Cinema Dispatch: The Northman

The Northman and all the images you see in this review are owned by Focus Features

Directed by Robert Eggers

So not only did The Daniels make one of the best movies I’ve seen in a long time, we got a movie from Robert Eggers just a few weeks after! Either someone out there likes me or I’m being set up for a huge downfall, which admittedly is thematically consistent with Eggers’ other work. Both The Witch and The Lighthouse were two of the best movies in their respective years and it looks like Hollywood is taking notice as they’ve given him a blank check to make his unique form of creeping dread and otherworldly terror as big and bombastic as any summer blockbuster! Do the bigger budget and expansive production give Eggers the room he needs to make the best movie of his career, or is he better suited for something on a much smaller scale? Let’s find out!!

Back in the time of The Vikings, there was a king named Aurvandill (Ethan Hawke) who was unjustly slain by his own brother (Claes Bang) in front of the young prince Amleth (Oscar Novak) in a power grab for his kingdom and his queen (Nicole Kidman). The prince manages to escape and swears vengeance on his uncle which he nurtures into a finely distilled ball of pure rage and spends the next twenty years bulking up and kicking butt until he is ready to take back his kingdom. Now a grown man (Alexander Skarsgård), Amleth pillages the countryside with a group of like-minded and similarly buff Viking dudes until he gets word that his uncle has been deposed and is living with the queen and their two sons on some farm in Iceland. He heads over there on a slave ship to try and get close to him while meeting the fair maiden Olga (Anya Taylor-Joy) who may or may not be a witch, and is similarly interesting in killing the man who will be enslaving them both. Amleth manages to stay unrecognized as he becomes one of his uncle’s slaves and plots his revenge which includes sewing chaos during the night and stabbing dudes with a magic sword he finds. Still, this proves to not be as simple a task as Amleth believed it to be for all those years, and now he’s faced with the true consequences of his actions which forces him to weigh the cost of his vengeance against the balance he hopes to restore with that blood. Will Amleth be able to avenge his father, save his mother, and be the hero that would make Odin proud? Will his uncle catch wise to this hulking blonde brute being the instrument of his torment, and even if he does realize his identity, is there anything he can do to stop his nephew from carrying out his quest? Is it just me or does a blood feud really do wonders for your physique? I mean jeez, they didn’t even have EMS back!

[THENORTHMANCD1 – I guess when you can’t get whey protein in a jar you just have to get it the old-fashioned way by drinking the blood of your enemies!]

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Cinema Dispatch: The Girl in the Spider’s Web

TGITSWCD0

The Girl in the Spider’s Web and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Fede Álvarez

A bit of context is perhaps in order before we get started.  I haven’t seen the Fincher film or the Swedish films, but I have read the first book and got a bit through the second one and enjoyed them both.  I don’t actually KNOW if this is based on one of the books or the post-humus stuff that Stieg Larsson had written down somewhere (probably could have looked that up before going to see this) and where exactly this is supposed to “exist” as far as some sort of continuity, so the phrase of the day is CAUTIOUSLY OPTIMISTIC.  I do think that Lisbeth Salander is an interesting character and the idea of making more or less standalone movies with her is a solid idea.  However, this still seems like a pretty big gamble across the board, what with David Fincher no longer being involved, this more or less being the third iteration of the franchise in a decade, and frankly I don’t know if anyone is really still talking about Stieg Larsson’s books anymore to warrant another film about this character.  However, all that is kind of outside my wheelhouse as a critic since I’m here to tell you if the movie is good and not how much money it’s gonna make.  What’s REALLY important is if this version of the movie (with a heavily slashed budget) can capture what made these books and this character so compelling in the first place, or if this is just a brazen attempt to squeeze a few more bucks out of an obviously dead horse.  Let’s find out!!

Lisbeth Salander (Claire Foy) is a computer hacker in Sweden who’s gone through some TERRIBLE abuse in her life that may or may not have been covered in the books (it at least takes place after the first one but I have no idea if it incorporates the other two), but there’s really no need to go into it in detail.  She’s a vigilante hacker, she helped the reporter Mikael Blomkvist (Sverrir Gudnason) solve at least one mystery in the recent past, and she occasionally takes on jobs that pique her interest.  One such job comes to her from SUPER COMPUTER PROGRAMMER Frans Balder (Stephen Merchant) who worked for the NSA and begs her to steal a program he wrote for them which would allow the user to more or less take control of all the world’s satellites and therefore take control of all the nukes… I think.  I mean it sure SOUNDS scary enough, so Lisbeth agrees to steal it and manages to do so with very little effort and at the consternation of Frans’s successor at the NSA Edwin Needham (LaKeith Stanfield) who travels to Sweden to try and get it back.  He’s not the only one after the program however because very soon after she steals it her SUPER HACKER WAREHOUSE is attacked by dudes in masks who work for a very illusive crime organization that may or may not have some connection to Lisbeth’s past.  With total nuclear annihilation now on the table, Lisbeth is adamant to get the program back which involves finding where Frans and his young son August (Christopher Convery) have run off to in the ensuing chaos, avoid the attention of Swedish Secret Service agent Gabriella Grane (Synnøve Macody Lund), and get Mikael involved once again to see if his SUPER JOURNALISM SKILLS can make sense of all this.  Will Lisbeth Salander save the world from nuclear devastation and stop whatever EVIL organization has their eyes set on using it?  Can she protect everyone she cares about from whatever is that seems to be targeting her, or will she lose whatever few connections she still has left to the rest of the world?  How does she manage to look so bad ass even with that Moe Howard haircut!?

TGITSWCD1
“Why I oughta!”

Continue reading “Cinema Dispatch: The Girl in the Spider’s Web”