Tag Archives: André Holland

Cinema Dispatch: A Wrinkle in Time

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A Wrinkle in Time and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Ava DuVernay

I actually have read the book that this movie is based on, and what I remember about it is… that I read the book.  Yeah, the big concern that I had with this film after seeing the trailers is that this material is NOT gonna be easy to adapt as the source material is pretty abstract and kinda confusing from what I recall which can work for a book that you’re supposed to sit there and absorb at your own pace, but is less likely to come together as well when put on the big screen.  Still, while the trailers were very vague and didn’t give much of an indication of what the story would be about, the imagery was striking and the director behind it is someone who is coming up in a big way in Hollywood, so maybe there’s a chance to pull this adaptation off given the resources behind it.  Will this be the next touchstone for all ages cinema like ET, The Neverending Story, or about eighty percent of Pixar’s output, or is this one of those films that goes big and then fails hard?  Let’s find out!!

The movie follows the story of Meg Murry (Storm Reid) who is the daughter of Dr. Kate Murray and Dr. Alex Murry (Gugu Mbatha-Raw and Chris Pine); the latter of whom just up and disappeared four years ago and leaving his family to wonder what the heck happened to him and if he will ever return.  Naturally this doesn’t sit well with Meg who’s been having trouble in school lately due to bullying from kids who… I guess think it’s funny to make fun of a girl for her dad disappearing, and really only confides in her little brother Charles Wallace (Deric McCabe) who’s surprisingly smart for his age and has started making friends with three mysterious women who just randomly show up every once in a while.  After a particularly rough stretch at school where Meg bashes a girl’s face in with a basketball (TOTALLY deserved by the way), she makes a new friend in the form of Calvin (Levi Miller) who seems to be at least a tertiary part of the three mysterious women’s plans, and said mystery women finally confirm for Meg that her dad is STILL alive somewhere.  The only catch is that he’s halfway across the universe, BUT that won’t prove to be much of a problem because it turns out that humans can ACTUALLY travel across time and space using only the power of their minds; something that the three mystery ladies demonstrate by taking her, Calvin, and Christopher Wallace to the last known location of their dad which is some planet very far away.  We learn that the three mystery ladies are in fact Miss Who, Miss Whatsit, and Miss Which (Mindy Kaling, Reese Witherspoon, and Oprah Winfrey) and they’re some sort of cosmic entities that exist to help people across space and time fight injustices across the universe; and THEY manage to do it WITHOUT a blue police box!  So now that Meg and Christopher Wallace have a solid lead on where to find their dad, what will they (along with Calvin) have to face in order to find him?  Well, PROBABLY the black mystery ooze floating through space known as The Darkness as well as The It (no, not THAT It) which is growing and expanding at an alarming rate and will surely make it to Earth before too long.  Will Meg, Charles Wallace manage to save their father from whatever it is that has kept him under lock and key for the last four years?  What can The Misses teach this trio of children about the universe that will prepare them for the fight ahead?  Did Ava DuVernay manage to make a more psychedelic and drug fueled film on Disney’s dime than Doctor Strange!?  One SPECIFICALLY aimed at young kids!?

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“I AM INTERFACED!!”

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Cinema Dispatch: Moonlight

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Moonlight and all the images you see in this review are owned by A24

Directed by Barry Jenkins

I don’t get to see a lot of independent films where I live, and the few chances that I do get to see them usually involve a long drive to a faraway theater with exorbitant prices.  Such is the case with this film which has been getting a whole lot of buzz recently, especially with Hollywood’s recent push to diversify itself (and with Birth of Nation having more baggage than they expected).  My knowledge of LGBTQ+ cinema is somewhat limited, though even then I’m not even sure the best way to define that.  I’m pretty sure that saying John Waters or Gus Van Sant are “gay filmmakers” is right on the money as their work often centers around LGBTQ+ characters and their struggles, but what about directors like Lee Daniels or Rob Marshall?  Sure, you can point to most of their movies and point out themes and messages that can be relatable to those in the LGBTQ+ community, but would you put The Butler or Pirates of the Caribbean: On Stranger Tides along alongside Gus Van Sant’s films?  Hell, what about movies that are explicitly about LGBTQ+ issues but are directed by those who aren’t in the community such as Brokeback Mountain, To Wong Foo, or even this film which was written by a gay man (Tarell Alvin McCraney) but directed by a straight one?  Look, I’m sure there are plenty of people out there who can give you a better answer to that question than I can, so I’ll just stick to what I at least PRETEND to know best; namely talking about the movies while making snarky comments.  Is this the film that truly lives up to the ideals that Hollywood has failed to live up to and will get all the credit it deserves, or is this a mediocre endeavor that the cynics in the Academy will glom onto just to make themselves look better?  Let’s find out!!

The movie follows the life of Chiron and is presented to us in three distinct segments.  We see him when he’s small and is known as Little (Alex Hibbert), when he’s a teenager and the nickname has been dropped (Ashton Sanders), and as an adult when he starts using another nickname Black (Trevante Rhodes), and in each one they show a little bit more of his struggle.  What struggle is that exactly?  Well it doesn’t take long to figure out that he’s gay which everyone around him seems to pick up on and, for the most part, use it against him.  His mother (Naomie Harris) is dealing with her own problems with addiction so this just seems like an unbearable inconvenience for her and plenty of kids in school just bully him because he seems different.  Now it’s not like the whole world is against him as a local couple, Juan and Teresa (Mahershala Ali and Janelle Monáe), try to give him some guidance in his life, and he has a friend named Kevin (Jaden Piner, Jharrel Jerome, and André Holland) who tries to keep his spirits up even though he’s got his own growing pains to work through and his own share of bad choices to make.  Will Chiron ever feel accepted in a world that seems tailor made to keep him down?  How will decisions that he and his family make at certain points in his life affect him later on?  Most importantly, WILL YOU JUST KISS HIM ALREADY!?  YOU BELONG TOGETHER!!

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“Just a kiss?”     “What was that?”     “By Lady Antebellum.  I’ve got it on my phone.  Do you want to listen to it?”

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