The Fantastic Four: First Steps and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Matt Shakman
What is it about The Fantastic Four that has made it both enduring enough to now be on its second reboot, third if we count the Roger Corman film, and yet so difficult to get right, which, again, if we count the Roger Corman film, hasn’t had a good entry since 1994? I suppose the fact that they were the first superhero team from Marvel Comics gives them a certain gravitas, similar to how Superman is treated over at DC, so it’s rather fitting that both movies are coming out so close to each other with similar expectations behind them. Superman has certainly put Marvel in an interesting position with their one time collaborator James Gunn making a strong case for their side to take the Superhero movie crown, and on top of that, this is serving as the launching point for what will hopefully be a much more successful and confident phase of the two-decade old MCU. Will the fourth time be the charm for Jack Kirby and Stan Lee’s signature creation, or is this movie stretched far too thin for even Mr. Fantastic to hold it together? Let’s find out!!
You know them! You love them! They make the world a better place every day! Well, at least in their world, Earth-828, but regardless, the Fantastic Four are here to defend us all! Reed Richards, Sue Storm, Ben Grimm, and Johnny Storm (Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn) have certainly made the most of their celebrity status after gaining unique powers from cosmic rays, and things are only looking brighter when Sue learns that she is pregnant with Reed’s child. It’s too bad that all this good news is swiftly followed with a herald from the furthest stars of the galaxy (Julia Garner) proclaiming the incoming demise of this planet at the hand of Galactus (Ralph Ineson); a cosmic being that will surely grind these four heroes into one pile of super-dust. Clearly this problem is going to take more than just stretchy powers, invisible powers, fire powers, and rock powers, to overcome, but even putting their massive brains together may not be enough to stop the literal end of the world. With so much at stake and a baby on the way, can our foursome of fearsome scientists live up to the pedestal that the world has put them on? Does Galactus have more than just a thirst for destruction that is driving him to target this planet specifically? Maybe if the rock guy punches him really hard, it will be enough to destroy Galactus! Either that, or find a way to make him swallow the fire guy.
Thunderbolts* and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Jake Schreier
I’ll say this about the Marvel movies. The Superhero Fatigue that everyone brings up is definitely overblown, but there is something a little soulless about the assembly line nature of their productions, and if Phase 5 can be said to have any significant flaw, it really took the shine off of the artistic side of things, as no one seems to have been benefitting from their involvement in them. Perhaps this is why Sinners, which I will be reviewing very soon, has been such a breath of fresh air for critics and audiences alike who are looking for something beyond the movie itself to root for; a story to tell that isn’t just a giant corporation hiring good artists to make perfectly fine products over and over again. Still, it’s hard to argue that the system hasn’t been working just fine for Marvel, and while I don’t know who Jake Schreier is beyond the solid reputation of Robot & Frank, I’m always interested to see what a filmmaker like this can do on the Mouse House’s dime. Is this another great entry in the MCU’s already impressive catalog, or are they desperately scrapping the bottom of the barrel to keep this machine going? Let’s find out!!
It seems that Disney is not the only one who misses the halcyon days of the original Avengers as everyone in the MCU is desperately trying to make that lightning strike twice; none more so than Valentina Allegra de Fontaine (Julia Louis-Dreyfus) whose company OXE Group has been putting superhero rejects on their payroll and performing secret experiments too horrific to describe. With congress on her heels, no doubt encouraged by the junior congressman Bucky Barnes (Sebastian Stan), Valentina needs to wipe the slate clean by destroying all evidence and any witnesses to her crimes which include Black Widow’s sister Yelena Belova (Florence Pugh), US Agent John Walker (Wyatt Russell), Taskmaster (Olga Kurylenko), and Ghost (Hannah John-Kamen); all of whom have done wet work for her and are eminently disposable in her eyes. Things don’t go as planned, however, as these castoffs find just enough common ground to try and work together to stop Valentina and whatever sinister plot she has up her sleeves. What secrets is she so desperate to hide, and do they involve a mysterious guy named Bob (Lewis Pullman), whose presence is a mystery even to himself? What convinced these B-list superheroes to work for such an obvious jerk anyway, and could Yelena’s father The Red Guardian (David Harbour) show them the proper path to being true heroes? Is the whole Losers as Superheroes trope a bit played out at this point, or is it just a sign of the times that our generation relate to losers more than anyone else?
Captain America: Brave New World and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Julius Onah
Do you know what’s way more tiresome than another MCU movie? Hearing about how tired people are about there being another MCU movie. Marvel Fatigue jumped the shark a long time ago, and frankly, I see enough movies that there’s always a sizable buffer between each superhero outing so it never feels like the MCU is overstaying its welcome. Still, there have been some missteps in recent years after the one-two-three punch of COVID, the death of Chadwick Bosman, and Jonathan Majors being outed as a predator; all of which threw the entire Post-Endgame roadmap into chaos and left us for six years without a Captain America movie to kick-off Anthony Mackie’s run as the character. Is this a case of better late than never with Mackie proving himself to be just as big a star as Chris Evans, or have all the delays and shakeups at Marvel taken the shine off his coronation? Let’s find out!!
Things have changed quite a bit since The Avengers brought everyone back from The Snap; not the least of which being the election of Thaddeus Ross (Harrison Ford) as President of the United States. With a new Commander in Chief looking to write his name in the history books, he works towards a peace treaty that will allow all nations to mine the precious resources from that Celestial that almost destroyed the world back in The Eternals while also trying to convince Captain America Sam Wilson (Anthony Mackie) to start a new Avengers Initiative to fend off whatever threats are out there waiting to strike. Sadly, these plans are forced to take a back seat when Isaiah Bradley (Carl Lumbly) and several others attending a peace talk at the White House try to assassinate the president. Of course, nothing is as it seems, and Sam is not about to let the government throw his friend back in jail. With the help of the new Falcon Joaquin Torres (Danny Ramirez), the two set about to find out what caused those people to become would be assassins and if there is more to the plan than just the death of a President. Can Sam and Joaquin uncover the truth and save Ross’s plans for peace, or will all this chaos only beget more violence on the global stage? Is Ross being upfront with everything that he knows about this latest threat, or are there secrets so terrible that he would put the world at risk to protect them? I mean, I usually trust Harrison Ford no matter what, but still…
After taking a month off to recharge my batteries, which mostly involved playing retro games and reading Sonic the Hedgehog comics, I’m back just in time for a double feature of Dwayne Johnson vehicles with a number at the end of them! I’ve been a huge fan of Dwayneson The Rockson Johnson for many years, but his misguided attempts at joining the fledgling DCEU left him in perhaps the lowest point in his career since making The Tooth Fairy. Hopefully the fact that he not only still gets roles in big tent pole movies, but that studios are willing to put two of them up against each other at the same time bodes well for his future endeavors, and hopefully they are great movies as well. Let’s find out!!
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Moana 2
Moana 2 is owned by Walt Disney Studios Motion Pictures
Directed by David Derrick Jr, Jason Hand, and Dana Ledoux Miller
After saving her island and calming the seas, Moana (Auliʻi Cravalho) has spent the last few years exploring the various islands around her in hopes of finding more people to connect with. Evidence is rather scarce, however, and it seems that there’s another god throwing another tantrum that is causing the various peoples of the world to stay far apart, and Moana is once again called to adventure for the fate of the world. Maui (Dwayne Johnson) is sadly unable to join her on this quest as he’s stuck dealing with the demigod Matangi (Awhimai Fraser), so Moana puts together a crew of villagers (Hualālai Chung, Rose Matafeo, and David Fane) who she hopes are up to the task which only looks more daunting as the stakes get ever higher.
When I wrote my review of the first Moana, I lamented the fact that it was stuck being a simple movie and couldn’t expand into something broader in scope to make the most of its interesting mythology. Oh, how naïve I was back then. In so many ways, the first film was a product of an entirely different world and a media landscape that has been turned entirely on its head. In 2016, the idea of Disney putting this kind of budget and star power into a TV show was laughable. Nowadays, it’s almost quaint to see one of their biggest money-makers staying firmly in one space and not being spread across a dozen different projects, though I guess we’ll see if they get a guest spot in whatever Kingdom Hearts game Nomura is cooking up next. Still, this movie didn’t escape the New Disney Machine unscathed, and a lot of the charm of the first film is lost in an attempt to turn this into yet another franchise for the Mouse House. In that sense, it’s not just fighting one uphill battle; it’s fighting two at the same time, as it already has many of the obvious problems you run into while making a sequel while also shouldering the responsibility of being a lead in to more Moana content in the future. The end result is a movie that pantomimes the beats of the original film without any of its heart; so, much like Te Kā, it’s a shadow of its former self as it stumbles to find what’s gone missing. First and foremost are the character arcs, as we’ve already overcome all of Moana’s struggles. In the first film, her story was personal and relatable as she was in opposition to the rest of her culture’s values and had to struggle to find who she truly was while going on this journey; even failing at critical junctures due to shortcomings in her character. She grew over the course of that first movie, which was great, but now that we’re post-hero’s journey and the lack of any character development is the gaping black hole that sucks all the tension and drama out of this story. She’s on another epic quest, but it hardly feels like one because there’s no adversity. There are challenges, sure, but nothing that isn’t resolved by acrobatics and proper swimming technique, and without any moments of doubt, even when Moana fails at something, the conclusion feels almost inevitable. Perhaps a radically different quest for her to go on would have given her new depths to plumb, but instead we’re just going through the motions of the first one and what few things are new are, at best, a lateral move as they fail to elevate the material or drag this bore of a storyline out of the mud. She’s got a proper crew this time which would have been a refreshing change of pace from the first film, but they aren’t particularly interesting, and it also means that Maui gets less screen time, which is a shame as he is still the most fun character in this series. The songs sound okay, but they’re little more than echoes of the original film’s soundtrack and only add to the hollow feel of everything. The most interesting development in this movie is the introduction of other gods, as it’s a genuine elevation of the stakes, with Matangi being the standout of the entire movie. She has an interesting dynamic as her allegiances remain ambiguous throughout, and she has the only song on the soundtrack that doesn’t sound like a half-hearted rehash. Unfortunately, even this bright spot is marred by the film’s ultimate goal of being an advertisement for future installments, and so it fails to integrate naturally with the story they are trying to tell here. It’s disappointing how little of an identity this has given how much personality we got in the first film, and if you’re spending the entire running time begging me to stick around for the sequel, why am I even bothering with this one at all? Perhaps everything I have to complain about here is just an old man yelling at clouds and that the target audience will adore this much like they did the first one. I wouldn’t even call it a huge betrayal, as there’s just enough humor, action, and solid animation to keep you occupied the whole way through. For those reasons, I’m going to give it the most lukewarm of passes imaginable, but this franchise has spent all its goodwill on this mediocre outing and is gonna have to really step up its game for the next one if it wants to be more than just another bland franchise to add to the pile.
Deadpool & Wolverine and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Shawn Levy
Everyone’s sick of the MCU until they aren’t, and if the box office is anything to go by, then it looks like Marvel Fatigue has officially ended as this is making quite a pretty penny for Disney. Then again, both these characters were major stars well before Disney got a hold of them, so the success of this movie came as no surprise to anyone; even those who’ve declared the MCU to be over a dozen times already. Still, were they right to be skeptical about Deadpool entering the MCU, or does his third outing deliver on what makes this character great along with bringing in truckloads of cash? Let’s find out!!
It’s been six years since the last Deadpool movie, and it seems that Wade Wilson (Ryan Reynolds) has spent that time doing everything except being Deadpool. He’s got a new job, he’s broken up with Vanessa (Morena Baccarin), and he’s even moved in with his landlord (Leslie Uggams) who’s still doing a lot of drugs while Wade has gone straight-edge. This odd change in the status quo hasn’t gone over his friends’ heads, but before they can really confront him about it at his birthday party, he gets kidnapped by none other than the Time Variance Authority (TVA) who believe him to be a valuable asset and want to move him to a different universe before his own gets destroyed. Not exactly a great birthday present if you ask me, and Wade seems to agree as he runs off and recruits a Wolverine from another universe (Hugh Jackman) to help him fix whatever has gone so disastrously wrong and save all his friends in the process. Can the sullen and taciturn guy with the claws help Deadpool save the world, especially when he’s so thoroughly irritated by Deadpool’s jokes and goofy attitude? What led to Deadpool putting up the tights for so long, and can he find a way to fix himself as well as the universe he calls home? Seriously, do these two actually hate each other, or is this just some elaborate form of foreplay?
Indiana Jones and the Dial of Destiny and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by James Mangold
I’ve actually gone back and rewatched the Indiana Jones trilogy recently, and for the most part, they still hold up pretty well. Not so much Temple of Doom, but even that one has some charm to it and the big action packed finale is a sight to behold. There’s just something unique about them that has kept the series relevant after all these years and sadly could not be recaptured with the fourth movie which at the time felt a bookend for the series. Now we’re back with one more adventure starring the even more aged Indiana Jones and without Spielberg or Lucas behind the camera. Does this change in direction bode well for Indy’s final adventure, or will this just feel hollow and cheap without the original creators who couldn’t even make it work again back in 2008? Let’s find out!!
The year is 1969 and Indiana Jones (Harrison Ford) is now just crotchety old Dr. Jones teaching college classes that no one cares about when he’s not sleeping in his old man armchair. Needless to say that the glory days have long been over with a few personal tragedies peppered throughout for good measure, but all of that is about to change as the daughter of an old friend shows up and asks him about an ancient artifact. Her name is Helena (Phoebe Waller-Bridge) and she’s looking for a mysterious dial that her father was obsessed with and that Indy took off a Nazi researcher back during the war. Said researcher, Jürgen Voller (Mads Mikkelsen), is also after the dial which holds some mysterious power and when he sends his goons to take the piece of it that is at the university, Indy finds himself whisked away on one last adventure to settle an old score, solve a mystery from his past, and save the day once again! Can Dr. Jones summon the courage and dust off the cobwebs to become Indy once again? Why did Helena show up after all this time, and what are her plans for the Dial once they find all the pieces? Seriously, is he wearing a fedora in 1969? That’s somehow more disconcerting than the guy running around with a bullwhip.
Guardians of the Galaxy Vol. 3 and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by James Gunn
It shouldn’t have taken us this long to get here as the last Guardians movie came out in 2017, but with James Gunn’s erroneous firing and the subsequent pandemic (one that’s still going on by the way), we’re rather lucky to have gotten this film at all. Oh sure, we would have gotten some sort of Guardians movie either way as Disney has invested a lot in this franchise, but to have everything fall back into place after all the shakeups seems almost too good to be true. With such a big story behind the camera, however, it does put added pressure on James Gunn and crew to deliver a proper capstone to this series which is easier said than done. Can they give us one last fantastic ride with the beloved Guardians, or was all the drama behind the scenes ultimately for a mediocre conclusion? Let’s find out!!
A lot has happened since Thanos snapped have the world and The Avengers snapped them all back, but The Guardians of the Galaxy are trucking along as best they can. Their new base of operations is thriving with a community of what I can only assume are outcasts and bounty hunters, and they’ve had at least one confirmed concert by Kevin Bacon. Still, Peter “Star Lord” Quill (Chris Pratt) is still struggling after the loss and confusing return of Gamora (Zoe Saldaña), and the rest of the Guardians have to pick up the slack with Rocket (Bradley Cooper) taking charge. Not exactly a perfect situation but one that they are dealing with, at least until Adam Warlock (Will Poulter) bursts in, kicks everyone’s butt, and nearly kills Rocket before getting booted back into outer space. With Rocket in critical condition, Peter along with Nebula, Mantis, Drax, and Groot (Karen Gillan, Pom Klementieff, Dave Bautista, and Vin Diesel) have to uncover Rocket’s past and his unique biology if they have any hopes of healing him, and in order to do this they will need the help of the Ravagers who have recruited Gamora in the time since she arrived to this dimension during the events of Endgame. It won’t be easy however as Rocket’s creator, The High Evolutionary (Chukwudi Iwuji), gets wind that Rocket has been found and is hell-bent on taking what he believes to be his and will destroy anything in his path to get it. Can the Guardians outwit this evil scientist and work together as a team, even with the awkwardness between Peter and Gamora? What role did the High Evolutionary play in Rocket’s past, and what could that mean for this final adventure? Oh hey, is it finally a Guardians movie that doesn’t focus on Peter? Sounds like a nice change of pace to me!
Ant-Man and the Wasp: Quantumania and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Peyton Reed
Hey, it may take me a minute but I usually get around to what I say I’m gonna do, and in this case, that’s reviewing the latest Marvel movie which, if I wait much longer, won’t be the latest Marvel movie. Now I’ve always had a soft spot for the Ant-Man films which have intentionally scaled things down to a more human level which has given us some of the best characters in the Marvel canon. This latest film however seems to be more than just another wacky heist adventure and is serving as the stepping stone for what will be the main thrust of the MCU narrative going into Phase Five which seems like an odd choice for such a breezy series. Do the wider scope and heavier conflicts elevate the series to a new level of greatness, or have we lost something while paving the way to the next Avengers film? Let’s find out!!
Scott Lang (Paul Rudd) has it pretty good, all things considered! He’s the most recognizable Avenger that’s both not dead and not emotionally crushed by the events of Endgame, he’s got a book coming out that’s getting all sorts of attention, and he even has a loving family to go home to each night; his wife Hope (Evangeline Lilly), his daughter Cassie (Kathryn Newton), and even his in-laws Hank and Janet (Michael Douglas and Michelle Pfeiffer). Okay, so they seem to be working on their own thing and Scott is feeling more and more distant from them, especially since Cassie spent the Snap becoming a science genius and is not as entertained by up-close magic as she used to be, but that’s all small stuff which Scott isn’t about to sweat over! That is until one of Cassie’s experiments with the Quantum Realm ends up sucking the whole family down to a hereto unknown world of infinite possibilities at a microscopic scale and they all have to find a way back out. This isn’t as easy as it would seem however as the Quantum Realm is no longer just a vaguely defined world of microbes and far-out imagery; it’s a thriving society full of itty-bitty people and creatures who are all under the authoritarian thumb of Kang the Conqueror (Jonathan Majors) and the appearance of the Ant-Family along with their powerful Pym Particle technology may be just what he needs to expand his kingdom. Will our heroes be able to escape from the clutches of Kang’s army, including his top warrior MODOK, without giving Kang the tools he needs to escape? With Janet having spent so much time in the Quantum Realm before being rescued in the last movie, is it possible she knows more about what’s going on here than she’s been letting on? Seriously, I know he’s actually a hero at heart and can prove himself in dire circumstances, but what exactly is Ant-Man gonna do to a guy who calls himself The Conqueror? Get really small and pull his nose hairs!?
Thor: Love and Thunder and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Taika Waititi
Much like Thor himself, I find myself in something of a slump recently with a few different roads to get out of it. I won’t go into details, but I’m definitely taking a few steps in some sort of direction and we’ll see how things shake out in the next few weeks. For now though, I’m working on these reviews on my schedule and no one else’s which means that unfortunately, this is coming out long after everyone else has said their piece on it. Still, no harm in throwing my opinion out into the void and seeing if the void spews anything back up! Does this latest entry in the Marvel Forever-verse shock a few more minutes of life into the franchise, or will this be just fine and watchable to the consternation of those who are waiting for a big enough disaster to finally topple Disney’s firm grip on the genre? Let’s find out!!
With everything that happened in that whole Thanos kerfuffle, which included the death of his brother and the near extinction of the Asgardians, Thor (Chris Hemsworth) really needed a break to try and figure things out. To that end, he’s been bumming around with the Guardians of the Galaxy, as well as his friend Korg (Taika Waititi), until they run out of Big Lebowski jokes and convince him to go on some wild goose chase for some sort of God Butcher in a bid to get away from his mopey Asgardian butt. Turns out the threat is real, however, as a humble alien named Gorr (Christian Bale) loses his faith in the Gods and is rewarded with the Necrosword; a weapon so dark and powerful that it can kill these selfish Gods while slowly draining him of his life and seemingly his sanity. Well, we’ve got a new Marvel villain to dispatch of which can only mean it’s time for another team-up, and since the Guardians of the Galaxy aren’t returning his calls he returns to the last Asgardian colony on Earth to see if a few warriors are still bumming around. Turns out that Thor’s hammer has been restored and there’s a new Thor in the form of Jane Foster (Natalie Portman) who is called Mighty Thor to distinguish from the guy whose name is Thor but lost the title of Thor some time ago… or something like that. Needless to say, there are some mixed feelings there as their relationship didn’t end on the best of terms, but they need to work together, along with Korg and King Valkyrie (Tessa Thompson) to stop Gorr who, in classic villain fashion, has stolen a bunch of Asgardian children for seemingly no reason other than spite. Can Thor and Mighty Thor set aside their past difference and come together to stop this threat to the universe? What are the rest of the Gods doing while Gorr is carving his way through their ranks, and what is Gorr truly hoping to accomplish by stringing the two Thors along on this rescue mission? Seriously, are Jane and Thor gonna talk or will they just keep things awkward for the whole trip?
So how’s everyone else enjoying their Spring? Lots of sunshine and pretty flowers? Well for me it’s been nonstop rain, a tornado warning, and a broken toilet that cost a bunch of money to fix, so things have been just a tiny bit hectic over here. That’s certainly a reason why my movie reviews have been a little late recently, but thanks to streaming services and studios becoming less confident about their theatrical releases, it’s now easier than ever to catch up on stuff in a timely fashion! To wit, I have three movie reviews for your enjoyment and to hopefully distract from the fact that I haven’t seen the new Top Gun movie yet!
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Chip ‘n Dale: Rescue Rangers
Chip ‘n Dale: Rescue Rangers is owned by Walt Disney Pictures
Directed by Akiva Schaffer
The former stars of the nineties animated show Chip ‘n’ Dale Rescue Rangers have gone through a lot since its cancellation all those years ago with Chip (John Mulaney) selling out and going corporate while Dale (Andy Samberg) trying to make it work all these years later; banking on the nostalgia adults have for his glory days and selling signed photos at conventions to keep himself afloat. To make matters worse, they ended the show on pretty bad terms so they’ve hardly spoken to each other since then, but fate brings them back together as one of the cast members of that show Monterey Jack (Eric Bana) is in deep with the cartoon mafia and gets kidnapped right after calling both of them for help. With their friend’s life in the balance, Chip & Dale must put aside their differences and work together to scourge the LA Underworld (or at least the nostalgic cartoon version of it) to save their friend and perhaps even come back together after being apart for so long.
I’m either gonna be too harsh on this movie because I’m a giant sourpuss or I’m gonna be too nice to this for fear of looking like a giant sourpuss. It occupies a very strange place for me as I do genuinely enjoy a lot about this movie, but I still can’t quite get behind it for reasons that… well probably make me look like a giant sourpuss. Before we get into that, let me just say that I got a decent amount of laughs in this and I was genuinely tickled by a lot of the imagination on display. There are some deep-cut references that certainly appealed to me, and concepts like the putty captain and the puppet chef were well-realized and fun to watch on screen. Heck, I’d go so far as to say that the inclusion of Ugly Sonic has me convinced that he should get his own spin-off series because they were just that funny! It’s almost like the nineties kids finally got the Roger Rabbit sequel we always wanted to see as the movie’s use of nostalgia, however cynical it may be, is at least cleverly realized with some very funny premises throughout. I love the idea of turning the objects of nostalgia that are the lifeblood of the convention scene and making them the literal guests trying to make a few bucks at rickety card tables with tri-fold boards of merch. It’s clear that the creative behind this are of my particular generation, both with the nostalgia for all this nineties crap and the subsequent decades of nostalgia baiting entertainment, so it gets more than a few points for some level of authenticity even if the movie leans far too heavily on it which I guess brings us to what’s wrong with the movie. The thing is that you can only rely on sight gags and nostalgia for so long before the movie has to start standing on its story and this is where the movie just doesn’t work for me. I didn’t find Chip or Dale particularly endearing as characters, nor did I find the plot all that interesting with the mystery being pretty threadbare. Now I could avoid being a giant sourpuss here and chalk this up to being a kid’s movie where a swift pace and lighthearted tone can carry an otherwise simplistic storyline, but I feel the age and density of so many of the references means that it’s aiming a bit higher than it wants to admit. Do kids even know who the Rescue Rangers are? Heck, are kids gonna get any of the Disney Afternoon jokes in here; let alone the references to more adult-oriented stuff like South Park or the general concept of bootleg movies? It’s a movie that clearly wants to have its cake and eat it; setting its targets squarely on a Millennial audience while hiding behind the Gen Z for its immature and simplistic storytelling. Perhaps it splits the difference evenly enough that both groups will get at least something out of this and I can’t deny the moments I enjoyed throughout, so it gets a little bit of a pass from me but this trick isn’t gonna work indefinitely. Millennials will get sick of 90s-stalgia just as everyone got sick of 80s-stalgia about a decade ago, and what is that gonna leave us with? 2000s-stalgia? I mean it’d be nice if I got my Megas XLR reboot, but still…
The Reviewers Unite 