Cinema Dispatch: Moonfall

Moonfall and all the images you see in this review are owned by Lionsgate

Directed by Roland Emmerich

Roland Emmerich and I don’t always see eye to eye, but sometimes he can put together a decent enough spectacle to remind us of why he became such a big name in blockbuster cinema. Heck, I’m probably one of the few critics that thought Independence Day: Resurgence was pretty decent, so it shouldn’t take too much for me to give his latest movie a thumbs up; especially with such a brilliantly simple premise! The moon crashing into the Earth? It practically writes itself! Does Emmerich pull it off once again with this rather tenuous adaptation of Majora’s Mask, or will we be hoping for the moon to actually crash into us by the time this movie is over? Let’s find out!!

All the way back in the year 2011, a crew of astronauts was attacked by a mysterious space anomaly that led to one astronaut dying and the other two having to make a daring crash landing back on Earth. They manage to survive the incident, but one of them, Brian Harper (Patrick Wilson) ends up taking the fall for it as he insists that there was something out there that caused it and that it wasn’t just solar flares or orbital wobble. Fast forward ten years and the other astronaut, Jocinda Fowler (Halle Berry), managed to make her way to Deputy Director of NASA while Brian has snuggled into the role of a disgraced booze-hound who will surely be quick to sober as soon as everyone realizes he was right all along. Sure enough, the moon starts to fall out of orbit and it looks like this anomaly is responsible for it; not that NASA wants to admit it, but a conspiracy theorist KC Houseman (John Bradley) manages to get the word out and the world starts to panic over the fact that they’re about to find themselves between a literal rock and a hard place. With little time to put a plan together and even less time to pull it off, Jocinda calls in Brian who drags along KC to try and save the world from utter destruction. Oh, and other people are doing stuff here and there, mostly involving the families of our main characters, but they’re mostly on hand to look at all the stuff getting destroyed. Can our unlikely trio of scientists and pseudo-scientists fix the moon before it turns the Earth into a giant space donut? What is the nature of this anomaly that Brian saw, and are there forces working behind the scenes to stop our heroes from discovering the truth? I don’t know, if we can’t figure out how to stop Global Warming, what are the chances we can stop the moon from headbutting us?

“All that recycling and it turns out the moon was gonna kill us all along.” “I blame social media.”
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Cinema Dispatch: Ad Astra

ADASTRACD0

Ad Astra and all the images you see in this review are owned by 20th Century Fox and Walt Disney Studios Motion Pictures

Directed by James Gray

We already sent Matt Damon into space and couldn’t get rid of him, so I guess its Brad Pitt’s turn on the intergalactic chopping block.  Space movies, especially ones that try to reflect our current understanding of outer space and an approximation of our current technology have been a great way to explore our own humanity as well as the stars themselves with 2001: A Space Odyssey still being the gold standard that these kinds of films try to aspire to.  Does this newest sci-fi drama about Brad Pitt IN SPACE prove to be a worthy contemporary of the genre, or will the only favorable comparisons be to Plan 9 From Outer Space?  Let’s find out!!

Major Roy McBride (Brad Pitt) is an astronaut in the near future where that’s back to being a viable career and NASA has morphed into the SpaceCom which has put bases on the moon, on Mars, and they even sent a space ship out to Neptune to look for life beyond what they can see back on Earth.  That space ship was part of the “Lima Project” which was launched sixteen years ago with Roy’s dad Clifford (Tommy Lee Jones) and hasn’t been heard from in years and is presumed lost forever.  That is until weird electrical pulses start to reach Earth that knock out power in a lot of places and even causes a giant space antenna to come crashing down that Roy just so happened to be working on at the time, and SpaceCom thinks that it might be the… super science generator (something to do with dark matter maybe?) that they stuck on Clifford’s ship all those years ago.  On the off chance that this is the case, they want Roy to get his butt to Mars and use their super science broadcasting antenna (basically pirate radio IN SPACE) to get a message out to Neptune and hopefully to his dad.  Things get complicated right away however as there seems to be more going on than SpaceCom is telling him, and on top of that he’s got some unresolved issues with the old man, what with him leaving his family to never return, that may or may not complicate things even if they DO get a message to him.  Will Roy come to terms with the decisions his father made as well as finally get the closure he’s looking for?  What challenges will he face and what secrets will he uncover during the rather long voyage from Earth to Mars?  How do you pack for kind of trip anyway?  A lot of protein bars I guess?

ADASTRACD1
“Really wish we could find a Starbucks out here.”

Continue reading “Cinema Dispatch: Ad Astra”