Cinema Dispatch: The Batman

The Batman and all the images you see in this review are owned by Warner Bros Pictures

Directed by Matt Reeves

I wasn’t sure what to think about them doing yet another Batman movie when this first got announced. Say what you will about the Marvel movies, they haven’t beaten characters into the ground as thoroughly as Warner Bros have done to Batman and his crew. Multiple continuities and actors playing the same characters within years of each other, and all of them pale in comparison to The LEGO Batman Movie! Still, despite this looking like the grimdark fantasies of a nineties teen, it has an immense amount of talent that I genuinely respect behind it; particularly Robert Pattinson who has swiftly become one of my favorite actors. Is this a refreshing change of pace and a genuinely excellent interpretation of the character, or is this a whole lot of effort and prestige going to waste? Let’s find out!!

In the heart of Gotham, there is a man wearing a very strange costume attacking criminals and striking fear into the worst that the city has to offer. Unfortunately, this is not Batman doing it and it’s not the costumed bad guys who are getting their heads caved in; rather it’s some guy calling himself The Riddler who is murdering the corrupt politicians and their enablers. He’s also leaving cryptic clues for the city’s other vigilante, the one that attacks the easier to ignore bad guys, and so it’s up to Batman (Robert Pattinson) to find out who this brat is and bring him to justice! His investigation leads him to some shady figures in the underworld including Oswald Cobblepot (Colin Farrell) and Carmine Falcone (John Turturro) who are connected to this Riddler fellow in some way, and he even stumbles across a cat burglar (Zoë Kravitz) who may know more about this case and the people involved than she’s letting on. Can Batman solve the clues and find the man responsible for these killings before he gets to his grand finale? How has being the Batman affected the man beneath the cowl, and will this latest mystery push him too far into the darkness? Seriously, fanboys; what’s your beef with Robert Pattinson? Is he somehow not broody enough for you!?

“I can scowl like this all day! Just try me!!”
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Cinema Dispatch: No Time to Die

No Time to Die and all the images you see in this review are owned by United Artists Releasing

Directed by Cary Fukunaga

Even without the year-long delay caused by a global Pandemic, there was a pretty long wait between this film and the last one which didn’t exactly fill me with confidence as Spectre turned out to be rather disappointing, and this coupled with Craig’s public comments about continuing to play the part made it hard to assume anything other than a troubled production as a studio scrambled to find out where they went wrong after Skyfall was such an overwhelming success.  That, and the Bond franchise is not exactly known for quality swansongs for their stars.  I mean I liked Diamonds Are Forever quite a bit, but that’s still a ludicrous movie to end the Connery era, and A View to A Kill is only saved from being the worst of the Moore era by Octopussy being such a disaster right before it.  Heck, even Pierce Bronson’s final film is so off the wall that some speculate it’s all just a dream sequence!  So yeah, with a disappointment preceding it, a wonky track record for the franchise, and a five-year production cycle when the Craig films usually only needed three, there were a lot of auspicious signs even without COVID coming to upend the entire film industry!  Still, you can never count James Bond out as every failure inevitably leads to another success down the road, and the Craig era has been a definite standout in the franchise’s fifty-year history.  Does Craig’s final film buck the conventions and become a standout in an already impressive run, or will we need to wait for another Bond to bring this series back to life?  Let’s find out!!

Following the events of Spectre, James Bond and Madeline Swann (Daniel Craig and Léa Seydoux) are enjoying their hard-fought victory over Ernst Stavro Blofeld (Chrstoph Waltz), but as with any Spy story, paranoia starts to creep in and an attack from Spectre leads James to believe that once again he has been betrayed by the woman he loves.  With little ceremony and huge amounts of salt, James cuts Madeline out of his life and spends the next five years bumming around on a beach until an MI6 scientist (David Dencik) is kidnapped with a secret weapon that MI6 VERY much doesn’t want to get out into the world, but even more so wants to keep it under wraps.  M, Moneypenny, Q, and the new 00 Agent Nomi (Ralph Fiennes, Naomie Harris, Ben Whishaw, and Lashana Lynch) are doing what they can but Felix Leiter (Jeffrey Wright) of the CIA is well aware of what’s going on and convinces Bond to come back for one more mission and perhaps show the new recruits Logan and Paloma (Billy Magnussen and Ana de Armas) a thing or two about this line of work.  All is not as straightforward as it seems however as the kidnapped scientist is just the smallest tip of the ice burg for a mysterious plot devised by an even more mysterious man (Rami Malek) that is in some way connected to Madeline.  Can James Bond return to the life he left behind for one last mission, or has the years of hard drinking and heartbreak taken their toll?  Was Madeline a deep agent the whole time for whomever this mysterious man is and Bond was right to mistrust her?  Never mind the NEW bad guy; what’s Blofeld up to these days?  Has he gotten that eye looked at?

“Well, James… have the lambs stopped screaming?” “Have you gotten tired of telling that joke?”
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Cinema Dispatch: The Goldfinch

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The Goldfinch and all the images you see in this review are owned by Warner Bros. Pictures

Directed by John Crowley

So based on the trailers, this has to do with a heist gone wrong to steal a painting?  Or maybe the kid knocked it off the wall which triggered a series of Rube Goldberg zaniness that led to the museum exploding?  Okay, it’s probably not going to be THAT wacky considering the solemnity with which the trailers show the main character struggling with his guilt for… something, but apparently this is based on a book and I haven’t read it yet.  Thankfully BASED ON THE BEST SELLING NOVEL doesn’t send a chill of dread down my spine the same way BASED ON A TRUE STORY does since a book is already supposed to have a beginning, middle, and end unlike someone’s life normally does, but I might be a bit out of my depth here because I hadn’t even HEARD of the freaking thing before the trailers started to come out and it clearly looks to be pure Oscar Bait, but I’ve seen enough of these kind of movies by now to hopefully tell a good one from a bad one.  Then again, I was bored senseless in The Phantom Thread, so maybe I don’t know what I’m talking about in the first place.  Is this the kind of awards contender that’ll appeal to all audiences instead of the very few who will be voting on said awards this year, or is all the pretense simply there to prop up a mediocre slog?  Let’s find out!!

Theo Decker (Ansel Elgort and Oakes Fegley) hasn’t had the best like in his short thirteen years so far.  He got blamed for smoking at school, his dad left his mom several months ago, and oh yeah his mother died in some sort of terrorist attack at the Metropolitan Museum of Art.  He manages to survive somehow, but with nowhere else to go he ends up living with a school friend’s family which is led by the regal Samantha Barbour (Nicole Kidman) who seems sympathy towards Theo but not much more than that.  He eventually finds someone to open up to about the incident when he finds the partner of a man who died in the explosion along with the man’s granddaughter Pippa (Ashleigh Cummings and Aimee Laurence) who DID survive the explosion but suffered some serious trauma because of it.  Theo and his new friend Hobie (Jeffrey Wright) do manage to lean on each other somewhat to deal with their grief, but at some point Theo’s crappy dad Larry (Luke Wilson) comes back to take him away to Arizona with his younger girlfriend Xandra (Sarah Paulson) where he meets a kid named Boris (Aneurin Barnard and Finn Wolfhard) who he soon becomes friends with as well.  The movie goes between flashbacks to his childhood and the life he has today which seems to be rather miserable and it becomes clearer and clearer why as we learn more about his past; the continued trauma he had to go through even after his mother’s death as well as the brief moments of joy he managed to find despite his lousy circumstances.  Oh, and there was this painting that Theo took from the museum for some reason after the explosion, but I’m sure that’s not too important.  It had a bird on it I think.  Will Theo find peace in his life after having to suffer so much?  Is there anything in his fractured past that will hold the answer to him coming to terms with what happened to him and maybe some serendipitous turn of events will finally bring him the closure he needs?  Seriously, what does he need that bird picture for in the first place?  I mean it’s fine, but it’s no Rembrandt or Jim Davis.

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“Oh Garfield!  You truly capture the pain in my soul with your utter loathing of Mondays!”

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Cinema Dispatch: Game Night

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Game Night and all the images you see in this review are owned by Warner Bros Pictures

Directed by John Francis Daley and Jonathan Goldstein

It’s not easy trying to release a movie in the wake of an overwhelming success like Black Panther or really ANY Disney movie nowadays, and the idea of Counter Programming (releasing a movie that targets an audience vastly different from whatever else is in theaters) is becoming an increasingly less viable route to go when success is as massive as these year round tent poles have become.  With that said, it’s ALSO a common time to dump movies that the studio has little faith in as wasting a BETTER time slot in the year is the year would only make things that much worse for them.  For me, seeing this trailer quite frequently in the last month or so, it looks to fall into the latter as the premise of the film and the gags they showed us wasn’t inspiring much hope in me that this was going to be much of a comedy classic, but I have been wrong before about movies and I’m like the ONLY guy who’s like Billy Magnussen in everything I’ve seen him in; and that’s including Birth of the Dragon!  Does this action comedy bring the same fun and excitement you always hope to have whenever you have your own game night, or is this as exciting as playing Monopoly for two hours past the point everyone stopped caring?  Let’s find out!!

Max and Anne (Jason Bateman and Rachel McAdams) are the picture perfect mid-thirties couple that LOVES playing board games on their weekly Game Night along with their friends Kevin and Michelle (Lamorne Morris and Kylie Bunbury) as well as good ol’ Ryan (Billy Magnussen) who frequently brings new dates to Game Name with the latest being Sarah (Sharon Horgan) .  OH, and uh… they used to invite the neighbor Gary (Jesse Plemons) over to play with them, but no one likes to talk about Gary; especially after the divorce.  ANYWAY, Game Night is the one thing that they all look forward to every week, but things start to run afoul this time around as Max’s brother Brooks (Kyle Chandler) shows up out of the blue with his badass car and super smooth swagger to take over Game Night and make it an evening they will NEVER forget; something that gets Max rather pissy right off the bat.  Oh, you know how brother are!  Always trying to one up each other even when it comes to something as trivial as Trivial Pursuit!  Brooks invites everyone over to his house to play one of those INTERACTIVE MURDER MYSTERY deals with actors pretending to be cops and robbers, but the party is crashed by ACTUAL robbers right off the bat; something that they REALLY should have realized was the case even if they were told this was going to be a big game.  They don’t realize that these are REAL crooks invading the party and kidnapping Brooks though, but they will soon enough as they find out more and more about Brooks and just how much trouble he’s really in.  Can Max, Anne, and their best buddies find a way to save Brooks before he gets two in the head?  What will Max learn about his brother during this absurd quest, and what will he learn about… HIMSELF!?  Anyone else feel like playing a game right now?  King of Tokyo?  Drop Mix?  Yu-Gi-Oh?

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“Who wants to play… PAR-CHEESE-I!?”     “Max, if you tell that joke ONE more time, I will personally shove this knife right through your eye socket.”     “Well then… I hope that after doing that… you’d feel SORRY!”

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