Cinema Dispatch: Nosferatu

Nosferatu and all the images you see in this review are owned by Focus Features

Directed by Robert Eggers

Robert Eggers has been one of my favorite filmmakers to keep an eye on in recent years with The Witch and The Lighthouse being two of the best films in the last decade, and while The Northman wasn’t everything I had hoped it would be, a remake of Nosferatu seemed like the perfect pairing with such a brilliant filmmaker. The original Nosferatu is one of the first great horror movies in cinema and began a long tradition of filmmakers making knockoffs of popular works to avoid copyright laws, and it was even followed by a remake in 1979 that is somehow even better than the original which leaves Eggers with some sizable shoes to fill even for someone as talented as him. Will this latest attempt to reimaging the terror of Count Orlok prove to be the best one yet, or does the shadow loom too large for any modern filmmaker to get out from under? Let’s find out!!

Thomas and Ellen Hutter (Nicholas Hoult and Lily-Rose Depp) have only just been married, and yet news has come down from Thomas’s employer that he must go to Transylvania to meet with a very important client in the Carpathian Mountains. This Count Orlok or some such (Bill Skarsgård) is an odd fellow, but Thomas’s boss (Simon McBurney) assures him that a deal like this will make his career, and so he goes off to meet the man in the hopes of giving himself an Ellen a fine start on their life as husband and wife. With Ellen staying at their friends, The Hardings (Aaron Taylor-Johnson and Emma Courrin), Thomas makes the treacherous journey that leads him to a world far more sinister and terrifying than he could ever imagine. Of course, there is one person who did imagine it as Ellen has been struck with terrifying nightmares of a mysterious creature that will kill everyone around her, and when she starts to have fits in the middle of the night, The Hardings call in Doctor Sievers (Ralph Ineson) to diagnose the mysterious behavior, and when he is left baffled, he enlists the help of Professor Franz (Willem Dafoe) who seems to think that Ellen is right to be afraid of what is coming. What manner of creature does Thomas find at Orlok’s castle, and can he escape the horrors with his body and soul intact? Why does Ellen have this connected to the dark forces surrounding her home, and can this be used to find salvation from the encroaching darkness? Is it just me, or does this sound just as much like a soap opera as it does a horror film?

I felt the same way when they announced Death Stranding 2.
Continue reading “Cinema Dispatch: Nosferatu”

Cinema Dispatch: Hotel Transylvania 2

HTCD0

Hotel Transylvania 2 and all the images you see in this review are owned by Columbia Pictures

Directed by Genndy Tartakovsky

Does anyone else remember just how amazing it was that the first movie was in fact as good as it was?  The movie had been in production since 2006 and had five directors attached to it before finally settling on Genndy Tartakovsky who by all means is an accomplished animator but had never directed a feature film.  Not only that, but Adam Sandler was (and continues to be) a joke for a lot of people and his movie in the last decade or so have been absolutely abysmal.  Despite all that, Hotel Transylvania was not only good but one of the best animated films in a long time.  Now it’s time for Sony to start franchising this sucker with a sequel, but they seem to be doing it the right way by not only getting back the original director but the same writers as well.  Will this somehow manage to be one of the few animated sequels to be just as good if not better than the original, or will they throw out everything that was great about the first film just to milk a couple more dollars out of this series?  Let’s find out!!

After the events of the first movie, Mavis and Jonathan (Selena Gomez and Andy Samberg) start dating and eventually get married in the titular hotel.  Their whirlwind love affair eventually leads to her getting pregnant and giving birth to their son Dennis whom Dracula (Adam Sandler) starts to obsess over because now he has a new outlet for the overprotective behavior he struggled to overcome in the last film.  Unfortunately, like in the first movie, there comes a point where his paternal usefulness may be coming to an end with Mavis thinking that it may be too dangerous for them to stay at the hotel since young Dennis has yet to show any signs of being anything other than human, and in the Lore of this universe if he doesn’t show any signs by his fifth birthday (which is rapidly approaching), he’ll be a human forever.  Dracula, being the crafty bastard that is, enlists Jonathan’s help (who wants to stay at the hotel) to keep Mavis distracted while he and his friends try to force the vampirism into his grandson by taking him on the night of professional scaring.  I wouldn’t think that biology could be affected by cultural immersion but whatever.  So Jonathan and Mavis are off to visit his family in California for some marital R&R (and to see if the place would be a good fit for their family), while the old school monsters are trying their best to not only get this kid to grow his fangs but to recapture a bit of their youthful exuberance as they revisit their familiar haunts from when they were the scourge of humanity which may be a bit more difficult than they were expecting now the humans have learned about monsters and are (tentatively) accepting them.

Some seem to be adjusting better than others.
Some seem to be adjusting better than others.

Continue reading “Cinema Dispatch: Hotel Transylvania 2”