Pig and all the images you see in this review are owned by Neon
Directed by Michael Sarnoski
There are so many movies from 2021 that I’m disappointed I didn’t get around to with this being one of the more glaring omissions. Nicolas Cage has been my favorite actor for quite a long time, but the last few years have really seen a resurgence for the guy as he’s dominated the mid-range and indie scene with a series of really interesting and creative movies. Not all of them have worked of course (Willy’s Wonderland felt like a novelty taken too far) but they always find a way to be interesting, and the idea of Nicolas Cage going after the people who stole his pig is the kind of premise you just can’t pass up on! Will Nicolas Cage strike gold once again with a quest to find his very cute pig, or is this yet another mess that even Cage’s unbeatable charisma and acting chops can’t salvage? Let’s find out!!
A man named Rob (Nicolas Cage) lives alone in a small cabin in a forest in Oregon. He has no electricity, no phone, and interacts with as few people as possible; just the way he wants it. His only is his pig who provides a modicum of companionship and also sniffs out truffles which Cage trades for basic supplies via a bratty rich kid named Amir (Alex Wolff) who doesn’t understand this mountain man’s ways but is more than happy to take those truffles off his hands. Everything seems to be going fine for Rob until his house is invaded and he’s bashed over the head while they steal his pig away. With the last thing he cares about in this world taken from him, Rob has to return to society (specifically Portland) with the help of Amir to track down the people who took it. Throughout this journey, Amir learns more about this strange man in the woods and the life he ran away from all those years ago, and perhaps there’s more to this pig theft than simply finding truffles. Will Rob and Amir track down the pig-nappers before the trail goes cold? What is waiting for Rob in Portland once he gets back there, and will he have to confront his past before he can hope to see his little buddy again? If you had a pig that adorable, wouldn’t you go to the ends of the Earth to get it back?
Old and all the images you see in this review are owned by Universal Pictures
Directed by M. Night Shyamalan
M Night Shyamalan is far from my favorite filmmaker, but I’m always interested to see whatever it is he’s made whenever his name flashes by on a trailer with this film being no exception! The conceit seemed decent enough in a Twilight Zone or Outer Limits sort of way which is definitely in his wheelhouse, but there was A LOT going on here that made this look both laughable and disturbing. I guess that’s why we all keep giving him more and more chances as no matter how bad he burns us with movies like The Happening, Last Airbender, and After Earth, there’s always something to his thrillers that makes them unique among everything else that makes it to theaters. Does he manage to knock it out of the park once again with this ghastly tale of time gone haywire, or will this tank so bad that he’ll have to make another low budget found footage movie as penance? Let’s find out!!
A family of four with parents Guy and Prisca (Gael Garcia Bernal and Vicky Krieps) as well as the young kids Trent and Maddox (Emun Elliott and Embeth Davidtz) are vacationing at a resort THAT THEY JUST SO HAPPENED TO FIND ON THE INTERNET where they cater to your every need in the most beautiful tropical paradise you’ve ever seen! Not only that, they have a secret beach that is PERFECT for spending a day at, so the four of them head out there along with another family of four (Rufus Sewell, Abbey Lee, Kathleen Chalfant, and Kyle Bailey) as well as a nice couple (Ken Leung and Nikki Amuka-Bird) to enjoy the day swimming relaxing! Things go sideways fairly soon however as Trent finds a dead body which some mysterious guy who was already there (Aaron Pierre) seems to recognize, and not long after that the oldest among them start to get sick. They try to leave but something is causing them to black out as soon as they try to step through the cavern that led them here, and to make matters worse the three kids all start to age rapidly. Trent and Maddox (now played by Alex Wolff and Thomasin McKenzie) and reaching adulthood within hours and everyone who has a medical condition is getting worse and worse as the seemingly fast passage of time is leaving their conditions untreated to rampage through their bodies. With only hours to go before the adults grow old enough to die from age alone, can they find a way to escape this beach before losing all the time they have left? What possible reason could there be for the beach being this way, and why were they put there in the first place? If they get out of this alive, do the kids get like twenty birthday presents in a day?
Jumanji: The Next Level and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Jake Kasdan
Two years after the Jumanji reboot and I still think it’s a pretty good movie! I’ve had to of seen it at least twice since seeing it in theaters, and it still holds up pretty well; especially with such a fun and talented cast that could have phoned it in and let the special effects do all the work but instead elevated the material to something far more watchable than you’d expect at first glance! Now it’s time for a sequel, and… well I don’t know about you but I’d have rather seen a sequel to Baywatch than watch them try to recreate what made that reboot so good. Seems like a bit of a long shot that we’ll get something halfway decent out of this, but hey! I was saying the same thing about that first movie before it came out, and look what we got! Can we go back to the well one more time without the formula feeling stale and apathetic? Let’s find out!!
After Spencer, Fridge, Martha, and Bethany (Alex Wolff, Ser’Darius Blain, Morgan Turner, and Madison Iseman) had defeated the mysterious Jumanji video game and smashed it to bits with a bowling ball, we pick up on their lives a year or so later where everyone is off doing their own thing but still manage to stay in touch as they even plan on meeting up during the winter break. However, only three of them show up to the meeting spot so they go to check on Spencer and find that his grandfather Eddie (Danny DeVito) hasn’t seen him since last night, though he hasn’t been paying much attention this morning as he has an unexpected house guest in the form of his former business partner Milo (Danny Glover) who Eddie’s been avoiding for over a decade now due to some conflict that broke them apart and I’m sure will be resolved before the end of the movie. Anyway, Fridge, Martha, and Bethany go to the basement to find that Spencer not only took the Jumanji pieces home with them but repaired them to the best of his abilities (I don’t know how many MAGIC retro console repair tutorial are on YouTube but I’m pretty sure it’s more than zero) and has managed to get himself back into the game. With their friend’s life (as well as contractual obligations) hanging over our heroes’ heads, they head back into the game once more time. However, things don’t go as planned as only Fridge and Martha wake up inside, and while Martha is still in the body of Karen Gillan, Fridge is now in the body of Jack Black. The ones filling the Dwayne Johnson and Kevin Hart shaped meat sacks turn out to be Eddie and Milo respectively who have no idea what’s going on but don’t seem to disturbed by it; assuming they just died or something. With only half their team, a brand new game scenario involving some dude named JURGEN THE BRUTAL (Rory McCann), and even some new mechanics including magic fruit and a body switching liquid, can this rag tag group of tired pros and retired noobs find Spencer and beat the game before everyone dies a miserable and painful death? What will Spencer have to say for himself once they find him and start demanding answers as to why he’s here in the first place? Will Eddie and Milo be able to resolve their decade’s long rivalry, and will it be half as compelling as the Sunny episode Frank’s Brother!?
Hereditary and all the images you see in this review are owned by A24
Directed by Ari Aster
You know… I’m starting to feel like the old man yelling at clouds. For whatever reason, THIS kind of horror film (mostly put out by A24) is the new hotness in horror and I just can’t understand it. I’ve sat through far too many weighty and slow paced exercises in excessive cruelty that still manage to get critical acclaim, and I just can’t understand it. Now they had to make one of these with one of my favorite actresses which means I HAVE to go see it even if it’s probably gonna be more of the same. GREAT! I LOVE sitting through things that ruin my day, don’t you!? Anyway, will this be the one that manages to be thoughtful, interesting, and GOOD instead of just provocative for the sake of pretension, or will this be yet another film I’ll want to bury in the backyard with cement so that even if it comes back as a zombie it’s not going anywhere? Let’s find out!!
Annie Graham (Toni Collette) is a mother of two who just lost her own mother and is having trouble coping with the loss; mostly by repressing her feelings, but also because her mother was a… shall we say COMPLICATED person, and whatever secrets Annie is dealing with are not something she’s ready to share with everyone else. Unfortunately her daughter Charlie (Milly Shapiro) had a particular attachment to her and is lashing out in her own way which is only bringing more and stress onto the family. Her husband’s pretty cool with it though (Gabriel Byrne) as he’s a PEACE KEEPER who really just floats in and out of situations trying to cause as little fuss as possible, and their son Peter (Alex Wolff) is well on his way to being an emotionally repressed mess of his own, though that might just be the teenage angst talking. Anyway… let’s just say that things get PRETTY bad from there as the death of Annie’s mother turns out to be the LEAST of their problems as… things get pretty bad from there. Annie’s slowly unraveling from the stress and the guilt of… whatever happens, and it’s tearing the entire family apart; especially Peter who… let’s just say isn’t quite equipped to deal with all this. With so much chaos at home and very little support outside of it other than Annie’s friend Joan (Ann Dowd), will this family manage to get past this… very bad thing that happened, and come together as a functional family? How much hardships, horror, and emotional scarring will they have to go through for even a hope of surviving… whatever this is? Why… you know what, just why. WHY!?
Thoroughbreds and all the images you see in this review are owned by Focus Features
Directed by Cory Finley
Well they haven’t announced a sequel to Ingrid Goes West yet which is PROBABLY a good thing all things considered, but it also means that I’ll have to start looking to the imitators if I want to re-experience that magic that made that film so special. Not EXACTLY the case with this film as it was actually made BEFORE Ingrid Goes west (back in 2016), but considering both films are about emotionally unstable young women (this time there’s TWO of them!) and the ways that society can exacerbate their worst tendencies, it seems like a good place to start if I want to find another great movie that’s right up my alley. Does this manage to succeed not just in terms of being LIKE a movie I really loved but as its own unique story? Let’s find out!!
The movie begins with Amanda (Olivia Cooke) who feels nothing being tutored by Lily (Anya Taylor-Joy) who feels everything, and the two of them are sort of rekindling their friendship after certain life events (the death of Lily’s father as well as some really disturbing activities Amanda got up to) had driven them apart. Now normally this would be a cause for celebration as two friends getting back together is usually a recipe for good times and wholesome nostalgia, but when it becomes clear that Lily REALLY hates her new step-father (Paul Sparks), Amanda floats the idea of just murdering the dude… because that’s what people who don’t feel anything naturally jump to… I guess? Lily is skeptical at first, but it doesn’t take long for her to warm up to the idea which they start hastily putting together in between watching old movies on TV and sitting around in Lily’s fancy house. Clearly they aren’t criminal masterminds, but it does seem that they know enough to try and get someone who’s ACTUALLY a criminal (not necessarily a mastermind) to try and help them with this plan, so the duo enlists Tim (Anton Yelchin) who Lily saw selling drugs at a party once, and things start to spiral out of control from there. Will Lily and Amanda come up with the PERFECT plan to kill the douchebag step dad without getting caught themselves? What can Tim really bring to the table now that he’s sucked into these girls’ outlandish scheme, and how far will he go to find a way out of it? Is it just me, or do these girls watch just as much TV as I do?
Jumanji: Welcome to the Jungle and all the images you see in this review are owned by Sony Pictures Entertainment
Directed by Jake Kasdan
So I guess the nineties nostalgia train is just gonna keep on rolling until it either runs out of steam or derails horribly (the latter probably if someone gets the idea to do a Cartoon Network Cinematic Universe), and this latest stop on that journey might be the most baffling yet. Sure the original film is a straight up classic (don’t yell at me! It is!), but did it really have the kind of cultural impact to make what I GUESS is supposed to be a sequel some twenty years later? Maybe that’s why they got one of the most reliably bankable stars right now to take the lead, which to be fair is EXACTLY what they did in the original. Either way, does this manage to live up to the fantastic film that preceded it, or is this yet another soulless cash grab desperately pandering to millennial nostalgia for a quick buck? Let’s find out!!
The movie follows the story of a group of kids stuck in detention for various reasons when they JUST SO HAPPEN upon a video game console that looks kind of like a TurboGrafx-16. Inside there is only a single cart called Jumanji which they decide to play because apparently detention in this school goes unsupervised; especially when its being served out in a storage room full of all sorts of precariously stacked sports equipment and I guess haunted video game consoles. The four kids, Spencer, Bethany, Fridge, and Martha (Alex Wolff, Madison Iseman, Ser’Darius Blain, and Morgan Turner) get sucked into the video game and turn into three character actors and a leading man in the process and now have to find a way to beat the game in order to get back to the real world. Dr. Smolder Bravestone is Spencer’s character (Dwayne Johnson) takes point due to his video game knowledge and brand new smoking bod, Franklin Finbar is Fridge’s character (Kevin Hart) is the animal expert with an infinitely deep backpack, Ruby Roundhouse is Martha’s character (Karen Gillan) as a Playstation 1 era female protagonist, and Professor Sheldon Oberon is Bethany’s character (Jack Black) who knows how to… read maps I guess? Anyway, the four of them have to work together in order to complete their mission of getting some sort of jewel back to its sacred resting place before the EVIL Van Pelt (Bobby Cannavale) shoots them all in the head and takes the jewel for himself. Will these four brave (or at least sort of brave) heroes manage to put aside their differences and work together to escape this CryEngine tech demo? What secrets are hiding in this jungle, and will those secrets contain references to the previous film?