Cinema Dispatch: Wonder Woman 1984

Wonder Woman 1984 and all the images you see in this review are owned by Warner Bros Pictures

Directed by Patty Jenkins

It’s been a WILD year that is thankfully coming to a close, but one of the big stories that will be with us throughout all of 2021 is going to be the distribution of films and what industries are going to survive this extended break from theaters.  Everyone’s made concessions here and there, but Warner Bros recently took charge of the conversation (wisely or not) by announcing that all of their delayed 2020 films will be available on HBO Max at no additional charge.  This has certainly angered a lot of filmmakers and production companies who were banking on the eventual box office offset costs so we’ll see if Warner Bros relents at some point in the future, but for now their first offering to the service is this movie; the sequel to Wonder Woman that was one of the most anticipated films of the year that time forgot!  Was it worth waiting for it to finally come to the small screen, or is this something they should have delayed indefinitely?  Let’s find out!!

It’s the mid-eighties and Diana Prince (Gal Gadot) has a new life in Washington DC as an Anthropologist at the Smithsonian.  A bit unfair to crowd out the competition by LITERALLY BEING FROM ANCIENT TIMES, but she does her best to keep a low profile and does the occasional super hero save as her alter ego Wonder Woman wherever evil doers rear their ugly head.  As charmed as this life seems however, she still carries the weight of Steve Trevor (Chris Pine) around her like an albatross around her neck.  One day at work, the nerdy girl at the office Barbara Minerva (Kristen Wiig) is sent a bunch of reclaimed artifacts and one of them catches both her and Diana’s eye; some sort of wishing stone that looks like something you’d buy at Spencer’s Gifts.  They disregard it at first, but Barbara starts to get super strength and super charisma while Diana somehow runs into none other than Steve Trevor; risen from the dead but not in a creepy zombie way!  Seems a bit odd but she’s willing to roll with it!  However, a local businessman named Maxwell Lord (Pedro Pascal) seems to know just what this stone is and needs it to save his failing business, but what no one seems to realize (or care about) is what the stone may be taking away from them as well.  Will Diana discover the hidden dangers of the stone and stop Maxwell before he does something TRULY evil with it?  What will Barbara learn about herself as she becomes more powerful and no longer has to be disrespected by others?  I wonder what would happen if Batman wished his parents back.  Is there any way we can add this thing to the Robert Pattinson film?

“‘When you wish upon a star, makes no difference who you are.’  Oh my god.  IT’S A TRAP FROM DISNEY!!”
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Cinema Dispatch: Geostorm

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Geostorm and all the images you see in this review are owned by Warner Bros Pictures

Directed by Dean Devlin

We’ve been getting a LOT of delayed films this year, haven’t we?  Tulip Fever took a while to come out, Rings took even longer, and that Amityville Horror sequel or reboot or whatever ended up failing so hard that it was released FOR FREE on Google Play.  Not in theaters; on the same storefront where you download crappy Tetris knockoffs and flashlight apps.  Now we’ve got this movie which may be the most interesting of the bunch simply because of how much money Warner Bros inevitably sunk into the damn thing to try and recoup its losses.  Not quite as much as Monster Trucks, but certainly enough that you’d question if anyone behind this damn thing had heard of the Sunk Cost fallacy.  Well it’s finally out now at probably the worst time imaginable (this story keeps getting better and better!) and with very little fan far from Warner Bros who may have finally realized it’s time to cut their losses.  Does this movie manage to rise above its troubled production to deliver something at least somewhat enjoyable, or is this possibly an even bigger mess than The Snowman was?  Okay, NOTHING is quite as shoddily put together as that film, but will this still be an absolute disaster and not in the way they were hoping for?  Let’s find out!!

The movie takes place in the very near future where humanity finally came up with an idea on how to combat Global Warming.  Not by recycling or embracing renewable imagery of course, but by putting a giant freaking net of satellites around the globe that can somehow shoot science beams at the earth whenever a tornado, hurricane, or anything else is about to threaten human lives.  Jake Lawson (Gerard Butler), who I’m assuming got this brilliant idea from Highlander 2: The Quickening, is the one dude bad enough to put this whole project together which is nicknamed Dutch Boy but is kicked off the project for infuriatingly political reasons.  Okay, he punched an inspector in the face, but what ELSE was he supposed to do!?  Listen to what he had to say!?  Anyway, his brother Max (Jim Sturgess) is the new head honcho of the project but the system starts to malfunction a few years down the road which leads to some isolated but very deadly weather events and no one knows what’s causing them.  I guess it’s time for good ol’ Jake to reclaim his throne and go up to the satellite to see what the heck is causing these problems and hopefully stop it before it threatens all life on Earth.  Will Jake solve the mystery before it’s too late and find out if its simple malfunctions or sabotage?  What will Max find out back on Earth with the help of one of Dutch Boy’s programmers (Daniel Wu) and a hacker that he apparently knows in the State Department (Zazie Beetz)?  Just how many things can they manage to blow up with a weather machine!?

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“Damn it!  I knew we shouldn’t have stored all those recalled Samsung phones in there!”

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