Da 5 Bloods and all the images you see in this review are owned by Netflix
Directed by Spike Lee
It’s not often that a film gets released at the EXACT moment it should be, but leave it to Spike Lee to make a movie worth talking about at a time when its message couldn’t be more relevant. I’ve certainly liked more of Spike Lee’s movie’s than I haven’t with Chi-Raq being a downright masterpiece and it’s like movie studios are giving us anything else worth watching at this period of time (including Disney who thought putting Artemis Fowl on Disney+ was a better idea than just chucking it in a garbage can), so consider me pumped to see something important instead of just spending another evening watching reruns and staring at the ceiling! Is Spike Lee’s timely examination of Black people’s relationship to the Vietnam War and by extension the systems created it which are still in place to this day, or is Lee like the rest of us and finds himself missing a step in these unusual times? Let’s find out!!
Nearly fifty years after their tour in Vietnam, the remaining members of The Bloods return to Vietnam to reconnect, remember the good times, and find their fallen comrade Stormin’ Norman (Chadwick Boseman) who died during the war and whose body is still out there. Our surviving members are Paul, Otis, Eddie, and Melvin (Delroy Lindo, Clarke Peters, Norm Lewis, and Isiah Whitlock Jr) as well as an unexpected fifth member David (Jonathan Majors) who’s the son of Paul and wants to keep an eye on him during this trip. Now that’s all MOSTLY true, but there are some details missing such as the fact that The Bloods buried a whole bunch of gold back then and are out here to find it along with Stormin’ Norman to secure their retirements, though saying that to the US government who’s gold it is they’re digging up (it was supposed to be delivered to the Vietnamese government that was declared a loss after the plane crashed), so they omitted that part when they appealed to both countries’ governments to explore the area. And so the journey begins, with our heroes telling stories of their time in the war, confronting the demons of their past, and hopefully leaving the country far richer than they entered it. Will The Bloods find what they are looking for in this country they left long ago, and will it be what they came to find in the first place? What hardships will they face along the way, and will their struggles ultimately be in vain? How the heck is it that the ONE dude to die in the war was Black Panther!? Isn’t he bulletproof!?
“Did you find any vibranium yet?” “That joke wasn’t funny the first time you made it, and it sure as heck isn’t funny the FIFTIETH time you made!!”
Three Billboards Outside Ebbing, Missouri and all the images you see in this review are owned by Fox Searchlight Pictures
Directed by Martin McDonagh
To tell you the truth, I never really liked In Bruges. It was fine I guess, but I never found it all that compelling and the ending is just a contrived mess that’s about as bad as sixty percent of the twists Shyamalan has come up with. And yet, there are a lot of people out there that like that movie as well as McDonagh’s other work, so naturally the buzz around this film was huge right off the bat which only grew once the trailers started coming out and we got to see some of Frances McDormand’s acting. At the very least, it manages to grab your attention with its unorthodox title (A COMMA!?) and even more unorthodox premise that will hopefully take advantage of the ideas that seem baked right into this material. Does this manage to live up to the hype that its beloved director and solid marketing campaign has built up for it, or will this end up a huge stumble for everyone involved? Let’s find out!!
The movie begins with Mildred Hayes (Frances McDormand) driving down the same road she’s driven down for years and years; heading home after a long day at work and trying hard to deal with the grief over her daughter’s death. Not just any death too! She was raped, murdered, and burnt to a crisp, so forgetting about that is proving to be a bit difficult, especially since the cops never found the guy who did it. That’s when Mildred comes up with an idea. On this road she’s traveled many times before are three billboards that no one has used in decades, so she decides to purchase the ad space and put up signs reminding the denizens of this small town that the police still haven’t caught the murderer. Now obviously this ruffles some feathers down at the station, particularly Officer Dixon (Sam Rockwell) who’s about as dumb and racist of a cop that you’d expect from a story like this and to a much lesser extent Sherriff Willoughby (Woody Harrelson) who’s leading the stalled investigation and is the primary target of Mildred’s ire. Things begin to get much more heated around town as several people begin to question (and stupidly try to attack) Mildred and her decision to put this spotlight on something that everyone would rather not think about and leave up to the cops. Mildred is having NONE of this and starts kicking ass and taking names at everyone who looks at her sideways which only escalates tensions further in this ticking time bomb of a standoff with her on one side and the rest of the world on the other. Will Mildred finally get justice for the death of her daughter whose killer roams free while the police do nothing? Just how far will Mildred go in order to get what she wants, and will she lose touch between what can and cannot be justified in her righteous quest? Just how much saltier will Frances McDormand get in this role before she wins that Oscar gold!?
“I’d like to tell the Academy that they can kindly fuck off and die, even if I win for Best Performance by an Actress in a Leading Role. No wait, ESPECIALLY if I win for Best Performance by an Actress in a Leading Role.”