Tag Archives: Jonas Bloquet

Cinema Dispatch: The Nun

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The Nun and all the images you see in this review are owned by Warner Bros Pictures

Directed by Corin Hardy

I wasn’t even planning on seeing this film as my utter apathy to the Conjuring Universe knows no bounds; despite Annabelle: Creation being a pretty solid horror film which I ascribe entirely to roping in a very talented director.  Then the weekend came up and there was literally no other movie I was going to see, so this one won by default; take a step forward to volunteer and everyone else took a step back.  Does this latest entry in probably my least favorite expanded universe (at least on a conceptual level as The Warrens were in fact a bunch of fraudsters and I HATE that we’re making movies that pretend they weren’t) manage to rise above its lousy origins to give us something entertaining, or will I be forced to be reminded once again why I didn’t like that initial film in the first place?  Let’s find out!!

Back in the 1950s, there was a castle in Romania where some spooky stuff was always going on.  What kind of spooky stuff?  Voices in the hallway, a fake demon nun appearing and disappearing in an instant, and oh yeah, A NUN THROWING HERSELF OUT OF A WINDOW WITH A NOOSE AROUND HER NECK!!  Now my first guess it that she did it all for Damian but he wouldn’t be born for another twenty years, and instead it’s probably that demon nun that’s walking around the place.  In The Vatican’s effort to be real life Ghostbusters, they send the disgraced Father Burke (Demián Bichir) out to solve this bizarre mystery; like a renegade cop getting his badge and his gun back.  He takes along a Soon To Be Sister Irene (Taissa Farmiga) because… I don’t remember; she has psychic powers or something?  Anyway, the two of them head to Romania and are led to the castle by the man who discovered the nun’s body, and his name is… wait for it… Frenchie (Jona Bloquet).  When this unlikely trio gets there, well you can imagine what happens!  Lots of spooky ghost tricks, hidden dark rituals, and a horrifying history that will no doubt ensure at least a dozen more THE CONJURING UNIVERSE films!  Can Father Burke and Sorta Sister Irene discover the true reason that the nun threw herself out a window in this dark and spooky castle?  When they find what they are looking for, are they prepared to do what is necessary to stop that evil once and for all?  Wait, why does a demon have to hide as a nun?  It’s not like it does a good job of hiding how obviously evil they are and they can disappear at any time, so why even bother with the costume!?

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“I know there’s something behind me, but you should see what’s in FRONT of me!!”

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Cinema Dispatch: Valerian and the City of a Thousand Planets

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Valerian and the City of a Thousand Planets and all the images you see in this review are owned by STX Entertainment and EuropaCorp

Directed by Luc Besson

As much as I would like a new Sci-Fi franchise to bring a bit of variety and challenge the Disney Monolith, I just couldn’t see this movie as anything more than a REALLY expensive mistake.  Maybe that’s more of a commentary on the current state of Blockbuster Cinema than an observation of the movie itself (though the ho-hum trailers certainly didn’t help), but a movie THIS expensive looking based around a series of graphic novels that (as far as I can tell) didn’t end up having THAT much reach outside of its native France looked like the kind of disaster that can only be made by people REALLY passionate about what they’re doing.  Now sometimes China can pick up the slack like it did with Pacific Rim which was a GOOD movie, but then other times not even they can save a doomed production like John Carter.  Still, that’s all secondary when talking about whether a movie is good or not, and while the trailers didn’t really impressive me, there were certainly glimpses of something that could be great if the filmmaker knew how to take advantage of it.  Does this movie manage to be a science fiction classic despite its box office prospects, or was everyone asleep at the wheel while Luc Besson spent an untold fortune bringing this comic book to life?  Let’s find out!!

Major Valerian and Sergeant Laureline (Dane DeHaan and Cara Delevingne) are two space agents working for the Human government who are basically paid to be bad asses across the galaxy and supposedly have the ability to travel through time which I guess we’ll have to wait to see in the sequel.  Anyway, Valerian is having dreams about some lost civilization whose planet was destroyed but he has no idea if these are premonitions of the future or something that happened long ago.  Either way, his latest mission with Laureline JUST SO HAPPENS to converge with these mysterious dreams as there are a band of terrorists of sorts from an unknown race (I BET VALERIAN KNOWS WHO THEY ARE!) that are trying to get their hands on a rare MacGuffin Creature that Laureline is protecting as well as the current military leader of the Human government General Arün Filitt (Clive Owen).  They manage to get the latter, but the former is still safely tucked away and both Valerian and Laureline, despite the protestations of their new commanding officer (Sam Spruell) try to chase them down.  Valerian gets lost in the chase as do the terrorists, and so Laureline has to find him and then the both of them can these aliens who kidnapped the general… unless of course shenanigans with other aliens happen along the way, but that could NEVER happen in the city of a thousand planets, right!?  Will Valerian and Laureline stop this new threat before it’s too late!?  What is their ultimate goal once they have both the general and the MacGuffin Creature?  Will Valerian be the next ACTION STAR to dominate the silver screen!?  Well… probably not, but can he and Laureline STILL save the City of a Thousand Planets!?

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“Before I pull this trigger, you’ve gotta ask yourself one thing.  ‘Does this guy look silly in these glasses?’  Well?  DOES he, punk!?”

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