Cinema Dispatch: Ford v Ferrari

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Ford v Ferrari and all the images you see in this review are owned by 20th Century Fox

Directed by James Mangold

With the Disney/Fox merger, there were bound to be a few films lost in the shuffle with at least one that seems to have INTENTIONALLY been shelved for the foreseeable future (*cough* New Mutants *cough*).  This film was originally scheduled for earlier in the year but instead they pushed it to Oscar season which frankly seems like a solid move considering this ticks off a lot of awards bait boxes; it being a period piece relying heavily on Americana and nostalgia for the non-hippie version of the sixties while also starring two big name actors to lend a bit of clout and respectability to the proceedings.  Does this movie about cars going fast manage to be about something much more, or is this yet another movie destined for heavy rotation on TNT and nowhere else?  Let’s find out!!

Carroll Shelby and Ken Miles (Matt Damon and Christian Bale) don’t get along all that well but they both seem to respect the other with Shelby being a great car designer and former racer and Miles being the best racer alive with a flawless instinct for driving as well as the inner workings of the car itself.  These two have been given something of a golden opportunity as Henry Ford II (Tracy Letts) is determined to have one of his cars beat Ferrari at the biggest race in the world; the La Mans.  With his vice president (Jon Berenthal) leading the charge, Shelby comes on board with the project and convinces Miles to go along with it as well despite his hot head and distrust of corporations; a mistrust that may be well founded as interference from the higher ups constantly gets in their way of doing what needs to be done in order to beat Ferrari and prove that Ford cars can be just as powerful and sexy as European models!  Can Shelby thread the needle of the Ford Company’s misguided directives with Miles’s inability to get along with others?  What kind of new tricks and technology will they need to develop in order to claim a victory that has eluded Ford for so long?  Is it just me or is a movie with Batman and Jason Borne that’s being directed by the guy who made Logan somehow as cool as that description would imply despite the film ACTUALLY being about regular cars?

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“Do you know how much weight I have to lose and then gain back between every single role I take?”     “Gee, have you tried acting?”     “Hey, watch it or else I won’t let you be in the Batman reboot they make me do in ten years.”     “Screw you, I’m technically in the MCU.”

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Cinema Dispatch: Alien: Covenant

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Alien: Covenant and all the images you see in this review are owned by 20th Century Fox

Directed by Ridley Scott

Before I get into the review proper, I feel it might be worth discussing my thoughts on the series as a whole in order to provide the proper context for everything else I’m about to say.  Ridley Scott’s original film from 1979 probably holds up the best; even more so than James Cameron’s Aliens from 1986 which is still a VERY fun action film and one of the few BIGGER IS BETTER sequels out there (matched only by his own Terminator 2 in 1991).  I give the edge to the original because it’s a straight up horror film and those tend to hold up better than shoot-em-action flicks (the quality of special effects changes rather quickly while what scares us transcends generations), but both are damn near the pinnacles of their respective genres.  Alien 3… not so much.  Oh sure, there’s PLENTY of aspects in it that are outright brilliant and awe inspiring (as well as bone chilling and utterly haunting), but they’re all wasted on a portentous and sluggish script that’s too impressed with its own sense of self-importance to pace itself properly, and yes I’m referring to the Assembly Cut which has most of the stuff that David Fincher wanted in it.  The one thing this movie DIDN’T need was to be over two freaking hours (also, killing the most interesting new character off halfway through didn’t help things either).  That said I would watch that movie TWICE if it meant I never had to watch Resurrection again.  Good GRIEF is that a monstrous product of its time!  I don’t think I’ve seen a franchise so thoroughly 90s-ified in the worst ways imaginable outside of that Roland Emmerich Godzilla movie!  Needless to say that the franchise needed a fresh start in order to get things back on track; and it wasn’t gonna be with those FREAKING Alien vs Predator movies!  I REALLY enjoyed Prometheus which seems to be a minority opinion for some reason, and I’m not sure why.  No matter how “scientifically minded” you are, there is always gonna be things you didn’t expect when traveling to ANOTHER FREAKING PLANET and people are gonna make mistakes!  Honestly, it seems less like a true critical consensus (film stands at a solid 72% on Rotten Tomatoes) than some inexplicable backlash due to it… not being completely scientifically accurate I guess?  What was your first clue?  Was it the giant humanoid albino dudes or the baby alien growing in that one person’s stomach?  Now I didn’t know ANYTHING about Alien: Covenant walking into it other than it was Ridley Scott directing and that it will indeed have Xenomorphs throughout, but considering how much I liked Prometheus I was hopeful that some of the cool stuff Ridley was working with in that movie would find its way into this seemingly straightforward Alien creature feature.  Does Ridley Scott succeed in his true return to the franchise he started all those years ago, or it time to end this bug hunt once and for all?  Let’s find out!!

The movie begins with the crew of the Covenant, a spaceship with thousands of cryogenically frozen humans and almost as many frozen embryos, being violently woken up due to some sort of science catastrophe.  Now normally the crew is left to sleep with the passengers, all of whom are headed to a new planet to colonize it, while their Synthetic buddy Walter (Michael Fassbender) takes care of everything, but with this… solar flare or something?  I don’t know, let’s just go with that.  With this solar flare causing havoc on the ship, all of them need to be woken up and at their posts to avert disaster.  Most of them are fine, but sadly enough the captain (James Franco in a very brief and crispy cameo) gets burned alive in the chaos; leaving the second in command Chris Oram (Billy Crudup) in charge.  So already things are going pear shaped on this trip that’s gonna take another seven years to complete, but they just so happen to pick up a strange signal that might be the answer to their problems.  The signal traces back to a rather close planet which they scan and find to be very hospitable to their needs, even more so than the planet they were heading to in the first place!  Despite the protestations of one the scientists Danny Branson (Katherine Waterston), Chris decides to at least investigate the place and see if they can locate the source of the strange signal as well as check if the planet really is as good as their scans indicate it to be.  Of course it’s not.  You KNOW it’s not.  This movie isn’t called Pleasant Space Cruise; it’s called ALIEN COVENANT!  The question isn’t IF they’re gonna get killed by monsters; it’s HOW MANY of them will!  Aside from the obvious revelations, does the crew of the Covenant find something unexpected on this seemingly perfect planet?  What was the source of that strange signal to begin with?  Maybe it’s someone from one of the other films who’s playing someone new in this movie!?

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My multiple lips are sealed!

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