Cinema Dispatch: Kraven the Hunter

Kraven the Hunter and all the images you see in this review are owned by Sony Pictures Releasing

Directed by JC Chandor

The Sony Spider-Verse has been a joke since its inception; arguably even before that, as people were groaning at the end of The Amazing Spider-Man 2 which teased a cavalcade of Spider-Foes for future installments. You could argue that it hasn’t been a disaster for Sony’s bottom line the Venom movies were reliably bankable, but aside from the goofy fun of seeing Tom Hardy arguing with himself, there just wasn’t anything to make this feel like more than a cash-in on a brand they had a tenuous grasp on in the first place. With all of that, it comes as no surprise to find this latest entry going over like a lead balloon, especially with Sony cutting its legs out from under it by announcing the end of its Spider-Verse right before it could hit theaters. Still, is this a case of everyone’s frustration with the Spider-Verse spilling over onto a perfectly alright movie, or is this the perfect capstone to such a cavalcade of cinematic failure? Let’s find out!!

In the heart of Siberia, there lives a man whose day job is hitman extraordinaire and fights for the animals of the world in his free time. He goes by Kraven (Aaron Taylor-Johnson), but his true name is Sergei, and he’s the son of an infamous Russian mobster (Russell Crowe) who is starting to lose his grip on power as new players are making moves on his territory. One such competitor is Aleksei Sytsevich (Alessandro Nivola) who takes the bold step of kidnapping Sergei’s brother Dmitri (Fred Hechinger) in an attempt to draw out the infamous assassin while also staking a claim as the head honcho of the underworld. With the help of Calypso (Ariana DeBose) whose family’s secret recipe for super solider serum turned Sergei into Kraven many years ago, Sergei must race against the clock to do what he does best; hunt those who deserve to be hunted. Can Sergei find his brother before he becomes the latest victim of this never ending crime war? What tricks does Aleksei have up his sleeve to deal with the mighty hunter, who is the only one that could threaten to his operation? See, I always saw Kraven as the guy who just wants to mount Spider-Man’s head to his wall, but I guess we’ve all got a little family drama in our backstory.

“I FIGHT WITH THE POWER OF A HUNDRED TIGERS AND THE RAGE OF A THOUSAND SUBURBAN WHITE BOYS WHO HATE THEIR DAD!!”
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Cinema Dispatch: It Comes at Night

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It Comes at Night and all the images you see in this review are owned by A24

Directed by Trey Edward Shults

I have to see movies ALL the time which means I see a lot of trailers over and over again, and while it doesn’t really affect my opinion of a film once I see it, it does make the movie going experience a bit more tiresome.  That’s why I love it when there’s a trailer that genuinely intrigues me and does something different from everything else I have to sit through when waiting for the movie to start.  That was the case with this film which was very minimal in its approach and yet EXTREMELY effective as it was mostly a long slow shot as we got closer and closer to a red door.  WHAT’S BEHIND THE DOOR!?  Well the day has come for us all to find out!  Will this be a new benchmark for the horror genre, or was it a REALLY great trailer for a mediocre movie?  Let’s find out!!

We start the movie with someone clearly dying of a horrific disease and their family surrounding them; wearing gas masks and saying their final goodbyes.  The head of the household Paul (Joel Edgerton) and his teenage son Travis (Kelvin Harrison Jr) take the sick man who turns out to be Travis’s grandfather (David Pendleton) out into the woods, put him out of his misery with a bullet to the head, and set the body on fire before burying it.  Clearly something bad has happened to the world and this family which also includes Travi’s mother Sarah (Carmen Ejogo) is trying to survive.  The modicum of stability they built up however is disrupted when a man named Will (Christopher Abbott) breaks into their house looking for food for his family, and after an intense interrogation scene Paul decides to let him and his family which includes his wife Kim and their little son Stanley (Riley Keough and a child actor known simply as Mikey with no other acting credits) stay in the house that’s been fortified to withstand… whatever it is that’s out there.  Of course, this being a post-apocalyptic film, things start to go wrong rather quickly as the greatest threat is not the virus, or zombies, or whatever could possibly be happening… its MAN HIMSELF!  Will everyone in this house learn to chillax and survive with one another, or are they all too paranoid to let the other’s live?  What is Travis hiding from everyone else and what is the cause of these dreams he keeps having that are keeping him up at night?  Is this gonna turn out to be a sequel to The Village!?

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Honestly, that would have been a MUCH better movie…

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Cinema Dispatch: Whiskey Tango Foxtrot

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Whiskey Tango Foxtrot and all the images you see in this review are owned by Paramount Pictures

Directed by Glenn Ficarra and John Requa

Well Our Brand is Crisis didn’t do much for everyone involved, but I’m SURE it will work better when you do it with Tina Fey!  What, that’s not enough?  Okay… let’s make it war film too!!  Movies about the conflicts in Iraq and Afghanistan (especially comedies) are not easy endeavors for anyone to undertake, but we have gotten some good films along the way such as The Men Who Stare at Goats, The Messenger, and Brothers just to name a few.  With this being somewhat of biopic of a journalist who spent several years in the country, it definitely has an interesting premise and a good excuse to get a strong message across as it’s from the point of view of someone whose job it is to find answers and tell the world about what’s really going on.  Will this be a successful mix between a talented comedian and a topical subject, or is this a mash up that was not meant to be?  Let’s find out!!

The movie follows the story of Kim Baker (Tina Fey) who works for a news organization and volunteers to go to Afghanistan as a war correspondent as she’s found herself in a rut in her life.  When she gets to Afghanistan (Kabul specifically) she meets a colorful cast of journos, photographers, and other personal that she will be sharing a home with for the next couple of years as she slowly grows to appreciate the country for what it has to offer and starts to grow accustom to the risks and dangers of being a reporter in this environment.  Her newfound friends include a guide Fahim Ahmadza (Christopher Abbott), the only other female journalist (at least the only one we see) at the place that Kim is staying named Tanya Vanderpoel (Margot Robbie) and a Scottish photographer named Iain MacKelpie (Martin Freeman) who quickly grows attached to the new member of their little club.  Along the way, she’ll have to deal with the US military, primarily through General Hollanek (Billy Bob Thornton), and with the a high ranking official in the Afghani government Ali Massoud Sadiq (Alfred Molina) in order to get the stories she needs to keep the war relevant to the news organization she works for and to keep her from being reassigned to another desk job.  Will she be able to hack it as a journalist in this country that doesn’t look too kindly on Western intervention?  Will she find what she’s looking for in the Middle East, or will she get sucked into this world and lose touch with what’s waiting for her back home?  This isn’t going to be TOO offensive, right?

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“You know, I’m starting to get it.”     “Are you now?”     “Yeah!  I can wear Kevlar under this, or I hide a camera if I want to.  I can even drink beer without anyone seeing!”

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