Cinema Dispatch: F1: The Movie

F1 the Movie and all the images you see in this review are owned by Warner Bros Pictures

Directed by Joseph Kosinski

Naming the movie after the sport it’s about is either a supreme show of confidence or a massive oversight, which, given how many moving parts there are to this thing, is not outside the realm of possibility. Maybe they only got nine out of ten teams to Race Buds, and so they had to go with the default title. Needless to say that money surrounding this movie is off the charts and with it comes a certain amount of pomp and circumstance that it hopes to draw audiences in with. Does the spectacle and grandeur of Formula One on full display create a cinematic experience unlike any other, or is it a lot of hot air for an otherwise pedestrian blockbuster? Let’s find out!!

Sonny Hayes (Brad Pitt) is the kind of guy who wears clichés on his sleeve, at least when it’s not covered in sponsors. He’s a burnout racer who could have been the best but found a way to screw it all up before dedicating his life to easy pay days and lowered expectations.  It’s not until his old friend Ruben (Javier Bardem) throws him a bone and offers him a spot on his fledgling Formula One team to try and keep them out of the red and maybe get Sonny some redemption in the process.  Of course, you can’t be a veteran returning to your roots without a cocky young prodigy to take under your wing which is a role Joshua Pearce (Damson Idris) fits to a tee; at least when he’s not calling Sonny old and posing for magazine ads.  The two racers manage to find some success feeding off of their mutual disdain for the other’s racing style, but it’s a tall order to make it to the number one spot within the small number of races left in the season, and Sonny may not be as up to the task as he had once thought.  Will Sonny find a way to get past his demons and save his friend’s team in the process?  What can Joshua learn from the old-timer he’s stuck on a team with, and can Sonny be trusted to work in their mutual best interest when there’s gold on the line? Most importantly, will anyone in the theater care about any of this when the cars start going really fast!?

“SHAKE AND BAKE, BABY!”
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Cinema Dispatch: 2015 Catch Up

Like any decent film critic, I’ve had a couple of movies that I promised myself I would eventually get to, but then they ended up slipping through the cracks for so long that I had given up hope on ever getting back to them.  Well no more I say!  Not only am I catching up on two movies I saw in 2015 that I never got to talk about, I have just recently had the chance to watch two other films from 2015 that are definitely worth discussing!  So without procrastinating another second, here are four movies from the past year that I now have the chance to review!!

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Rock the Kasbah and all the images you see in this review are owned by Open Road Films

Directed by Barry Levinson

Ah yes.  The one where Bill Murray saves Afghanistan.  See, THIS movie got a bit crowded out because it came to theaters the same week as Jem and the Holograms and The Last Witch Hunter.  CLEARLY I was very busy at the time writing reviews for two of the worst movies of the year and things just snowballed after that to the point that I never got my thoughts down on this movie.  It may have been the best movie of that week by a long shot, but that’s not saying a hell of a whole lot considering the not so stiff competition it was up against.  Is it any good without the direct comparison to the garbage it was surrounded by when it was at the box office?  Let’s find out!!

Richie Lanz (Bill Murray) is a guy who will try to get you to fall for anything, and probably believes half the bullshit that he’s spewing.  At one time he was a somewhat successful manager to some big acts, but nowadays he just hangs out in his hotel room/office scamming wannabe singers out of some cash while trying to promote one of  his clients Ronnie (Zooey Deschanel) who might actually have a bit of talent if he can just get her a break.  Opportunity comes a knocking one night where a military man sees her perform and suggest that Richie take her on a USO tour in Afghanistan which is supposed to pay very well with only a slight chance of death in the process.  Richie’s all on board but Ronnie eventually reveals that she’s not into being somewhere that rough and not long after arriving in Kabul, she robs him of all his money as well as his passport; leaving him without any identification and in debt to the mercenary (Bruce Willis) who got Ronnie out of the country and was only given half his fee in the process with promises that Richie had the rest.  Will he be able to scramble up enough money to pay back the mercenary and get his ass out of the country?  Well that actually becomes pretty moot as the REAL plot involves a young woman in a nearby village named Salima Khan (Leem Lubany) who can sing like an angel but will be killed if anyone in her fundamentalist village (and almost anyone her in her fundamentalist country apparently) hears her do it.  Richie though sees fame and fortune in the story and eventually convinces her to join an American Idol like competition (Afghan Star) which has never had a female singer on before, and the rest of the movie is basically the fallout of that with Richie learning some lessons about himself along the way!

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“I co-wrote this one from Stevie Nicks back in 1990.  She didn’t like the lyrics, but we got a top 100 hit out of it.  SOMETIMES IT’S A BITCH!!  SOMETIMES IT’S A BREEZE!!!!”

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