Cinema Dispatch: Spider-Man: Homecoming

~ Matt Vetrano ~ Leave a comment

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Spider-Man: Homecoming and all the images you see in this review are owned by Sony Pictures

Directed by Jon Watts

So after a decade of crappy reboots and custody battles, Spider-Man is finally gonna start living with BOTH his parents; sticking with Sony but being able to visit Disney on the weekends.  To celebrate these two studios begrudgingly working together to make a lot of money, we have the third reboot of the Spider-Man franchise getting a whole move all its own with a little from column Sony and a little from column MCU.  Considering how bad things had gotten for the character with the two Amazing Spider-Man movies and how reliable the MCU is when it comes to making above average blockbusters, it’s unlikely that this will end up a disappointment for anyone who’s been hoping to see a Spider-Man movie with the official Marvel stamp of approval, but if it can ONLY manage to be better than the previous iteration… well I can hardly think of a more textbook definition of Damning with Faint Praise.  Does this manage to stand on its own as a great film, or has Marvel finally met its match by having to work with another studio for once!?  Let’s find out!!

The movie picks up right after Civil War where Peter Parker (Tom Holland) is spending his day doing his Friendly Neighborhood Spider-Man thing, but is getting antsy over the fact that Tony Stark (Robert Downey Jr) won’t return his calls.  Neither will Happy (Jon Favreau) who’s supposed to be keeping an eye on him and is clearly doing a poor job of it since even a LITTLE bit of attention might have kept him from doing something stupid!  Said stupid thing is when he starts tracking down a group of alien gun smuggles head up by Adrian Toomes who played by Michael Keaton (Oh hey!  I guess he DID live long enough to become the villain!) and soon finds himself in over his head.  Not only does he have to deal with REAL tough guys instead of street thugs, he also has to deal with the problems of being a teenager such as having a crush on a senior named Liz (Laura Harrier) trying to sneak around Aunt May (Marisa Tomei) and having to deal with his friend Ned (Jacob Batalon) who accidently found out his secret identity.  Can Spider-Man stop the bad guys AND get his math homework done?  Will Tony Stark eventually notice him once he takes down such a dangerous criminal, or will that only make things worse between them?  Oh I’m sure he can handle all this!  He’s a super hero, right!?

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SYMBOLISM!!

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Jumping the Soapbox: It’s Always Sunny in Philadelphia: The One Where Dennis Leaves the Show

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The images you see in this editorial are the property of their respective owners

One of my favorite shows of all time is Its Always Sunny in Philadelphia which I actually came into pretty damn late into its run.  I was always aware of its existence, but I never really had a reason to sit down and watch it until around 2013 when I was stuck in bed for like two days due to a minor surgery I had and I needed something to watch to kill the time.  In an effort to fix that problem, I booted up Netflix, saw that it had like eight seasons, and figured why not?  To this day, I rarely go a week (and usually no more than a single day) without putting it on in the background of whatever it is I’m trying to do at the time which is more often than not writing stuff for the site (I’m watching Mac’s Banging the Waitress as I’m typing this… though less likely to be watching it while you’re reading this).  Sadly though for fans of Sunny, the latest season ended on a rather bittersweet note as it may in fact have been the final appearance of Glenn Howerton’s Dennis Reynolds who is STRONGLY considering leaving the show, despite it getting renewed for at least two more seasons.  Now as much as I’d hate to see him go, I don’t necessarily begrudge him for doing so considering they’ve already done twelve AMAZING seasons, and I hope he has all the success in the world with what he plans to do next which looks to be a show with Patton Oswalt where he plays a disgruntled and malicious high school teacher.  So what does this mean for fans of Sunny?  I have no idea!  Maybe they’ll hold out for him on the off chance this new show fails (the thirteen season has already been pushed back a year), or maybe they’ll try to solider on without him; hoping the remaining four members of the crew can somehow manage the burden of his absence.  For me though, this is a perfect chance to do some fun speculation on possible replacements for Howerton to either fill the void he left or to possibly even turn the show into an entirely new direction.  That is why I have listed my top five BRILLIANT ideas of who they should get to be the new fifth member of the crew, though unfortunately Schmitty is not one of them.  The ranking is mostly in terms of how much I want to see this person (or even persons) show up in the series, but I TRIED to keep the list as practical as possible.  As amazing as it would be to get Nicolas Cage, Scarlett Johansson, or Denzel Washington to be fifth member of the crew, I doubt they’ll be picking up Rob McElhenney’s calls anytime soon.

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5) Topher Grace

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Probably not the first name that comes to mind when trying to fill in an enormous gap on one of the most ingeniously crafted shows of all time, but hear me out!  We all know he played nerdy Eric Foreman for a decade and that he wasn’t all that great in Spider-Man 3, but his filmography since then has been, if not STERLING, at least interesting.  He’s REALLY good at playing slimy characters like in Predators and American Ultra which is more or less a requirement for a show like It’s Always Sunny, but what really makes him seem like a perfect fit is that he naturally exudes a sense of weakness and apathy in his performances which I know doesn’t sound like a complement but fits perfectly with the ethos of the show.  Everyone in that bar, except maybe Frank, has no direction in their life and is living in a perpetual state of denial about everything around them with Mac thinking he’s tough, Charlie thinking he’s quirky instead of a creep, and Dee failing to understand why she’s never achieved her goals (fear of rejection keeps her from making a whole hearted effort at anything).  Look at his performance in the recent Opening Night where his level headed cynicism is clearly a mask for his own insecurities and how the wackiness of everyone backstage continues to push him further and further over the edge.  Now imagine it was the crew that was pushing his buttons the whole time!  The guy seems to be getting regular work in films just outside the mainstream (his most recent role was in a Netflix movie) so I doubt he’s looking to tie himself down to a TV show, but that kind of character coupled with the horror show that is the crew at Paddy’s Pub could make for an interesting dynamic.

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Cinema Dispatch: The House

~ Matt Vetrano ~ Leave a comment

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The House and all the images you see in this review are owned by Warner Bros Pictures

Directed by Andrew Jay Cohen

While everyone else was looking forward to yet another Spider-Man movie or that new Thor film, I was waiting on bated breath for the new Will Ferrell comedy!  Now sure, the guy hasn’t been at the top of his game lately, but more often than not he still manages to have a certain amount of charm and charisma that keeps his more mediocre movies at least somewhat entertaining (*cough* Daddy’s Home *cough*) so at the very least his presence usually means I won’t be tearing my seat up in frustration while sitting in the theater.  What really sold me on this movie though is that it co-stars Amy Poehler who along with Kaitlin Olson is one of the most underrated comedians out there and really SHOULD be headlining big blockbusters along the current greats like Kevin Hart and Melissa McCarthy.  Not only that, but the premise was actually pretty interesting with its sights firmly aimed at the ridiculousness of college tuition fees and the burden it places on students who want ta chance at great opportunities and the parents who are stuck with the extortionist bills.  Being one of those unlucky bastards still paying off his student loans, I can certainly relate!  Does this movie manage to take full advantage of its extremely talented cast and solid premise to deliver one of the funniest films of the year, or have the filmmakers squandered a fantastic opportunity to make something great?  Let’s find out!!

The movie begins with the mild mannered middle class Johansen family, made up of Scott, Kate, and Alex (Will Ferrell, Amy Poehler, and Ryan Simpkins), taking a tour of Alex’s dream college that they can JUST barely afford since she won a local scholarship for being such a good student.  Of course, the city council led up by Bob Schaeffer (Nick Kroll) has decided to divert the scholarship funds towards making a gaudy and impractical local swimming pool (complete with water slides and a food court) w which gives Scott and Kate only three months to come up with tuition money or else Alex can’t go to college.  Fortunately, they have a friend named Frank (Jason Mantzoukas) who’s teetering on the edge of total instability after his wife left him and comes up with an idea to not only make them the money they need for Alex’s education but to get him some extra cash so the bank doesn’t foreclose on his house and hopefully get his life back on track enough to win over his soon to be ex-wife.  The plan?  Use his absurdly large house to set up an illegal casino for all the local housewives and working dads (and vice versa) to unwind and lose a shit load of money!  If Scott and Kate can just hold it together for a month, they can make just enough money to pay for Alex’s tuition and close up shop before the one cop in town (Rob Huebel) or even that asshole Bob Schaeffer find out what they’re doing.  Can Scott, Kate, and Frank keep things from getting out of hand in the high stakes world of illegal gambling?  Look, we’ve ALL seen Casino so it can’t be THAT hard, right?

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“SOMEONE GET AN ICE PACK!!”

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Cinema Dispatch: Baby Driver

~ Matt Vetrano ~ Leave a comment

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Baby Driver and all the images you see in this review are owned by TriStar Pictures

Directed by Edgar Wright

Summer is in full swing and they’re bringing out the big guns!  No, not Transformers surprisingly enough which is floundering at the box office.  We’re talking about this latest Edgar Wright feature that every film critic has been waiting for!  Everything about this movie looks great, from the trailers and casting all the way down to the soundtrack that brings to mind Scott Pilgrim in how it’s integrated into the narrative.  Does this manage to be yet another entry in Wright’s sterling career, or is this car chase film a huge wreck waiting to happen?  Let’s find out!!

The movie begins with the titular Baby (Ansel Elgort) waiting in a car and listening to his music while three bandits named Buddy, Griff, and Darling (Jon Hamm, Jon Bernthal, and Eiza González) are robbing a bank.  Once the trio get back to the car, Baby proceeds to put The Transporter to shame by driving with as much skill and wacky collateral damage as the Blues Brothers could in their heyday; somehow managing to avoid the cops and get away scot free!  It turns out that Baby’s been doing these kind of jobs for a while now as he’s under the thumb of a local mobster named Doc (Kevin Spacey) who recognized the kid’s skills and has been putting them to good use for some time now.  Luckily for Baby, he’s just about to pay off whatever debt he owes to Doc and is ready to start his new life that will be free of crime and will hopefully involve a waitress at a local diner named Debora (Lily James) who he’s had his eye on for a while.  Of course, nothing goes as well as Baby hopes it does and his chance to get out ends up digging himself even further in doing more jobs with even more erratic and dangerous criminals such as Bats (Jamie Foxx) who has it out for Baby right from the start.  Can Baby find a way to break free whatever it is that Doc is continuing to hold over him?  Will this next heist be the one that breaks his perfect driving record?  Wait, did I just hear Handsome Boy Modeling School!?

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Sure he’s a good driver, but he’s also a radio hog!  Will you let someone else pick a song for once!?

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Cinema Dispatch: Trailer Talk (My Little Pony: The Movie)

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My Little Pony: The Movie and all the images you see in this trailer talk are owned by Lionsgate and Hasbro

Directed by Jayson Thiessen

Despite being such a popular series with a fan base that is heavily invested in the creative side of the process as much as it is in the show itself, there really hasn’t been much said about the My Little Pony movie that’s been in production.  Heck, it honestly feels like Equestria Girls, which was a spin off that only got a limited theatrical release, had MUCH more fanfare and anticipation surrounding it than something Hasbro is actually risking quite a bit of money on.  Okay, there’s no way we’re talking Transformers money here, but there’s no way a feature length animated feature with celebrity voices THIS famous was less than what they invested in freaking Jem and the Holograms which had its first trailer out five months before its release compared to four months for this film.  Still, an uneven marketing campaign doesn’t always spell doom for a film (*cough* Wonder Woman *cough*), and even if it’s a sign that the studio doesn’t have faith in the final product… well go ask Newmarket Films how that worked out with Donnie Darko.  Either way, let’s find out!!

Okay, so there’s no getting around it.  The movie looks PRETTY terrible based on this trailer.  The first thing you’ll notice is that the art style is quite different from the series which isn’t ALWAYS a bad thing (watching it for the first time, I was somewhat reminded of the changes made for the Spongebob Squarepants movie), but it doesn’t come off as an IMPROVEMENT and there are clearly areas where they were cutting corners; most notably with the copious use of CG for the buildings and backgrounds.

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WHERE THE HELL ARE ALL THE TEXTURES!?  Did they just forget to render them!?

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Cinema Dispatch: The Bad Batch

~ Matt Vetrano ~ Leave a comment

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The Bad Batch and all the images you see in this review are owned by Neon

Directed by Ana Lily Amirpour

So has anyone else heard of this?  I certainly hadn’t heard of it until I was looking up movies to watch during a trip I was taking, and once I saw the cast I was IMMEDIATELY excited to see just what the hell it is!  We’ve got two actors who are quite possibly in the prime of their careers (Jason Momoa and Keanu Reeves) and they even managed to fish Jim Carrey out of obscurity who’s been one of my favorite actors since I was a kid; personal stuff and recent filmography notwithstanding.  How the hell did this movie manage to fly under the radar!?  Is it one of those weird obscurities that’ll be a treasured masterpiece to its target audience, or is this movie unsalvageable even with its all-star cast which is why it was dumped as a limited release?  Let’s find out!!

The movie begins with a woman named Arlen (Suki Waterhouse) being dropped off in some desert wasteland which appears to be the dumping ground for “societal undesirables” that this dystopian future government has set up in Texas.  I don’t know why they don’t just shoot them in the head instead of letting them wander the desert with no water, food, or supplies, but whatever.  The point is that she’s in a harsh and lawless world filled with other terrible people that want to hunt and eat everyone they come across.  That’s right, we’re dealing with cannibals in this movie that honestly probably don’t NEED to be eating people (there are scenes that confirm editable plant life exists out here) but just like the extra protein I guess.  The bad news is that she gets caught rather early and loses an arm and a leg (literally), but the good news is that she escapes and manages to make it to a cannibal free sanctuary city known as Comfort ran by what is essentially a cult leader named The Dream (Keanu Reeves).  A bit on the nose, but I guess when you don’t have TV to watch, you basically have to add theatrics to your own life just to keep things interesting.  Anyway, from there we’re basically following Arlen who’s trying to find her place in this harsh and merciless world as well as meet a colorful cast of wasteland wanders who have their own shit to deal with, such as another cannibal known as The Miami Man (Jason Momoa), a wandering hermit who’s pretty much a True Neutral in all this (Jim Carrey), and even a little girl (Jayda Fink) who winds up with Arlen after a… particularly grim confrontation.  Will Arlen lose her soul in a world that never rewards those who are Good Samaritans?  Just what does The Dream have planned for the people of Comfort, and is it any less awful than what The Miami Man does?  Is this what a Mad Max movie would be like without the cars, interesting characters, fast pace, and exceptional cinematography!?

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“Well this is another fine mess you got yourself into!”

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Cinema Dispatch: Transformers: The Last Knight

~ Matt Vetrano ~ 1 Comment

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Transformers: The Last Knight and all the images you see in this review are owned by Paramount Pictures

Directed by Michael Bay

Good ol’ Patron Saint of all things wrong with cinema, Michael “The Boom Master” Bay!  For a lot of film critics, he’s become something of a symbol for the worst that summer blockbusters have become even if that characterization is somewhat unfair.  Heck, even I’m guilty of generalizing the dude to an extent as I’ve only managed to sit all the way through two of the Transformers movies (Revenge of the Fallen and Age of Extinction; neither of which were the least bit tolerable) and I do genuinely like a few of his films such as Pain and Gain as well as The Rock.  This is gonna be the first film of his that I will review for the site, so I don’t just want to parrot my usual talking points about Transformers being THE WORST THING EVAR (even if it’s probably true) and am gonna try to go into this with an open mind as well as a critical eye.  Is there SOMETHING in this latest entry of the series that will be worth talking about and even appreciating, or are here to say the same shit for a franchise that makes too much money to ever need to change?  Let’s find out!!

The movie begins with Optimus Prime (Peter Cullen) landing back on Cybertron (I think) where he meets the creator of all Transformers (I think) known as Quintessa (Gemma Chan) who… wants to destroy Earth I think?  I don’t know, but that’s where we start and we’ll get back to that eventually.  From there, we find out that the humans no longer trust the Transformers (again) and have set up the Transformers Reaction Force (TRF) to hunt down any remaining Autobots and Decepticons which usually isn’t a great idea, but whatever.  The few remaining Autobots from the last movie (including a few Dinobots) are being protected by Cade Yeager from Age of Extinction (Mark Whalberg) who’s now a fugitive from the law despite having a very visible base of operations in a junk yard.  Anyway, he’s being chased by the humans as well as Megatron (Frank Welker) but during an admittedly decent action scene where the three factions come to a head, a strange human sized robot named Cogman (Jim Carter) informs Cade that an artifact he found holds the key to saving the world or whatever and jets him off to the UK along with Bumblebee (Erik Aadahl) to meet with his master Sir Edmund Burton (Anthony Hopkins).  The dude informs Cade that he’s got a destiny much bigger than his own, there’s a professor named Viviane Wembly (Laura Haddock) who ALSO has a destiny much bigger than her own, and there’s a Cybertron MacGuffin somewhere that they need to find in order to fight off the impending doom brought about by Quintessa and a brainwashed Optimus Prime.  Can Cade and his gang of rascally robot friend find the MacGuffin of Ultimate Destiny before it’s too late?  Can Optimus Prime be brought back to his senses before he does something he’ll truly regret?  WHY IS IT So HARD TO DESCRIBE THE PLOT TO A MOVIE ABOUT GIANT ROBOTS!?

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WHAT THE HELL AM I EVEN LOOKING AT!?

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Cinema Dispatch: All Eyez on Me

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All Eyez on Me and all the images you see in this review are owned by Summit Entertainment

Directed by Benny Boom

If there’s one thing that we know Hollywood is good at it’s driving a good idea into the ground, and with the record breaking success of Straight Outta Compton, imitators were bound to pop up to try and ride its coattails.  Now that’s not to say that piggybacking off the success of one film is necessarily a bad thing; especially when the film being made is good enough to deserve the attention it wouldn’t otherwise get by following in a successful movie’s wake.  I know nothing about Tupac Shakur, but from what I understand he’s just as influential in the world of hip hop as NWA was in their day which makes his story ripe for adaptation.  Does this movie manage to live outside the shadow of its most obvious influence and stand on its own as a great biopic, or will this fail to find an identity outside a Straight Outta Compton cash in?  Let’s find out!!

The movie follows the life of Lesane Parish Crooks, also known as Tupac Amaru Shakur (Demetrius Shipp Jr), who rose to prominence as a rapper, actor, and black liberation advocate in the early and mid-1990’s.  Starting out from a young boy, he saw the horrors that institutionalized racism inflicted on his community and his own family as his mother Afeni Shakur (Danai Gurira) and step father Mutulu Shakur (Jamie Hector) were prominent figures in The Black Panthers Party.  After growing up in Baltimore where he met Jada Pinkett (Kat Graham) who remained a lifelong friend, he was eventually forced to move to California which is where he took off as a rapper and became part of the Digital Underground which is where he started to branch out as a solo artist and make a name for himself in the wider public.  Of course, being a huge success comes with its own caveats and Tupac has to face a corrupt criminal justice system, disloyal sycophants who want to suck him dry, and even his own personal demons which are brought to the forefront once he becomes a household name and a superstar.  Does this retelling of the life of the legendary rapper manage to capture all the nuances of the man behind the headlines?  What can this man’s story tell us about how broken the system is even to this day?  If this movie is anything to go by, was the dude even a human being or simply a demi-god walking among mere mortals?

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“It’s actually a lot colder in here than I thought.  Can someone get me my shirt?”

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Super Recaps: My Little Pony season 7 (Honest Apple)

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My Little Pony: Friendship is Magic and all the images you see in this recap are owned by Hasbro

Episode directed by Denny Lu and Mike Myhre

We’re back with another episode of Next Top Equestria Model, and if that title didn’t make it clear enough we’ll be focusing on Rarity and her love of fashion once again!  Now Rarity is easily my favorite of the Mane 6 as her episodes tend to have a lot more range than anyone else’s and she’s a genuinely interesting character to watch with highlight such as Sisterhooves Social,  Sweet and Elite and of course the eponymous Rarity Investigates!  Will this be another great example of why Rarity is the best, or is this one we’ll want to bury away with other better off forgotten episodes like The Mysterious Mare Do Well or even Just for Sidekicks?  Let’s find out!!

The episode begins with Rarity and Spike handing out flyers for a fashion contest that the former will be hosting at the Carousel Boutique in an effort to give aspiring young fashion designers an avenue to express themselves as well as an invaluable networking opportunity!  With any good fashion contest though, you need a collection of colorful and sardonic judges to make it all come together and fortunately Rarity has such a group of characters in mind!  Hoity Toity will serve as our Tim Gunn, Photo Finish will be the wacky and unpredictable one that’ll generate the drama, and the anchor will be… Applejack!  Wait, WHAT!?

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Good thing she was passing by just as you made that announcement!

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Cinema Dispatch: Rough Night

~ Matt Vetrano ~ Leave a comment

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Rough Night and all the images you see in this review are owned by Columbia Pictures

Directed by Lucia Aniello

Out of all the movies to come out this year… this is certainly one of them.  Honestly, I think I only saw one trailer for this thing and it seemed just fine, but nothing all that inspired.  Sure, the cast is REALLY solid with a bunch of extremely talented comedians, but we just go through Baywatch which no one but me liked and honestly Raunchy comedies WITHOUT such a high concept as a beach movie starring God’s Gift to Humanity (we mortals have deemed him THE ROCK) aren’t usually my cup of tea as they tend to prefer pushing buttons than be genuinely funny.  Does this movie manage to be an exception to the rule when it comes to telling dirty jokes, or are we in for a long night of sub par genital jokes and bottom of the barrel toilet humor?  Let’s find out!!

The movie follows the exploits of five friends who are Jess (Scarlett Johnansson), Alice (Jillian Bell), Frankie (Ilana Glazer), Blair (Zoë Kravitz), and the relative newcomer to the group Pippa (Kate McKinnon).  The first four were all friends in college but have started to drift apart now that life and responsibilities keep getting in the way and are off to reconnect in Miami, along with Pippa who met Jess in Australia, for a bachelorette party.  Jess, the bride to be, is hesitant at first but gets into the spirt of things… right at the point where a stripper they hired (a SUSPICIOUS looking stripper!) is accidently murdered by Alice.  With so much going on in their lives none of them can afford to go to jail, so they start coming up with increasingly ridiculous and desperate ways to get rid of the body and try to forget this whole thing ever happened.  Will these five friends find some way to heal the rift that has built up between them despite there being a dead body in the room?  What will Jess’s soon to be husband Peter (Paul W Downs) think when he gets a panicked phone call that doesn’t explain what’s going on?  Will this AT LEAST be better than the Hangover sequels!?

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“With this shot, we agree to never speak of this night again.”     “Sounds good to me!”

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