Cinema Dispatch: The Crow

The Crow and all the images you see in this review are owned by Lionsgate

Directed by Rupert Sanders

It’s been almost twenty years since the last Crow movie, and about thirty years since the only one anybody cared about. The production history on this is as tortured and unkillable as Eric Draven himself, and yet the box office proved to be the one thing that could put it down for good, as this reboot tanked as hard as Borderlands did just a few weeks ago. Still, something like the Crow would also be niche outside its one moment of pop culture relevance, so very few people going to see it doesn’t necessarily mean it won’t hit for the right kind of audience. Was the decade of false-starts and production woes worth suffering through to finally get us here, or should this have stayed dead, buried, and plowed over with concrete? Let’s find out!!

Eric Draven (Bill Skarsgård) isn’t great at a lot of things, but he is a solid boyfriend to Shelly (FKA Twigs) who’s escaped from a bad situation and is looking for a fresh start. Sadly for the both of them, her past catches up to her and the two are murdered by the hired goons of Vincent Roeg (Danny Huston). With such a horrible fate befalling them, a mysterious strange in the place in between life and death (Sami Bouajila) offers Eric the chance to come back to life and get his revenge against the monsters that did this to him as well as save Shelly’s soul because Vincent has some sort of demon thing going on that sends people straight to Hell. With nothing else to live for, or die for I guess, Eric takes the offer and becomes an angel of vengeance and begins his quest for the soul of his dearly departed girlfriend. Does this new lease on undead life restore balance to a world that has been corrupted by dark forces? Why did Vincent go after Shelly in the first place, and will Eric like the answers he finds along the way? Will he fight with all the strength and speed of the mighty crow!?

“CA-CAW!!”
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