him no identifying information but a wad of cash to find out if there was foul play or not.  His entire family was in attendance the night before and most of them stayed the night in the giant and ridiculously furnished mansion complete with a giant display of knives that looks like a rejected Game of Thrones prop, so there was plenty of opportunity for someone to get the drop on him and possibly make it look like a suicide.  The suspects include his children Linda and Walt (Jamie Lee Curtis and Michael Shannon), his children in-law Richard and Joni (Don Johnson and Toni Collette), and his grandchildren Hugh, Meg, and Jacob (Chirs Evans, Katherine Langford, and Jaeden Martell); all of whom are bizarre in their own way, but hardly seem to be the types to kill unless VERY highly motivated.  The key here is not finding the right method or the most capable suspect, but who had the most REASON to kill, and chance are it has to do with money as Harlan seems to have upset quite a few people at the party last night, though everyone is staying rather tight lipped about it.  Can Detective Blanc find the truth among all the lies, misdirection, and self-serving half-truths?  Which member of this eclectic family has the most to gain now that Harlan is gone, and who has the most to hide?  Is the big twist at the end that Detective Blanc was ACTUALLY Joe Bang in disguise this entire time!?

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“There was a time where I thought cracking bank vaults would solve all my problems.  Then I realized that my true passion was in cracking cases.  And also cracking bank vaults.  That’s just fun!”

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Cinema Dispatch: The Shape of Water

~ Matt Vetrano ~ Leave a comment

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The Shape of Water and all the images you see in this review are owned by Fox Searchlight Pictures

Directed by Guillermo del Toro

Did it REALLY have to take this long for the darn film to show up in a theater remotely close to me!?  While EVERY OTHER film critic in the world got to check this out a few weeks ago, I’ve been sitting here on pins and needles; waiting for the studio to begrudgingly bring this film to the wider masses.  There have been a few movies that I’ve been looking forward to quite a bit as we were heading into Award Season, and at the top of the list was this freaky looking cross between Beauty and the Beast and The Creature from the Black Lagoon from one of the best genre filmmakers out there.  With only slightly waned excitement due to its slow rollout to general audiences, does this manage to live up to the high expectations set up not only by the wonderful looking trailers but by the ceaseless buzz from every other film critic on the planet BESIDES me, or was this a huge misstep that we’re all gonna look back on with less than favorable feelings once the hype has settled down?  Let’s find out!!

The movie begins with Eliza Esposito (Sally Hawkins) who’s one of many janitors in a SUPER SECRET SCIENCE FACILITY that’s somewhere in Baltimore which presumably has REALLY specific NDA agreements as the place has been known to house strange and unusual specimens.  The latest of said specimens turns out to be some sort of Freaky Fish Guy (Doug Jones) who was captured and dragged out of the Amazon Forest by Colonel Richard Strickland (Michael Shannon).  Said Colonel is now head of security in the SUPER SECRET SCIENCE FACILITY, at least until the government can figure out what to do with the Freaky Fish Guy, and both Eliza and her friend Zelda (Octavia Spencer) are stuck cleaning the room that the creature is housed in.  Eliza immediately takes a liking to said creature and the two of them begin an unlikely friendship as Eliza’s mastery of American Sign Language (which she learned due to her being mute) as well as her awesome record collection give the two of them a way to communicate and something to bond over.  Colonel Strickland on the other hand is less inclined to get friendly with the Freaky Fish Guy, preferring to use a cattle prod to get the creature in line, and eventually is dead set on dissecting it before it gets any funny ideas.  Eliza, along with her neighbor Giles (Richard Jenkins) hatch a plan to try and save him as does the mysterious Dr Hoffstetler (Michael Stuhlbarg) who has his own reasons for wanting the creature to be kept alive.  Will Elisa be able to protect the Freaky Fish Guy from having his internal organs removed and put into labeled jars?  What is Dr Hoffstetler REALLY up to, and how will Colonel Strickland react once he finds out that his own staff is working against him?  Seriously, who can look at that Freaky Fish Guy and NOT immediately fall in love with him!?

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Cinema Dispatch: The Night Before

~ Matt Vetrano ~ 1 Comment

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The Night Before and all the images you see in this review are owned by Columbia Pictures

Directed by Jonathan Levine

Is it too late to declare a war on Christmas?  I don’t mind the holidays, but I’ve also worked in retail so I got a firsthand look at the Christmas calendar creep and how NO ONE likes to push this shit in October, let alone November.  Thankfully they ALMOST waited until December to start throwing out holiday films with last week’s Love the Coopers and now The Night Before.  Unlike that other film though, I was REALLY looking forward to seeing this because I love Seth Rogen and his particular brand of comedy.  Not everything he’s been a part of has been great (I thought The Interview was pretty underwhelming), but I always like to see what he does next which this time seems to be pretending he’s in the same age group as Joseph Gordon-Levitt and Anthony Mackie.  Wait a minute.  HE’S THE YOUNGEST ONE OF THEM!?  Huh.  Learn something new every day.  So will this be the kind of movie to bring out the holiday cheer and break out the eggnog, or will this make everyone feel even Grinch-ier than they already are at this time of the year?  Let’s find out!!

The movie follows the adventures of Ethan, Isaac, and Chris (Joseph Gordon-Levitt, Seth Rogen, and Anthony Mackie) on their last big Christmas Eve together before ending their tradition.  You see, about fifteen years ago Ethan’s parents were killed by a drunk driver right around Christmas time and so his friends decided that they will spend the holidays with him which soon became a tradition.  What also became a tradition is that they would party their ASSES off because they were young when they started it so of course that’s what they ended up doing.  However, it’s been going on for way too long and Isaac and Chris have their own things going on while Ethan is still stuck in place, unable to get his life going.  Still, he agrees to this being the last time they make this a big party event and even has a surprise for his friends that will make this the best one of them all.  There’s a super-secret party that takes place every year (the Nutcracker Ball) that they’ve never had a chance to go to because they could never find out where it was or how to get invitations.  Through sheer luck, Ethan finds three tickets for the damn thing at his shitty job and steals them without a second thought so that he and his friends can have the greatest night of their lives!  Will this final night be all it’s cracked up to be, or are they just too damn old to keep going the way they’ve been going even for one more night?  Will they be able to salvage their friendship despite the changes in their lives that makes it harder for them to find the time?  Wait, how fucking deep is this movie about taking drugs and Christmas shenanigans!?

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WHY ARE THERE FEELS!?!?!?

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