Cinema Dispatch: American Assassin

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American Assassin and all the images you see in this review are owned by Lionsgate Films

Directed by Michael Cuesta

I don’t know about you, but I’m just happy that we’re not gonna be seeing any more trailers for this now that the movie has finally come out as its second only to Flatliners as far as obnoxiously overplayed teasers whenever I go to the cinema.  Still, just because they overdid it with the marketing for this (at least for the movies I went to see) doesn’t mean it’ll be a bad film, and if nothing else it at least has the Birdman himself to lend a bit of charm to this!  Does this manage to be a decent enough spy thriller that I forget just how annoying it was seeing the trailers over and over again, or are we in for the worst spy film since Cars 2?  Let’s find out!!

The movie begins with Mitch Rapp (Dylan O’Brien) and his girlfriend Katrina (charlotte Vega) enjoying a vacation in Spain that is capped off with Mitch proposing to her and Katrina saying yes!  Okay, ACTUALLY it gets capped off with a bunch of terrorist dudes start fucking shit up and one of them (Shahid Ahmed) fires a few rounds right through Katrina’s chest.  Mitch then spends the next eighteen months training his ass off and embedding himself into the same terrorist cell that launched the beach attack, and this somehow works as he ends up face to face with the man who shot his wife under the guise of joining his cell.  Before he can stick a knife in his throat however, AMERICA bursts through the front door and drills FREEDOM right into the heads of each and every terrorist there; luckily sparing Mitch but also taking out his target before he could.  Now you’d think this would be the end of Mitch’s story as he’d either go to jail for trying to join terrorists or at the very least be pointed to a decent counselor to help deal with his grief, but that’s not what Deputy CIA Director Irene Kennedy (Sanaa Lathan) has in mind!!  She decides to recruit this lone wolf for OFFICIAL assignments and sends him to Stan Hurley (Michael Keaton) to put a bit of discipline in him and see if he can be an effective weapon for the CIA.  Well I guess they’ll have to find out sooner than they thought as some nuclear material is stolen out of Russia and seems to be heading to Iran by way of a MYSTERIOUS mercenary known as GHOST, and clearly Mitch, along with Stan, a red shirt (Scott Adkins) and another spy named Annika (Shiva Negar), are the ONLY ONES WHO CAN STOP HIM!  Will Dylan find a way to satisfy his bloodlust now that the target of his revenge was prematurely terminated?  Who is this MYSTERIOUS Ghost and why does he have the most generic mercenary name imaginable?  Was this SERIOUSLY a book first?  Someone wrote this shit down!?

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And then he shot all the terrorists, and then he punched out the zombified corpse of Saddam Hussain, and then he made out with a robotic clone of Marilyn Monroe…

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Cinema Dispatch: The Hitman’s Bodyguard

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The Hitman’s Bodyguard and all the images you see in this review are owned by Lionsgate

Directed by Patrick Hughes

Okay, so MAYBE Atomic Blonde didn’t turn out to be everything I was hoping for, but that’s not the ONLY move I was looking forward to this year!  Who DOESN’T want to see two of the best action/comedy actors of the modern age bounce off of each other in an over the top buddy shoot’em up!?  That’s at least what we were promised in the trailers, but if there’s one thing that Atomic Blonde (and admittedly lots of other movies) has taught me, it’s that trailers aren’t always the best at telling you what a movie will ACTUALLY be about.  I know; SHOCKING revelation there!  Does the team up between these two titans of Hollywood blockbusters manage to work even better together than they do as individuals, or was this a team up worse than when Pouty Superman fought with Even Poutier Batman for no reason whatsoever?  Let’s find out!!

The movie begins with Michael Bryce (Ryan Reynolds) who is a TOP NOTCH bodyguard with his own security company that’s apparently richer than half their clients considering how styling him and his crew are, but his idyllic life of protecting the rich and powerful is abruptly brought to an end when someone he’s supposed to be protecting gets shot right the head by an unknown sniper.  He spends the next few years stewing in his own self-loathing and is stuck protecting losers and drug addicted lawyers as he tries to climb his way back to the top.  An opportunity presents itself though when super hitman Darius Kincaid (Samuel L Jackson) is to be brought before an international court to testify against the Belarusian Dictator (Gary Oldman) who everyone seems to know committed NUMEROUS war crimes, but only Kincaid has the evidence… for some reason.  Michael is given a chance to possibly redeem himself if he can get Darius to The Netherlands in one piece as the Belarusian Dictator is sending out a lot of hired goons to put him in a body bag before he can testify.  That’s not the REAL problem though.  No, what’s REALLY gonna make this the mission from hell is that Darius is a TOTAL asshole who likes to do things dirty which clashes with Michael’s preference of being clean and professional about everything he does.  It’s like The Odd Couple, but with guns and a lot more swearing!  I don’t recall Walter Matthau calling people mother fucker before shooting them in the head!  Can these two get along JUST long enough for Darius to testify and put that dictator behind bars once and for all?  Will Michael finally redeem himself and get his life back on track after delivering Darius to the international authorities, or will he end up shooting him in the head out of sheer frustration before that?  Seriously, does Samuel L Jackson own the rights to the words mother fucker?  He HAS to be getting royalties considering how much he says that!

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“I see you driving round time with the girl I love, and I’m like… MOTHER FUCKER!!”

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Cinema Dispatch: The Glass Castle

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The Glass Castle and all the images you see in this review are owned by Lionsgate

Directed by Destin Daniel Cretton

Based… on a True Story.  Ugh… is there any other phrase in the English language (other than Starring Jai Courtney) that sends a bigger chill down my spine?  Trying to parse out which decisions a film makes that are due to the source material is not an easy task (especially when you don’t KNOW the true story to begin with) and it makes judging a movie with a well-rounded opinion THAT much harder to pull off since it works on different levels.  Sure, ANY adaptation is gonna have some changes when going from one medium to another, but adapting something that ACTUALLY happened by its very nature practically begs to be judged on merits that are different from any other movie.  So does this family drama manage to be enjoyable in its own right, or am I gonna have to read the book and do a whole bunch of research after the fact to TRULY understand what it’s going for?  Let’s find out!!

The movie is an adaptation of Jeannette Wall’s memoir of the same name and we follow her as an adult (Brie Larson) as well as a child (Ella Anderson and Chandler Head); discovering how the latter is informing the former and learning about the pleasant as well as not so pleasant aspects of growing up with an abusive alcoholic father Rex (Woody Harrelson) with big ideas but too many personal demons to follow through on any of them.  Along for the ride are her siblings Lori, Brian, and Bridgette (Sarah Snook, Olivia Kate Rice, Sadie Sink, Josh Caras, Iain Armitage, Charlie Stowell, Bridgette Lundy-Paine, Eden Grace Redfield, and Shree Crooks) as well as their mother Rose Mary (Naomi Watts) who all deal with their father in their own ways; though none of them come out of their life with him unscathed.  Still, they all turned out well enough I guess, especially Jeannette who’s working for a big New York magazine and is engaged to a super-rich guy!  Everything’s going great, right!?  Well… maybe not, especially when Mom and Dad show up in New York and start squatting in an abandoned building.  Will Jeannette be able to make peace with the way her father behaved when she was growing up?  What exactly are her parents even doing in New York in the first place?  Is Woody Harrelson able to NOT be likable, even when playing a total jerk!?  Heck, he managed to stay at least SOMEWHAT charming in Natural Born Killers!

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“The demon lives in here.  It feeds on your hate.”     “Oh daddy!  You’re so funny!!”

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Cinema Dispatch: The Big Sick

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The Big Sick and all the images you see in this review are owned by Amazon Studios and Lionsgate

Directed by Michael Showalter

I try to keep up with who the big up and coming comedians are, but I often find myself under a giant rock when something like this comes out starring a guy who I’ve CERTAINLY seen in other movies like Fist Fight and Mike and Dave Need Wedding Dates, but wasn’t aware of his output beyond that.  I’ve never seen Silicon Valley which seems to be Kumail Nanjiani’s biggest role to date (though he DID play Prismo in Adventure Time) so this is gonna be the first time that I’ve seen him in a starring role as opposed to a funny secondary character in REALLY mediocre or outright awful comedies, and apparently it’s somewhat autobiographical which makes it even MORE representative of what this guy is all about.  Does Kumail’s big debut as a leading man in his own life story manage to hit the mark and hopefully launch him into super stardom, or is this just a failed vanity project whose only purpose will be as a piece of trivia for Silicon Valley fans?  Let’s find out!

The movie is based on the real story about Kumail Nanjiani’s relationship with Emily V Gordon (played by Zoe Kazan but Emily V Gordon is the co-writer here) and the hardships they had to endure along the way.  Kumail is living the Stand-Up Comedy dream of a crappy apartment and shitty comedy club gigs while Emily is working towards her masters in Psychology when the two of them meet and quickly fall for each other.   Sadly, life keeps getting in the way of their happiness as Kumail’s mother and father (Zenobia Shroff and Anupam Kher) still expect him to marry a Pakistani woman and he doesn’t have the heart to either confront his parents about this or to tell Emily about their plans for him.  Things eventually come to a head, I won’t spoil too much here, but there’s a tragedy that happens where Emily is in the hospital and Kumail has no idea what to do; especially when her parents (Holly Hunter and Ray Romano) enter the picture and are immediately skeptical of Kumail.  Now Kumail is stuck in the worst of all cases; trying to coddle two sets of parents who are looking out for their kids and making terrible mistakes, and also trying to figure out exactly what he wants and how hard he’s willing to fight for it.  Will Emily overcome whatever illness has struck her so severely?  Will the two of them manage to overcome whatever issues they may have and properly fight for each other’s happiness?   Does anyone else think this might be a new benchmark for romantic comedies!?  Maybe not one of the BEST, but it sure feels like it’s gonna have an impact, right!?

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“This is a lot like Annie Hall!”     “Hmm… let’s not.”     “Yeah, you’re right.  Uh… Groundhog Day?”

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Cinema Dispatch: Trailer Talk (My Little Pony: The Movie)

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My Little Pony: The Movie and all the images you see in this trailer talk are owned by Lionsgate and Hasbro

Directed by Jayson Thiessen

Despite being such a popular series with a fan base that is heavily invested in the creative side of the process as much as it is in the show itself, there really hasn’t been much said about the My Little Pony movie that’s been in production.  Heck, it honestly feels like Equestria Girls, which was a spin off that only got a limited theatrical release, had MUCH more fanfare and anticipation surrounding it than something Hasbro is actually risking quite a bit of money on.  Okay, there’s no way we’re talking Transformers money here, but there’s no way a feature length animated feature with celebrity voices THIS famous was less than what they invested in freaking Jem and the Holograms which had its first trailer out five months before its release compared to four months for this film.  Still, an uneven marketing campaign doesn’t always spell doom for a film (*cough* Wonder Woman *cough*), and even if it’s a sign that the studio doesn’t have faith in the final product… well go ask Newmarket Films how that worked out with Donnie Darko.  Either way, let’s find out!!

Okay, so there’s no getting around it.  The movie looks PRETTY terrible based on this trailer.  The first thing you’ll notice is that the art style is quite different from the series which isn’t ALWAYS a bad thing (watching it for the first time, I was somewhat reminded of the changes made for the Spongebob Squarepants movie), but it doesn’t come off as an IMPROVEMENT and there are clearly areas where they were cutting corners; most notably with the copious use of CG for the buildings and backgrounds.

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WHERE THE HELL ARE ALL THE TEXTURES!?  Did they just forget to render them!?

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Jumping the Soapbox: Reservoir Dogs: Bloody Days is Not a Reservoir Dogs Game

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Reservoir Dogs: Bloody Days is owned by Big Star Games, Reservoir Dogs The Game is owned by Edios Interactive and Volatile Games, and Reservoir Dogs is owned by Lionsgate

The images you see in this editorial are the property of their respective owners

In 2005, Rockstar Games released a video game adaptation of Walter Hill’s seminal classic The Warriors to overwhelmingly positive reviews for its solid gameplay and interesting take on the characters and world of that movie.  It’s by no means perfect, but it’s probably the best thing that Rockstar released on that console (sorry, but those GTA games don’t hold up nearly as well) and is easily in the upper echelon of movie based video games.  One year later Edios Interactive tried to do something similar when they released a video game adaptation of Reservoir Dogs.  I won’t go so far as to say that the Reservoir Dogs game was inspired by the success of The Warriors (it’s pretty unlikely they would have been able to have knocked this out in less than a year), but it’s certainly in the same vein as that and at the very least I’m guessing Edios were crossing their fingers that some of the good will built up by that movie based game will help this one get some recognition.  Sadly though, the game turned out be… well pretty damn awful.  I can speak from personal experience having bought the game for like three bucks at a dying Blockbuster that the game was an uninspired and boring mess with the only notable feature being the game breaking mechanic of holding someone hostage; resulting in all other enemies dropping their guns and just letting you pass right through.

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Also, playing Paintball in the abandoned warehouse.  Okay…

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Cinema Dispatch: Power Rangers

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Power Rangers and all the images you see in this review are owned by Lionsgate

Directed by Dean Israelite

Look, I’ve been dreading this one since they released the first image of them in their power suits, and everything since then just seemed to confirm my suspicions about what this movie was going to be.  On top of that, while I do have a soft spot for some Power Rangers/Super Sentai stuff (I have the movie with Ivan Ooze on VHS and I’m a pretty big fan of Tensou Sentai Goseiger), my knowledge of the Mighty Morphin iteration of this franchise is pretty limited.  It’s an odd place to be in when going into this movie as I’m someone who still needs to be taught pretty much everything about the movie, but I’m also gonna be more aware than most when it comes to how much this diverts from what the core of Power Rangers is supposed to be.  Now I don’t often go into movies READY to hate them, but there have been occasions where I went in knowing that there’s a pretty good chance I’ll end up hating it, and this is one of those times.  Now that’s not to say I wasn’t going to give this movie credit if it DID end up being great… it was just that my expectations were very low from the outset.  Did this movie ultimately prove me wrong and ended up being a worthwhile reinterpretation of the original series as well as a great continuation of the Power Rangers brand, or was this movie everything I dreaded it to be and so much worse?  Let’s find out!!

As I’m sure we all know, the story of Power Rangers is about five teenagers with attitude who are chosen by the Great and Powerful Zordon (Bryan Cranston) to fight alien monsters who threaten their small town of Angel Grove and by extension planet Earth.  This sticks pretty close to that, though replace teenagers with attitudes to teenagers with angst, tragedies, mean streaks, and felonies, and replace chosen with begrudgingly accept because unlike the previous version, the teens find Zordon rather than the other way around.  COINCIDENTALLY ON THE SAME DAY THAT THE TEENS FIND ZORDON, Rita Repulsa (Elizabeth Banks) is fished out the ocean instead of being uncorked from some canister on the moon, and proceeds to run amuck in Angel Grove while slowly gaining her powers back.  Now the new Power Rangers which are comprised of Jason, Kimberly, Billy, Trini, and Zack (Dacre Montgomery, Naomi Scott, RJ Cyler, Becky G, and Ludi Lin) must come together as a team and fend off the bad guy before she finds the McGuffin of Ultimate Destiny (I think they called it a Zeo Crystal) and… blows up the Earth I guess?  Can these teens who aren’t even friends to begin with find a way to overcome their differences and beat the crap out of the space witch?  Will they learn to control their individual animal robot vehicles in time to fend off Rita’s gold monster thingy and eventually come together to form one giant robot?  WHY IS EVERYTHING I JUST DESCRIBED SO DISAPPOINTINGLY REALIZED IN THIS MOVIE!?

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Hey, I’m pretty sure drugs are the only thing to make this even REMOTELY resemble Power Rangers.

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Cinema Dispatch: Boo! A Madea Halloween

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Boo! A Madea Halloween and all the images you see in this review are owned by Lionsgate

Directed by Tyler Perry

I knew this day would come.  Ever since this guy came on the scene, I’ve just never had an interest in seeing anything he’s made and until now I’ve never had a reason to.  I mean I knew becoming a film critic would have its downsides… but come on!  Oh well.  No point in putting it off any longer.  It’s time for me to sit down and watch a Madea film.  Who knows?  Maybe it won’t be all bad.  Hell, it looks like it’s the spiritual successor to Ernest Scared Stupid, so maybe they’ll replace Jesus with Halloween Kitsch? Yeah, probably not.  Still, is it any good?  Let’s find out!!

The movie is all about Brian Simmons (Tyler Perry) and his increasingly strained relationship with his teenage daughter Tiffany (Diamond White).  Tiffany wants to go to a Halloween party that’s hosted by a Frat House that’s conveniently located within walking distance and wants to drag her Good Christian Preacher’s DaughterTM friend Aday (Liza Koshy) along with her.  Brian says no, Tiffany says Fuck You (not literally) and so he has to pull out the big guns; namely Mabel “Madea” Simmons (Tyler Perry again) along with her friends Uncle Joe (Tyler Perry… again), Aunt Bam (Cassi Davis), and Hattie (Patrice Lovely) to babysit while he goes out on a business trip… on Halloween.  Tiffany isn’t about to give up without a fight though and convinces the four of them that there’s a ghost in the house to keep them distracted while she sneaks off to the party and things get more shenanigan filled from there.  Will Tiffany learn a lesson about listening to her father after getting to the party?  Is there something ACTUALLY haunting Madea and her friends at the house, even if Tiffany’s story was total bullshit?  God damn, is THIS what I’ve been avoiding all these years!?

 

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I WISH Tim Curry would show up in this damn thing!

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Cinema Dispatch: Hell or High Water

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Hell or High Water and all the images you see in this review are owned by CBS Films and Lionsgate

Directed by David Mackenzie

Can we say award season is in full swing now?  Have we run out of DC films to be disappointments after collecting half a bajillion dollars instead a full bajillion?  Sure, Doctor Strange is in November and we’ve got a few more animated kids films to suffer through, but the deluge of lightweight and over budgeted boom-a-palooza is over?  Well we can only hope, but what we should be hoping for even MORE is that the Oscar bait this year is up to snuff and not a bunch of studio films that cut the budget and let the actors look pensive for minutes on end set in World War 2.  At least with this movie, things seem to be off to a good start as this is a down and dirty Texas crime movie starring well known genre actors as well academy award winning ones!  Will this be one of the best films of the year (Oscar bait or otherwise), or is there just a bunch of hot air surrounding a mediocre actioner?  Let’s find out!!

The movie begins with two kinda dopey dudes robbing a small time bank in a small time town in East Texas.  They manage to get away clean, more so out of dumb luck than their own skill, but I guess that’s the advantage of robbing bum-fuck nowheres-ville.  The two end up hitting a few more places in a similar manner, also getting though it by the skin of their teeth, and this gets the attention of Texas Ranger Marcus Hamilton (Jeff Bridges) who’s on the verge of retirement but thinks he can nab these two before he finishes up his tenure.  He drags along his partner Alberto (Gil Birmingham) to check on those places that have been hit and see if they can predict where the two are gonna strike next, all the while running into reminds of how miserable these areas are due to the recent recession.  Our nominal heroes by the way, brothers Tanner and Toby Howard (Ben Foster and Chris Pine) are victims of said misery, but their exact motivations aren’t clear yet as to why they’re raising money and how much of it they need.  Will the cops stop the robbers before they can reach their goal?  What are Jeff Bridges chances of making it out of this alive considering he’s days from retirement?  Is it REALLY that hard to catch these dumb mother fuckers?

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“Start the car bro!”     “What the hell happened to careful planning and flawless execution!?”     “WILD CARD MOTHER FUCKER!!  YEEEEE-HAW!!”

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Living on Netflix: I, Frankenstein

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This 2014 film based on a graphic novel by Kevin Grevioux (who also wrote all the Underworld movies), somehow take the Frankenstein monster and has him fighting legions of demons.  Well you can’t say that’s not one of hell of premise!  I’m actually for wacky premises like this with characters you’d never expect.  Hell, it’s not like Universal was above putting it’s own monsters in crazy and outlandish situations to make a quick buck!  They’re the guys who practically invented the idea of cross over movies!  All that said, the lukewarm buzz around this film when it was released doesn’t give me a whole lot of hope, but you never know with something like this.  Is the movie a fun and cheesy romp, or is it just as bad as every says it is?  Let’s find out!!

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