Jumping the Soapbox: Games of 2018 (Part 2)

~ Matt Vetrano ~ Leave a comment

We’re back with Part 2 of this list!  Let’s not waste any time and jump right into the games!!

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Spider-Man (PS4)

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Developed by Insomniac Games

Am I getting too old for this?  I might be getting too old for this.  As I’m sure is a common consensus among those of us over twenty-five playing this game, I still feel a stronger connection to Spider-Man 2 from all the way back in the stone age than this one despite it still managing to be one of the best games I’ve played this year even if it can’t quite surpass my nostalgia for the one with Bruce Campbell in it.  I don’t know, I just feel that the new game is guiding me too much in my web swings; pulling visual tricks or redirecting my momentum to minimize mistakes, and while I will never claim that harder games are inherently better (or that players just need to “git gud”), I found the hectic and less controlled web slinging in Spider-Man 2 to be more rewarding and much more engaging on long trips to far off objective markers.  Other than that, the game is an improvement in every way.  The combat is fluid and allows for lots of varied combos, I LOVE it whenever a level has multiple levels so you can swoop in, kick butt, swing away, and come back to smash some faces one floor below, and even though the stealth sections are pretty unengaging, they at least function well enough.  That said, it can get a bit monotonous with some of the combat sections and I would have gladly traded all the battle challenges on the map for just one more fine-tuned and well-crafted story stages like the skyscraper one that was shown in the trailer.  Also, it felt a bit… anachronistic I guess to have the bad guys be SO defined by their Asian culture especially since the game doesn’t have much to counterbalance that.  When a minority group of people is almost exclusively shown to be terrorist (Yuri Watanabe is the only other Asian character of note), well at that point you’re basically recreating that one episode of Sherlock that’s always gonna be a bit uncomfortable to watch.  Still, this is a Spider-Man game that, at least for the modern era, will define what it means to be a Super-Hero game, and while I’ll always carry a torch for the PS2 game I won’t begrudge the new generation for having a version made for them to enjoy.

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Jumping the Soapbox: Games of 2018 (Part 1)

~ Matt Vetrano ~ Leave a comment

Now that we’ve got the movies of 2018 out of the way, it’s time to tackle a subject I very much enjoy but have much less experience in.  Very rarely will I talk about video games on this site as my focus is almost exclusively on movies and television, but I do play a lot of games throughout the year and as a critic I can’t help but have opinions on them, so what I do is I save up ALL those thoughts and put them right here for you to enjoy!  Well, either enjoy or utterly detest me for.  I’ll take either one!  Let’s get started!!

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Call of Juarez: Gunslinger (PC)

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Developed by Techland

Man, was THIS a fun little surprise!  The only thing I know about the Call of Juarez series is that it was as series of ho-hum cowboy shooters that eventually jumped the shark when they went to modern day and made it SUPER racist.  This game on the other hand, while admitting that there is a level where you track down a Native American, seems to have been a total course correction or at least something of a soft reboot; a la when they did that 2D Blood Rayne Side Scroller or when Sonic the Hedgehog took a brief respite from being awful in Sonic Mania.  From what I saw of the other Juarez games, they were mostly drag and went for an authentic aesthetic where this game is all about charm, wit, and stylistic excess.  The character designs are bright and colorful which is not only more appealing but a practical improve since it makes them stand out more prominently against the landscapes, and the overall feel is that of an over the top spaghetti western; encouraging you to make the big moves and go in guns-a-blazing just to see if it’ll work.  That’s actually something I think game developers should explore a bit more; how aesthetics and style can change the way that players make decisions in the game which may be a more powerful incentive than more straightforward gameplay design incentives.  In something less fantastical and more serious I probably wouldn’t have even bothered dual wielding pistols and unloading them into a group of enemies when my trusty rifle can do the job with fewer bullets and at a safer distance.  With the visual design, the UI interface, and ESPECIALLY the story which is a series of flashbacks conveying a story that your player character is narrating as you play through it made me feel more inclined to try and be the BIG HEROTM than play practically.  It can be a bit buggy at times as I’m pretty sure I ran into one enemy who was shooting me through a wall, but despite its modest scale it’s still one of the most enjoyable First Person shooters I’ve played in a while!

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Cinema Dispatch: Top 10 Worst Movies of 2018

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Are we done with the good stuff of 2018 already!?  It’s really starting to get a bit annoying how lopsided things have gotten with just how much bad there is to get through compared to the good, but as your travel guide through the highlights of the year that came before I will be here to fulfill my duty and give you an idea of just how bad movies had gotten in 2018!  Okay, it wasn’t a SPECTACULARLY bad year at the movies as my initial assessment of good versus bad films I reviewed this year came out to pretty even split, but it’s not as much fun making these WORST THINGS EVER lists when everyday life is pretty much that already.  At the very least, I hope that I turned at least some of the negativity you’re about to see on this list into something that’s at least informative enough to justify my salty attitude!  Anyway, we might as well dive in head first and hope we come out on the other side no worse for wear!  LET’S GET STARTED!!

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Dishonorable Mentions: Robin Hood & Holmes and Watson

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Robin Hood Review; Holmes and Watson Review

I figured I’d start this list with something a little light as both of these movies are utterly DREADFUL, but I really couldn’t get too mad at either one of them.  Robin Hood is certainly the more watchable of the two as its mistakes are downright laughable, but even with Holmes and Watson being an unfunny and painfully boring slog to sit through it at least didn’t have some really messed up message or an utter scumbag on screen.  If nothing else, these two are more or less the baseline for what would qualify as a WORST OF THE YEAR contender.  These movies are terrible, but they don’t have something extra to make it a MEANINGFUL selection for highlighting on these lists.  Robin Hood’s earnestness and some decent (if utterly anachronistic) designs as well as how much fun I had laughing at its many ridiculous ideas such as crossbows that work EXACTLY like pistols or making a visual allegories between the Crusades and the War on Terror balanced out its worst moments.  Holmes and Watson is a terrible comedy but ultimately a harmless one which means that even if it doesn’t make ME laugh it’s not something that is active detriment to the genre; something we GENUINELY have to worry about now with more comedians coming out as rather terrible people in recent years.  I don’t recommend you watching EITHER of these movies, but if you did and your baffled why they didn’t actually make it on the list, just know that it has to be a lot worse (or at least terrible in a uniquely specific and off-putting way) for it to be listed below.  Speaking of which, let’s get the click-bait one out of the way first!

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Cinema Dispatch: Top 10 Best Movies of 2018

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At this point, the only thing more cliché than being thankful that the preceding year has finally come to a close is whiny Star Wars fans being wrong about The Last Jedi. Yes, I am in fact THANKFUL that we have finally gotten out of the horror show that was 2018, but 2019 looks to be a lot more of the same, albeit with a SLIGHTLY less destructive Congress and a lot more speculation on the 2020 election.  Jeez, the idea is so deflating to me that I’m actually kind of glad to take one last look at the preceding year before charging face first into whatever nightmares 2019 will surely have for us.  Anyway!  Let’s take a look at the GOOD movies that came out and hope that the year ahead of us will bring us even more great films to love!  ON WITH THE LIST!!

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Honorable Mentions: Black Panther & Ant-Man and the Wasp

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Black Panther Review; Ant-Man and the Wasp Review

While Marvel’s usual output is at a consistently decent quality, this was a year of great highs and one PHENOMENAL low for the company which we’ll get to on the bad list.  On the good side though, these are the first two movies they’ve released since I’ve started doing these lists that have come close to making it on the top ten, and frankly they are my favorite films that they’ve released in some time with the exception of Guardians of the Galaxy Vol. 2 which arguably should have been included on last year’s list.  Black Panther, while still feeling a bit too conventional to the Marvel Formula and having a few oddly placed ideas here and there (how does a civilization THIS advanced still determine their leader through DEATH MATCHES!?) was quite the revelation and became something of a harbinger of things to come for the rest of the year which we’ll get to further down on this list, and while I’m not quite on board with it winning for Best Picture, I do see where a lot of people who are advocating for it are coming from.  Ant-Man and the Wasp on the other hand felt like something new as well, albeit in a much less radical way as Black Panther, and is the template I’d like to see from Marvel films going forward; where there’s room for films that don’t take themselves QUITE as seriously and don’t hinge the fate of the world on the outcome of their adventure.  Sony and WB might be gathering a bit of steam with their recent films, but this year showed once again that it’s gonna take a lot more to unseat Marvel and Disney from their well-deserved throne of money, and hopefully THESE are the kind of films we’ll be getting from them going forward instead of… well we’ll get to that one later.

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Cinema Dispatch: Aquaman

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Aquaman and all the images you see in this review are owned by Warner Bros Pictures

Directed by James Wan

Well I guess this is one way to put 2018 to a close.  It’s been over a year since the last DCCU film stumbled into theaters and failed to make back the ludicrous amount of money put into it, but since Warner Bros hasn’t given up just yet on turning their superheroes into box office gold (it worked for Wonder Woman at least!), we’re getting at least one more stab at making this initial run of movies work before moving onto what MIGHT be an entirely new continuity with Shazam next year along with another Wonder Woman movie.  With nothing left in the tank and one more Hail Mary left to go, can Warner Bros and DC knock it out of the park as the year is coming to a close?  Let’s find out!!

Following the events of Justice League, Arthur Curry (Jason Momoa) is just chilling with his dad (Temuera Morrison) and saving the occasional submarine from pirates.  After a recent successful venture that left one particular pirate named David Kane (Yahya Abdul-Mateen II) rather ticked off with our sub-nautical super hero, Arthur figured he’d just hang out at the bar for a bit before passing out somewhere.  Sadly rest and booze is not in the cards at the moment as a fellow mer-person named Mera (Amber Heard) who we saw briefly in Justice League shows up to Warn Arthur that war is brewing and he’s the only one who can stop it.  To explain this, we’ll need to do a bit of a FLASHBACK to the mid-eighties where his father Thomas and his mother first met.  His mother JUST SO HAPPENED to be the runaway princess Atlanna of the Kingdom of Atlantis (Nicole Kidman) and fell in love with Thomas which eventually led to Arthur being born.  However, after an attack from Atlantian soliders, Atlanna decides to go back to protect Arthur and become the bride of some dude who gets her pregnant and then chucks her into some dark hole in the sea after their son is born.  Said son Orm (Patrick Wilson) is the current king of Atlantis and is consolidating power with the other mer-people tribes including the one that Mera belongs to which is ruled by her father Nereus (Dolph Lundgren).  Did you get all that?  Good, well Orm’s plan is to take over Surface World with an army of mer-people, but since Arthur is part of Atlantian Royalty by birthright, he can challenge Orm to the throne and turn around his expansionist policies before Surface World has to start nuking the ocean.  Okay, so if Arthur wants to save the world (which he’s not too keen on but begrudgingly accepts) he has to stage a coup of some sort and convince the Atlantians of his right to rule.  How the heck is he gonna do that!?  Well, that’s where this other guy Nuidis (Willem Dafoe) comes in as he’s Orm’s head Vizier but has secretly been training Arthur this whole time and has a plan for him.  Okay, MORE backstory.  To sum it up, the first Atlantian King had a super powerful trident and if Arthur can find it, then his claim to rule will be that much more legitimate.  Find the trident, avoid Orm’s army, and steer clear of that David guy who has a serious grudge now and may even have access to Atlantian technology to boot.  Sounds reasonable enough, especially with Mera helping him out the whole time!  Can Arthur solve the mysteries of his people’s past and find the one thing that will make him the ruler he was born to be?  Even if he does find it, can he truly be a leader to these people given that he’s of both Surface World AND Water World lineage?  Will he say MY MAN at least once in the movie!?  Just once!  It’s all I ask!!

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“MY MER-MAN!!”

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Cinema Dispatch: Welcome to Marwen

~ Matt Vetrano ~ Leave a comment

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Mary Poppins Returns and all the images you see in this review are owned by Universal Pictures

Directed by Robert Zemeckis

This is one of the weirder cases of nostalgia I’ve had because I don’t have nostalgia about this story or the documentary from 2010.  I have nostalgia for a review of it.  Around that time I had just learned about Spill.com (which is now more or less split between Double Toasted and One Of Us) and one of the earliest podcasts I had heard from them was a series of reviews about films they saw at SXSW 2010 which included a review of the documentary.  So when they announced this movie, I actually was rather interested to see it because I had never gotten around to the documentary but that review for whatever reason always stuck with me and so seeing a big budget studio adaptation of something I had THAT tertiary of knowledge for would be interesting; not to mention seeing what those same critics thought of this movie as well.  Does this story of a man who found a way to cope with his trauma through the use of imaginative and painstakingly detailed art pieces manage to convey the raw emotional power of this man’s life and work, or are we stuck with another treacly adaptation that fails to live up to the material it’s based on; including the critically acclaimed documentary?  Let’s find out!!

Loosely based on the true story of Mark Hogancamp (Steve Carrell), this movie follows the story of Mark who was nearly beaten to death by five Neo-Nazi monsters who did so after they learned that Mark enjoyed wearing women’s shoes.  Fortunately Mark survived and the men were caught, but sadly he lost his memories, a lot of his motor skills (making it nearly impossible for him to write or draw), and has been suffering from Post-Traumatic Stress Disorder since.  In order to cope with what has happened, he created a World War II village named Marwen in his yard and stages elaborate action scenes and character moments using dolls that represent him, the Nazis who beat him up, and the women in his life who helped him afterwards.  This includes Anna (Gwendoline Christie) a nurse who visits him once a month to bring him medication and check on his physical health, Julie (Janelle Monáe) a physical therapist with one leg who helped him walk again and has since been traveling the world and running in marathons, Caralala (Eiza González) who is Mark’s coworker at his part time job, Roberta (Merritt Wever) who works at the town’s hobby shop and has helped Mark get the parts he needs to bring this made up town to life, and Suzette (Leslie Zemeckis) who he may not know in person but has starred in some of his FAVORITE films!  Sadly, the one doll that is based on Wendy (Stefanie von Pftetten) who the town is partially named after (Marwen is short for Mark and Wendy) has been permanently removed and put into the RIP bin for reasons that aren’t made explicitly clear but can be somewhat inferred as we learn more about Mark’s life as well as the struggles and demons he’s had to work through.  One such demon is the Belgian Witch Deja Thoris (Diane Kruger) who is the cause of many of Marwen’s woes and has a very distinct counterpart in the real world that you’ll have to keep an eye out for while watching them movie.  Things seem to have been going along like this for some time now, but when Mark gets a new neighbor across the street named Nicol (Leslie Mann), well it looks like Marwen’s about to get a new resident which will certainly add a few more stories to the town’s ever expanding lore, but maybe this is the point where he takes things too far with his work; not to mention the overwhelming stress he’s feeling about the attack now that the men responsible are going to finally be sentenced for their crimes.  Will Mark be able to face his attackers in court and put the incident behind him once and for all?  Will Nicol understand what Mark is going through or will his behavior cross some very clear lines that he seems completely oblivious to when dealing with women outside of his fantasy world?  Is it just me, or should they start making Marwen merchandise at some point?  I want that Deja Thoris doll!

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“Alright, Mark.  If things go bad then chuck me at their head and make a break for it!  FOR FREEDOM!!”

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Cinema Dispatch: Mary Poppins Returns

~ Matt Vetrano ~ Leave a comment

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Mary Poppins Returns and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Rob Marshall

Well this one has certainly been a long time coming, hasn’t it?  I mean with the pace at which Disney is cannibalizing its older properties to make billions at the box office, it was only a matter of time before one of their most iconic features gets a shiny coat of HD paint!  Just over the horizon, we still have The Lion King, Dumbo, Mulan, Aladdin, and the list will certainly keep growing from there.  Still, this isn’t quite a Beauty and the Beast shameless shot for shot retelling of an animated feature since this is an ACTUAL sequel that continues from the original film!  It’s been so long since I’ve seen the first Mary Poppins that I’m not sure what to expect here, but the cast is strong and Rob Marshall is made for this kind of material.  Will it be a fun and engaging experience for audiences of all ages who need a little bit of nonsense and silliness in their lives, or has modern Disney failed to understand what made that classic film so memorable for so many people?  Let’s find out!!

The movie picks up about twenty years after the first one where the Banks Children are now the Banks Adults.  Michael Banks (Ben Whishaw) has had a particularly rough go of it as his wife had just died a year ago and he had to give up his dreams of being an artist to get a job at the bank, but he’s still go the house he grew up in and three perfect children (Pixie Davies, Nathanael Saleh, and Joel Dawson); not to mention his sister Jane (Emily Mortimer) who helps around the house between labor protests, and their housekeeper Ellen (Julie Walters) who’s still cleaning up after them all these years later.  They’ve weathered a storm so things can only be looking up, right?  Well as it turns out, Michael took out a big loan at the bank to cover expenses this last year and now they’re gonna repossess the house unless he can pay the loan back in full within five days.  Well shoot!  If only they had a magical nanny who could make all this better with songs and animation!  Well it turns out that the Banks family is in luck because whatever mystical force is watching over them has sent Mary Poppins (Emily Blunt) to once again fix their problems and watch the kids while Michael and Jane try to scramble to find their father’s old bank stock they could use to possibly pay off the loan.  With the help of a friendly lamplighter named Jack (Lin-Manuel Miranda) and various colorful characters including her cousin Topsy (Meryl Streep), Mary Poppins is on a divine mission to introduce a bit of whimsy and discipline into these children’s lives, and maybe help Michael and Jane rediscover their childhoods along the way!  Will Michael and Jane find what they need to save their childhood home?  What can the kids do to help the situation, and can Mary Poppins be the key to it all?  Why the heck didn’t I get a flying magical nanny when I was a kid?  I don’t even think they had to pay her!

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“The price for my services is either two hundred dollars a week or you can just hand over your soul to empower the dark forces tucked away within me.”     “Well I’m already paying my student loans each month…”

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Cinema Dispatch: Holmes & Watson

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Holmes & Watson and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Etan Cohen

Oh goody!  Will Ferrell and John C Reilly are teaming up once again to make a silly comedy!  That’s gonna be GREAT, right!?  RIGHT!?  Okay fine, they don’t have THE BEST track record out there, but I still don’t want to dismiss this out of hand!  I mean… I probably SHOULD, considering how… not very good the trailer was, but those don’t always faithfully represent the full movie, and they wouldn’t just dump this right in the middle of a VERY busy time of the year just to die a quiet death, right!?  Well I guess we’re gonna have to see if that’s the case, though for both of their sakes as box office draws, I hope they put quite a bit of effort into this one.  Does this send up of Sherlock Holmes manage to capture the spirit of the books while also making a laugh out loud comedy, or is this a joke that’s way too late to the party and would have been an utter embarrassment even if it WAS timely?  Let’s find out!!

Sherlock Holmes (Will Ferrell) is somehow England’s greatest detective despite being an utter fool who makes obvious mistakes over and over again, but I guess he’s got a good hype man in his partner John Watson (John C Reilly) who seems to be keeping at least some of his worst tendencies in check while also pumping him up to the general public through his novels about their various crime solving adventures.  However, this latest caper involving a murder at Buckingham Palace and the threat of death upon The Queen (Pam Ferris) if Sherlock doesn’t find the killer first is just the kind of mystery that will put his mind and their friendship through the ultimate test!  Complicating matters is the fact that Moriarty (Ralph Fiennes) is still at large but may have fled to the Americas as well as a new doctor in town Rose Hudson (Kelly MacDonald) as well as her… assistant I guess, Millie (Lauren Lapkus), who have both captured the hearts of our dynamic duo.  Will Sherlock be able to crack the case before this mystery tears him AND his straining friendship with Watson apart at the seams?  Will Watson finally get the nerve to demand more respect and an equal title as co-detective with Sherlock who is notoriously egotistical and not one to share the spotlight?  Is it even possible for THE GREATEST DETECTIVE ALIVE to get to the bottom of how this utter fiasco made it into theaters!?

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Hey, at least YOU didn’t pay money to see this!

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Cinema Dispatch: Bumblebee

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Bumblebee and all the images you see in this review are owned by Paramount Pictures

Directed by Travis Knight

The thing about Transformers, at least for me, is that it’s only ever existed as the Michael Bay movies.  I never watched the original series, any of its spin-offs, and I’ve only played one of the games, so if nothing else this movie has a rather low bar to clear if it wants to be considered “good”.  Now that said, it’s got some heavy competition right now what with the new Spider-Man movie not just being GOOD but PHENOMENAL, and there are plenty of others out right now that this isn’t gonna stack favorably against if it’s ONLY trying to be better than what Bay was putting out.  Still, it’s got a lot going for it what with Hailee Steinfeld AND the recently launched into the mainstream John Cena filling out the cast along with the Laika animation guy stepping in for Bay this time around.  Does this prequel manage to take this tired and overblown franchise in a fresh new direction, or is the engine underneath it still the same despite the shiny new coat of paint?  Let’s find out!!

Back in the long ago days of the late eighties (when Sony Walkmans walked the Earth), the war for Cybertron was reaching its peak as the Decepticons had pushed the Autobot rebels off the planet with little hope of taking it back.  The leader of the Autobots, Optimus Prime (Peter Cullen), has tasked B-127 (Dylan O’Brien) with scouting a far off planet that may serve as their new base of operations so they can regroup and finally stop the Decepticons once and for all; a desperate plan to be sure, but its not like anyone else is coming up wit ha better one.  So B-127 speeds off to Earth but was followed by a Decepticon warrior!  Oh no!  The ensuing battle leaves the Decepticon dead, but it leaves a few humans worse for wear including Super Solider from Sector 7 Jack Burns (John Cena) as well as B-127 ending up heavily damaged (even losing his voice in the process) and… I guess robo-hibernates for some time to recharge his batteries.  Some time passes (not sure if it’s months or years) and B-127 is found in a junkyard by Charlie Watson (Haille Steinfeld) who takes him home and manages to get him running again.  He wakes up, shows himself to be a robot to Charlie albeit it with no memories which were all damaged in the fight, and… I think he accidentally sets off some sort of tracking beacon that two Decepticons (Angela Bassett and Justin Theroux) a few planets away seem to have heard which conveniently gives us antagonists to fight against in the third act.  Until then, Charlie names B-127 Bumblebee and tries to teach him how to blend in the human world while also taking him for joy rides, prank wars, and emotional character arcs for both her and her new robot buddy who’s not sure who he is or what his place in this strange world is.  Will Charlie and Bumblebee learn to deal with their traumas and find a new lease on life by beating up robots and taking bullies down a peg?  What will John Cena do when he finds out the robot that nearly killed him is still functional, and will it involve the Five Knuckle Shuffle?  Wait a minute… finding a robot in a junkyard that was meant to fight off a hostile alien force but got lost along the way… isn’t this the plot to Megas XLR?

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“Chicks dig giant Bumblebees!”     “Some of us do, Bee.  Some of us do.”

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Cinema Dispatch: Mortal Engines

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Mortal Engines and all the images you see in this review are owned by Universal Pictures

Directed by Christian Rivers

There are always WAY too many movies coming out this time of year which means that I can fall a bit behind or forget to see movies altogether.  HOPEFULLY that won’t be a big issue this year; especially if I can still find time to go out and see THIS film!  Yes, it’s another movie adapted from a Young Adult novel that’s the first in a series, but unlike recent attempts like The Darkest Minds (ugh…), it looks like someone put some real effort into this thing with just how absurd the premise is and how much money looks to have been spent trying to realize it!  Can this big budgeted world saving extravaganza be the next Harry Potter or Hunger Games, or is this yet another example of Hollywood having no idea how to adapt these kinds of books to the big screen?  Let’s find out!!

In the far off future, after the bombs dropped and presumably after the Fallout games, humanity has decided that the best way to live in the ravaged hellscape of post-apocalypse Europe is to build cities on top of their cars and race them around looking for resources.  I’m not quite sure how this is more efficient than say using airplanes and smaller vehicles to find stuff and bring it back to stationary cities, but then I guess I’m from the BOMBED INTO OBLIVION part of history, so what do I know?  The biggest and baddest of these cities is London (which STILL waves the Union Jack a thousand years later) run by the nefarious Thaddeus Valentine who you KNOW is bad because he’s played by Hugo Weaving, and when they capture one of the smaller roaming cities he learns that there’s at least one person out there who’s quite cross with him.  Hester Shaw (Hera Hilmar) was one of the captured city’s refugees, but it was all a ploy to get her that much closer to Valentine who she takes a stab at but only causes minor damage because some dude named Tom (Robert Sheehan) sees the attack coming and stops her from finishing the job.  Through an elaborate chase scene, Tom chases her down to… I guess the city’s trash hole where she tells him that Valentine killed her mother before escaping the city through said trash hole.  Valentine, realizing that one of his loyal peons has heard the ravings of an attempted murder decides that the rational thing to do here is not to convince him that she was lying or even to outright murder him, rather he throws him down the trash hole as well; very much alive and at least a little bit peeved by the whole experience.  From there he finds Hester again and they tentatively team up to find a new city for him and a new assassination plot for her.  Along the way they’ll run into raiders, slavers, some robot dude named Shrike (Stephen Lang), and even an Anti-London resistance movement head up by Anna Fang (Jihae) of which Hester is apparently the key to their success and not just one of many people who have a legitimate grievance against Valentine.  Speaking of whom, he also has some sort of plan to make a Doomsday Weapon out of old technology which he will use to… conquer the world I guess?  In any case, will Hester and Tom learn to become friends over the course of their ridiculously convoluted journey?  Why DID Valentine kill Hester’s mother, and what other secrets is she hiding from everyone around her?  For all the stuff these cities have scavenged, did any of them manage to find the plot?

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“Where do we go now?”     “I don’t know, wait for something to explode.”

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