Dunkirk and all the images you see in this review are owned by Warner Bros
Directed by Christopher Nolan
I never got around to seeing Interstellar despite having the blu ray somewhere around here, so my last Christopher Nolan film was The Dark Knight Rises (a film that I’m not particularly fond off) which came even longer ago than Green Lantern. We’ve had an entire DCCU build up in the dude’s wake since I’ve last seen one his movies, and he’s coming back to theaters with the most classic of prestige genres; the World War II epic! Hey, it worked for Spielberg! Twice in fact! Even if I wasn’t a huge fan of his last Batman movie (and from what I hear, most people were rather put off by Interstellar), I’m still glad to see this guy continue to make films, and while it’s a bit of cliché now for RESPECTABLE film makers to make a film about how much Nazis suck, I’m sure the guy is more than capable of putting his own spin on it that will make the movie a standout of the year! Does Nolan return with a decisive victory, or is this a tortuous war of attrition? Let’s find out!!
So the movie is about the Dunkirk Evacuation where a whole bunch of Allied soldiers were trying to escape from France as it was slowly being overtaken by the Nazis. Their only hope is to get a whole bunch of boats to France, load them all up, and ferry them across the English Channel to safety, but of course it’s not as easy as that considering how many submarines and airplanes the Nazis have in the area. Things get so desperate that Churchill eventually calls for English citizens with boats to become volunteers and try to make the dangerous trek across the Channel to pick up however many soldiers they can carry; hoping the Nazis will ignore them for being civilian ships. In the movie, we’ve got Tommy (Fionn Whitehead) on the beach with everyone else waiting for the boats, Mr Dawson (Mark Rylance) as one of the boaters taking his yacht along with his son and a local boy (Tom Glynn-Carney and Barry Keoghan) to help the war effort, and a Royal Air Force pilot (Tom Hardy) doing what he can to keep the skies clear despite being rather low on fuel. Will our heroes manage to make it out of this evacuation alive? Does Christopher Nolan manage to capture the magnitude of this historical event through his spectacular technical chops? If they needed a ride so badly, why didn’t they just call Uber!? Wait, do they have Uber for boats yet?
“Does anybody know any good knock-knock jokes?” “Knock Knock.” “Who’s there?” “Shut up.”
Free Fire and all the images you see in this review are owned by StudioCanal UK
Directed by Ben Wheatley
I honestly don’t get excited to see movies all that often. For one, I’m gonna see the damn movies whether or not they’re any good, and on top of that the only movies that seem to get a big marketing push nowadays are big franchise pictures like the MCU, the DCCU, and even The Fast and the Furious. This movie however was the exception to that rule as I caught the trailer a few times and fell in love with the concept right away. A real time gun fight set in the seventies with Sharlto Freaking Copley in it!? Damn! That’s almost too good to even show up in my local theater, which… spoiler alert: it didn’t and I had to drive to the one forty minutes away. See, while everyone was gushing over The Nice Guys last year, it just didn’t quite do it for me as much as it did for everyone else, and this seems like the kind of thing that was not only going for that kind of look and feel but was much more in my wheelhouse as far as the overall tone and the central conceit. Needless to say that this has been a long day coming and I’m hoping for the best while bracing myself for… well not the WORST as the trailers showed way too much promise for THAT to be the case, but at the very least I hope it’s better than mediocre. Does this manage to live up to my rarely lifted expectations, or am I doomed to be disappointed by a film that showed a whole lot of promise? Let’s find out!!
The movie begins with essentially two groups of colorful people in the gaudiest seventies fashion meeting in a warehouse to broker a gun deal. One side is led by Chris (Cillian Murphy) and a few Irish gangsters (Michael Smiley, Sam Riley, and Enzo Cilenti) while the other side is led by Vernon (Sharlto Copley) and his associates (Babou Ceesay, Jack Reynor, and Noah Taylor). In the middle are Justine and Ord (Brie Larson and Armie Hammer) who seem to have brokered the deal between the two sides and therefore probably have the most investment in everything going smoothly. Of course, we wouldn’t have a movie if everything was hunky dory, and eventually bullets start flying after a few altercations and outburst from some of the less professional individuals on each side. That’s it. The rest of the movie is watching to see who gets killed next as they trade bullets and yell insults at each other for the next eighty minutes, and it’s pretty damn awesome! Does anyone manage to make it out of this factory alive? Was there a more sinister plot in play than anyone on either side realized before they started shooting at each other? Can we please get Sharlto Copley a Marvel movie or something!? He’s like the new Nicolas Cage and I want to see him in everything!!
“If you see some motherfucking producer carrying a script around for another Wicker Man remake, you blow his bloody head up!”