Cinema Dispatch: Keeping Up with the Joneses

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Keeping Up with the Joneses and all the images you see in this review are owned by 20th Century Fox

Directed by Greg Mottola

Are you SURE I didn’t see this last month?  I’m just getting the weirdest sense of déjà vu right now…  Well either way, we’re stuck with another Zach Galifianakis comedy to throw on the pile, and the Unique Selling Point here is that it’s a spy movie.  Sigh… Really?  We just got a dumb criminal movie; now we’ve got him dicking around in the most overplayed genre of the year!?  Well, who knows?  Central Intelligence managed to be good despite its rather weak spy angle, and while Masterminds had a pretty strong cast as well, THIS one has sexiest man alive who’s named after food, Jon Hamm, as it’s costar!  Maybe this could end up being really good!  Right?  Let’s find out!!

The movie follows the Typical American Suburban CoupleTM  made up of Jeff Gaffney (Zach Galifianakis) and Karen Gaffney (Isla Fisher) who are living out what some dumbass Hollywood executives must believe are the normal lives of middle class white people.  Jeff works at some defense company as the Human Resources manager which means he basically wastes people’s time and lets them use his computer for personal stuff.  Basically he’s a doormat that’s merely tolerated by his peers, but he’s perfectly happy to live this life of quiet desperation for some reason and will probably be behind his crappy little desk until the day he keels over and dies.  Those plans start to change though as the cul-de-sac gets new neighbors in the form of Tim Jones (Jon Hamm) and Natalie Jones (Gal Gadot) who are pretty bad at their jobs as they are OBVIOUSLY spies.  In fact, they are so unsubtle about this that Karen picks up on it immediately and it doesn’t take long for her suspicious to be confirmed.  By the time this happens though, both she and Jeff have already been dragged into some sort national security operation to prevent some sort of black market sale that was happening right under Jeff’s nose as SOMEONE who’s been using his computer was setting it all up from there!  Now the two couples have to work together to save the world or something, and I’m SURE Jeff and Karen are gonna pull their weight in this situation and not be total albatrosses hanging around the necks of these two professional spies who ACTUALLY know what the hell they’re doing.  Who is the person setting up the sale that will threaten national security, and why did they have to be a dick about it by using Jeff’s computer?  The Joneses may seem like the perfect power couple, but are there issues that they aren’t addressing?  Was anyone looking forward to this?  Like… at all?

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“I’m think you’re gonna need this, bro.”     “Why do you think that?”     “Pass it over here.  I was in The Town god damn it…”

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Cinema Dispatch: Criminal

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Criminal and all the images you see in this review are owned by Summit Entertainment

Directed by Ariel Vromen

While Michael Keaton is out there making his comeback off of Birdman and Spotlight, one of his leading man contemporaries of the nineties, Kevin Costner, is trying to rebuild Is career off of Superman cameos and sports movies.  Sure, Michael Keaton was in the Need for Speed movie and the Robocop remake, but at least he’s spending his time in between cash-in movies doing Oscar caliber work to keep himself respected in the industry and not just relevant at the moment.  Still, Costner has some serious talent and seems to be working towards artistic relevancy even if it hasn’t panned out so far so there’s hope yet that he can get back to or even surpass his peak relevance when Dances with Wolves was tearing up the Oscars.  Will Criminal be the movie to bring Costner back to leading man status, or will this be yet another mistake to knock him down a peg toward total irrelevance?  Let’s find out!!

The movie begins with good ol’ Ryan Reynolds as a secret agent (again) who’s doing all sorts of spy things without any real context for the audience.  He’s carrying around a bag of money with a passport inside, so clearly this is some sort of rainy day fund for either himself or for someone else.  It’s clear that that rainy day has come however as he’s being tailed by a red headed bad guy (Antje Traue) who’s working for the main bad guy Xavier Heimdahl (Jordi Mollà) and they’re trying to stop Ryan Reynolds  from… doing whatever it is he’s doing.  He does the best he can but I’m guessing the guy was shooting during his lunch breaks from Deadpool, so he gets caught and murdered by the bad guys within fifteen minutes of the film, though apparently without giving them the information they needed.  The CIA, whom Ryan Reynolds was working for, is uber-pissed about all this and the head of this branch (Quaker Wells played by Gary Oldman) which for some reason is based out of the UK (okay…) needs whatever information Ryan Reynolds was hiding from the baddies.  So what’s the BRILLIANT idea that he comes up with?  Well… Get a world renown doctor in the field of memories (Dr. Franks played by Tommy Lee Jones) to do a SUPER SCIENCE EXPERIMENT where he essentially transfers the memories into another person.  Who’s the vessel for these new memories though?  Well for reasons (sciency reasons I’m sure), they need someone who’s frontal lobe isn’t working properly and the only person they could find is a psychotic and ultra-dangerous criminal by the name of Jericho Stewart (Kevin Costner) to play along with their Frankenstein plan and not try to escape at the earliest opportunity.  Oh wait.  After the surgery he does just that.  Whoopsie daisy.  So now we got a career criminal with CIA memories, a bad guy looking to take over the world, and I think the Russians are in the mix as well; all of whom are gonna give the CIA and Gary Oldman a brain aneurysm before this day is over.  Will the lost memories of Ryan Reynolds be enough to save the world from Xavier Heimdahl?  Will Jericho get over his angst and brooding long enough to not let the world be destroyed?  Who thought this was going to work?  Like… at all?

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“Why am I here?  God damn it, is Iñárritu doing another Birdman movie?  We could call it Waterman!  That’ll work… right?”

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Cinema Dispatch: Batman v Superman: Dawn of Justice

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Batman v Superman: Dawn of Justice and all the images you see in this review are owned by Warner Bros Pictures

Directed by Zack Snyder

The day has finally come where DC and Warner Bros step up to the plate and take their best swing at catching up to Marvel before being left irrevocably behind the curve.  There is so much about this movie that could go right and can also go horribly wrong.  It’s the first movie that not only has Batman and Superman together, but is also the first appearance of Wonder Woman.  It’s taking a lot of inspiration from one of the most revered Batman stories of all time.  It’s setting up a DC universe that intends to rival that of Marvel Studios.  All of this CAN be great if they can pull it off, but the sheer magnitude of this release and the expectations from not only fans but the studio itself does not bode well for a director who is already hit or miss an on screen interpretation of Superman that has gotten heavily criticized.  Can they pull off the impossible as effortlessly as The Last Son of Krypton would, or is this going to be an atomic bomb of a mess that will shake Warner Bros to its very core?  Let’s find out!!

The movie begins at the end of Man of Steel, only now we’re following Bruce Wayne (Ben Affleck) as he tries to save people in the city of Metropolis while Zod (Michael Shannon) and Superman (Henry Cavill) are having their big smack down.  Needless to say that there’s not much he can do (especially outside of his Batman suit) and has to more or less sit there as the city falls apart around him due to these two men who have come from the sky and could crush all of humanity.  Cut to a year and a half later, and we see a world that is very much split on Superman.  Sometime between then and now there was apparently enough people who LIKED Superman to make him a memorial in the middle of Metropolis, but for the most part he’s being attacked on the news and constantly questioned about his true motivations.  One such Superman naysayer is Lex Luthor (Jessie Eisenberg) who is trying to manipulate the US military and members of Congress to give him access to all the resources they have on Krypton (mainly Zod’s ship and his lifeless corpse) as well as permission to import some Kryptonite that was found in India.  While Lex is working on that, he’s also working surreptitiously to undercut Superman’s acts of genuine good while laying traps and breadcrumbs for Batman (who I don’t believe he knows is actually Bruce Wayne) to become even more resolute that Superman has to be stopped before he becomes a true threat to humanity.  Along the way, we’ve got Lois Lane (Amy Adams) and Martha Kent (Diane Lane) keeping Superman’s spirits high while he grapples with a world that hates and fears him (Lois is also working on a story about clearing Superman’s associate with something bad that happened in Africa), and we also have Bruce’s faithful butler Alfred (Jeremy Irons) trying to steer him on the right path and away from Superman.  Still, the punch up is inevitable if the title is any indication, and the two of them have to hash out their differences before eventually working together to fight Doomsday alongside their new ally Wonder Woman (Gal Gadot).  Will they be able to stop Lex Luthor and his plans to… do bad things I guess?  Will the world FINALLY accept Superman after he fights ANOTHER city destroying bad guy?  Are they SERIOUSLY gonna try to launch an expansive DC film universe off of this movie?  Can we just get to Suicide Squad already?

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“What the fuck is going on!?”

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Cinema Dispatch: Triple 9

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Triple 9 and all the images you see in this review are owned by Open Road Films

Directed by John Hillcoat

I had not even heard of this movie until I saw a poster for it at the theater.  Hell, I don’t even think I saw a trailer for it before the movie came out!  That seems kind of odd considering some of the actors they have in here such as Chiwetel Ejiofor, Anthony Mackie, and Kate Winslet.  Then again, the movie also has Casey Affleck, Aaron Paul, and Clifton Collins Jr, so maybe it’s not so much an under the radar hit and more of a lower tier movie that happened to luck out in the casting department.  Still, with so little to go on as to what this movie was about, it definitely had the chance to surprise me and offer something unexpected.  Is this a hidden gem that got sprung on us just as we were leaving February, or is this the just one more subpar mess that we have to deal with before ending one of the worst months for movies?  Let’s find out!!

The movie follows way too many characters, but I’ll try to make it as clear as possible (definitely clearer than the movie makes it).  You’ve got the leader Michael (Chiwetel Ejifor), the fuck up Gabe (Aaron Paul), the fuck up’s brother Russell (Norman Reedus), the bad cop Marcus (Anthony Mackie) and the even worse cop Franco (Clifton Collins Jr) who make up a team of five criminals that pull of heists I guess.  In fact, the movie starts right as they begin their latest scheme which is to knock over a bank looking for something specific for their employers who I believe are Israeli mobsters led by Irina (Kate Winslet).  Now the Israeli mobsters need this crew to pull of another job, but the job is neigh impossible in the time they would normally have to do it (three minutes before the cops come).  Their plan is to cause a Triple 9 which is the nickname for killing a cop (radio code 999) at which point all the police in the city (the ENTIRE city) will converge on that location, and it JUST SO HAPPENS that Marcus has a new partner in the form of Chris (Casey Affleck) who would be perfect to kill because… reasons.  Why would someone kill a cop that is so directly tied to them?  Anyway, what the bad guys here aren’t aware of (or aren’t all the concerned about) is Chris’s uncle Jeffrey (Woody Harrelson) who’s investigating the bank robbery and is starting to pick up some clues.  Not only that, but things begin to deteriorate between the bad guys and after something PARTICULARLY heinous happens to them, the fuck up starts to… well, fuck up.  There’s also a subplot about a Mexican gang causing trouble in the city, something about Chiwetel Ejiofor’s son, and then Gal Gadot shows up a couple times to remind us that she can act even if Batman v Superman turns out to be a giant bomb.  Can these guys pull off the heist without killing each other or getting themselves killed first?  Will Casey Affleck survive to the end of the movie?  Can someone get me flow chart for all this?  I’m already confused…

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“Can you get me the finger print analysis from that bank robbery?”     “um…”     “You’re gonna ask about the wolf mask, aren’t you?”     “What!?  No!”

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Cinema Dispatch: Trailer Talk (Batman v Superman and Suicide Squad)

Not long ago, we got trailers for the upcoming DC Comics films, namely Superman v Batman and Suicide Squad.  Needless to say that both of them have been HUGE presences in entertainment media since they’ve come out with everyone giving their two cents about the trailers and what their movies will ultimately be about, and not one to avoid jumping on the bandwagon, I’ve decided to use my little platform to give you my thoughts on them as well.  Do they inspire confidence in DC’s unique direction to take their superhero films, or are they the further indication that they have no idea what the hell they’re doing over there other than desperately try to scramble together a cinematic universe after Marvel did it so effortlessly?  Let’s find out!!

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Batman v Superman

The trailer begins with what appears to be some sort of senate hear4ing where Superman is being brought before them to explain his actions in the previous film.  We also get to see that Bruce Wayne was in Metropolis at the time of Zod’s attack and saw the destruction that these super humans can dish out.  From there we get to see as things escalate between the two with Batman coming out of retirement (I think) to get ready to fight Superman, while Clark Kent is still trying to figure out what his purpose on this planet is (I think).  If you’re wondering why I’m so uncertain about those things, it’s because the trailer does a pretty poor job conveying where in Batman’s history we are and giving us ANY reason to even give even the TINIEST of shits about Superman or understand him in any way.

“A LOT of bad shit went down when you dragged that alien through Metroplis, right?”     “…”     “I mean, I’m SURE you did the best you could, but there was quite a bit of damage in the process, right?”     “…meh.”     “Okay, fuck this.  GUILTY!!”
“A LOT of bad shit went down when you dragged that alien through Metroplis, right?”     “…”     “I mean, I’m SURE you did the best you could, but there was quite a bit of damage in the process, right?”     “…meh.”     “Okay, fuck this.  GUILTY!!”

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