Super Recaps: The Twilight Zone (How Much Do You Love Your Kid?)

The Twilight Zone and all the images you see in this recap are owned by Warner Bros Television and based on the series created by Rod Serling

Episode directed by Allison L Brown

Welcome back everyone to the long-overdue return of my Twilight Zone recaps! It’s been almost two years since we last covered this series, and while I can give you a laundry list of excuses as to why this fell so far down the priority list, the truth is that I probably shouldn’t have let it go the way that I did given how far into the series I got. Well, that’s all gonna change as I am determined to finish this series once and for all, and what better episode to start with than what is arguably one of the best episodes of the entire series? It’s the kind of high concept and dismal portrayal of a future gone wrong that has led to some of the best speculative fiction like Brave New World and The Obsolete Man, but can it hope to compare to those classic stories, or is it straining to hold all of its big ideas together? Let’s find out!!

The episode begins with the idyllic middle-class life of Donna and Ted (Bonnie Somerville and Steve Bacic), though things have been less idyllic lately as Ted’s been out of work for some time and the bills are piling up. It’s far too early for the housing market crash, but maybe he was a victim of the Dot Com Bubble. Either way, he’s going for an interview this morning that will turn it all around and get their lives back on track. Donna is cautiously optimistic as she sends her son Wylie to school and enjoys some personal time at an affordable spa, but then things come crashing down in an instant when she gets one of the worst phone calls a parent could get; her son didn’t show up for school and is missing! Without missing a beat, she rushes to the police station to report her son’s disappearance only to be accosted by some dude named Nick Dart (Wayne Knight); the host of a reality show called How Much Do You Love Your Kid, and it looks like Donna is an unwitting participant in this game of theirs. Seems legit given how clearly we’ve demonstrated how little we care about the safety of children in the last few years.

“Isn’t it great to live in a country where you have the FREEDOM to save your kid from a certain death?” “HOW ABOUT YOU DON’T TAKE MY KID IN THE FIRST PLACE!?” “Wow, okay. Looks like someone here doesn’t believe in personal responsibility!”
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Cinema Dispatch: A Star Is Born

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A Star is Born and all the images you see in this review are owned by Warner Bros Pictures

Directed by Bradley Cooper

Let’s see… a remake of a classic film, the directorial debut of a respected actor, and it’s about the entertainment industry.  Are we sure they can’t squeeze in World War II to make this finely engineered Oscar Bait in all of existence?  Now Oscar Season has always been a bit of nebulous term as there are a lot of films throughout the year that manage to maintain prestige buzz all the way to voting time (*cough* Get Out *cough*), but there’s no denying that this time of year is chock full of films hoping to be contenders; especially this one!

The movie follows Jackson Maine (Bradley Cooper) who is an aging country rock star (think Bruce Springsteen or Florida Georgia Line) that likes to drink hard, take pills, and try to pretend he isn’t developing a severe case of Tinnitus.  After one of his shows and three fourths of a bottle of whisky, he randomly stumbles into a bar and sees Ally (Lady Gaga) performing one of her sets.  Now it could just be the booze talking or she could be THE GREATEST SINGER OF ALL TIME, but either way he has to meet her and try to get her to date him.  Oh, and ALSO he’ll help her get a career, but he’ll cross that bridge when they get to it; which is after the dating bridge.  ANYWAY, they spend some time together, party hard at a few bars, and eventually he takes her on tour with him (which is managed by Jackson’s brother played by Sam Elliott) to sing her songs among other things.  Eventually she catches the eye of a manager (Rafi Gavron) and suddenly her success isn’t dependent on Jackson which I guess just gives him more time to drink heavily even if it’s obviously a problem for everyone around him, including her.  Will Ally live out her dreams and become the next great pop sensation?  How long can Jackson function like this without destroying everything and everyone around him?  How the heck are they successful in TODAY’S music climate!?  There’s not a single sick drop in any of their songs!

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Give him six months of Spotify returns and he’ll be singing in the same bars that she was!

Continue reading “Cinema Dispatch: A Star Is Born”